Ask an Editor: Critique Groups Today

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critique groups, critiquing, virtual critique

“Ask an Editor” is a forum wherein SCBWI members submit questions that are answered as part of our quarterly Kite Tales blog.

Hello Christine – I think I’m ready to join a critique/workshop group. How do they work now that we can no longer meet in person, and how do I know someone won’t steal my ideas? Thanks.

—Maggie, Los Angeles

Hello Maggie – The information in my June 20, 2018 post with tips for finding a critique group through reputable sources such as SCBWI remains valid. Before the pandemic, critique groups revolved around WHO (writer’s category or genre) and WHEN/WHERE (time and location of meeting). Let’s take a look at what’s happening now.

Interview with Best-Selling Author, Ann Whitford Paul

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Ann Whitford Paul, If Animals Gave Thanks, pandemic, picture book, picture books, writing tips

Ann Whitford Paul is the New York Times best-selling author of the picture book series If Animals Kissed Good Night and of the definitive children’s picture book writers’ reference book, Writing Picture Books: A Hands-On Guide From Story Creation to Publication. She was kind enough to chat with us and share how her series got started, what’s next for her, her advice for other writers, and more

CHRISTINE VAN ZANDT: Welcome to Kite Tales! With over twenty children’s books published, there’s so much to talk about, but your If Animals Kissed Good Night series is a favorite of mine. The fifth book in the series, If Animals Gave Thanks (Farrar, Straus, and Giroux), is out in time for the holidays. How did this series get started?

Ask an Editor: The Difference Between Story Arc and Structure

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arc, narrative arc, story arc, story structure, structure

“Ask an Editor” is a forum wherein SCBWI members submit questions that are answered as part of our quarterly Kite Tales blog.

Hello Christine – I hear the words “story arc” and “story structure” but am not sure I know the difference. Can you explain? Thanks.

—J.R., Los Angeles

Hello J.R. – Arc and structure (hopefully) work seamlessly together. Let me try to explain.

Story arc (also known as narrative arc) is the trajectory that your story takes over its full progression. The arc provides structure—which makes these terms a bit confusing. Some story arcs and structures can be shown on a graph.

Ask an Editor: Should I Be Querying Now?

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pandemic, query, query letter, query letters

“Ask an Editor” is a forum wherein SCBWI members submit questions that are answered as part of our quarterly Kite Tales blog.

 Dear Christine – With all that’s going on in the world, should I be querying? Thanks.

—Lynn, Los Angeles

Dear Lynn – Query, just be sure to check the agency’s or publisher’s website first. If they are closed to submissions, it should state that.

Ask an Editor: The Difference Between a Comic Book and a Graphic Novel

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Comics, Graphic Novels

“Ask an Editor” is a forum wherein SCBWI members submit questions that are answered as part of our quarterly Kite Tales blog.

Dear Christine – I’ve always loved reading comic books and have an idea I’ve been thinking about but it’s pretty long. So would that be considered a graphic then? Thanks.

—Ryan, Rancho Cucamonga

Dear Ryan – It sounds like your book would be categorized as a graphic novel. Here’s a recap.

COMIC BOOKS: The term “comic book” may remind older readers of the spinning racks where you picked up the latest issue of a favorite story. Comic books originated about 90 years ago in the United States. Today, the choices are vast—there truly is something for everyone.

Ask an Editor: Is It Historical Fiction or Narrative Nonfiction?

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historical fiction, narrative nonfiction

“Ask an Editor” is a forum wherein SCBWI members submit questions that are answered as part of our quarterly Kite Tales blog.

Dear Editor – My YA book is set during World War II using some real characters, but the story is made up. Is this considered historical fiction or narrative nonfiction?                                           —John, Pasadena

Dear John – Defining the genre of your book is an important step because agents often list which genres they’re seeking. Based on what you’ve stated, your book should be pitched as YA historical fiction. Let me explain.

Interview with Poet Renée LaTulippe

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COVID-19, Lyrical Language Lab, pandemic, picture book, poetry, poetry month, Renee LaTulippe, rhyming, writer, writing

Top poet, author, and teacher Renée LaTulippe shares what it’s like working from Italy during the pandemic and her advice for children’s writers.

CHRISTINE VAN ZANDT: Welcome to Kite Tales! I’m currently enrolled in your online ten-week Lyrical Language Lab. Your instruction (from Italy!) during the pandemic has been seamless. How has teaching this course been different?

Interview with Best-Selling Author-Illustrator, Grace Lin

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A Big Mooncake for Little Star, author, Author Tips, COVID-19, disney, early reader, Grace Lin, illustrator, Ling and Ting, middle grade, Mulan, picture book, Where the Mountain Meets the Moon

New York Times best-selling author-illustrator Grace Lin won the Newbery Honor for her middle-grade novel Where the Mountain Meets the Moon, the Theodor Geisel Honor for her early reader Ling and Ting, and a Caldecott Honor for picture book A Big Mooncake for Little Star. Her new middle-grade novel, Mulan: Before the Sword, is an original prequel to Disney’s live-action Mulan story.

CHRISTINE VAN ZANDT: Welcome to Kite Tales! On the West Coast, changes to our lives and livelihoods have been happening at an ever-increasing speed. What’s life like on the East Coast?

Interview with HarperCollins Senior Editor, Maria Barbo

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editor, HarperCollins, Maria Barbo, publishing tips, Writers Day, writing tips

EDITOR’S NOTE: Unfortunately, as you may have heard, SCBWI L.A.’s 2020 Writers Day has been postponed due to the Coronavirus. Please check your emails for the announcement which provides more details. Despite this news, the below interview (unedited from the original) provides fantastic information – so, please, read on! 

MARIA BARBO (Senior Editor at HarperCollins) acquires high-concept series and standalones for young readers of all ages—focusing mostly on middle grade and select picture books, chapter books, and graphic novels. She is particularly interested in projects with authentic voices, strong hooks, and fresh perspectives that use humor, magic, or illustrations to help young readers learn to navigate their world. She works with award-winning and bestselling authors such as Natalie Lloyd, Jim Benton, and Lisa Greenwald. Prior to joining Harper, Maria worked at Scholastic Inc, earned an MFA in painting, and lived in Spain via the Fulbright Program. When she’s not working, you can find her playing soccer or practicing her handstands.

CHRISTINE VAN ZANDT: Welcome to Kite Tales! We’re excited to have you as a Keynote Speaker at SCBWI L.A.’s 2020 Writers Day event. Your topic, “It’s TOTALLY Personal: Character Motivation is Everything” sounds amazing, as does the breakout session, “Master the Middle of Your Novel.” Does character motivation differ in picture book, middle grade, or YA?

MARIA BARBO: Thank you, Christine. I’m excited to meet everyone in L.A. I’d say the basic guiding principle across all age levels is that your main character’s motivations, their deepest desire, is what drives the plot forward. What do they want? Why do they want it? And which of their personality traits is going to get in their way?

Interview with Best-Selling Middle Grade Author, Ridley Pearson

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author, Author Tips, Dave Barry, Kingdom Keepers, Lock and Key, Peter and the Starcatcher, Ridley Pearson, Steel Trapp, Super Sons

Ridley Pearson is a #1 New York Times best-selling author of more than 50 award-winning books for readers of middle grade and young adult. His novels have been published into two dozen languages and adapted for television network and the stage.

CHRISTINE VAN ZANDT: Welcome to Kite Tales! Your best-selling Peter and the Starcatchers series is co-written with Dave Barry and includes illustrations, but that still must be a very different process from writing your new DC Comics Super Sons graphic-novel series. How does it feel to use words so sparingly?

RIDLEY PEARSON: Words are like coins; you can spend them freely or carefully. One of the projects Dave Barry and I co-wrote was to retell the Peter Pan story through the artwork of Disney Legend Mary Blair (artist). We were given 1,500 words, max. Despite an abundance of glorious artwork from the 1930s there were pieces of the story unrepresented by the archival artwork. Dave and I learned firsthand the importance of every single word.