#KT250 Winning Entries, 1st Quarter 2020

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agents, contest winners, contests, drama, literary fiction, publishers, SCBWI members, seeking publisher, seeking representation, The Last Bookstore, unpublished, YA, young adult

#KT250 is a Kite Tales quarterly community contest! We’re proud to announce this quarter’s winners and share the first 250 words of their unpublished manuscripts. We encourage agents, publishers, and mentors to reach out to any they find intriguing!

To find out how YOU can enter for next quarter, check out contest info here. Entries are now being accepted for next quarter!

GRAND PRIZE WINNER:

Prolific Author-Illustrator Mary Ann Fraser on Hooking Agents, Editors, and Readers with Narrative Nonfiction

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Mary Ann Fraser, narrative nonfiction, nonfiction, writing workshop

This year’s Los Angeles SCBWI Writers Day is all about discovering that “eureka” moment by learning tricks and techniques to make your manuscripts shine, digging deeper or simply polishing work to perfection, and attending in-depth workshops with industry pros in areas where we all can use insights and practice. Author and illustrator of over seventy books, Mary Ann Fraser’s workshop, Ready, Aim, Write: Creating On-Target Nonfiction, is all about “carving a gripping informational story out of facts. You’ll learn how to form an irresistible hook to tempt agent and editor alike.” You’ll also get hands-on reading AND writing done in this workshop! We just couldn’t wait until March 28th, though, so we’re bringing you a little sneak peek. Read on for a great Q&A with Mary Ann!

SARAH PARKER-LEE: Thanks for joining us, Mary Ann! Your workshop sounds super fascinating! Nonfiction and fiction are often seen as opposite ends of the kid lit world, or that writing for one means you can’t write for the other. Writers can also feel intimidated because they don’t think they’re “experts” on new subject matter that might interest them, even if they’ve written nonfiction before. What do you say to writers looking to bridge these perceived gaps or who feel intimidated? 

#KTWriteOn with Editor/Author Eve Porinchak: PITCH PERFECT, Mastering the One-Page Synopsis, Query, and Logline

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Author Tips, Eve Porinchak, logline, pitching, query letter, synopsis, writing exercise, writing tips

Happy New Year! Welcome to the Kite Tales Writing Prompt: #KTWriteOn. Each writing challenge is crafted by a kid-lit publishing professional to help spark ideas, creative energy, and get your work moving out into the world. This prompt was created by former literary agent and current editor/YA true-crime author Eve Porinchak. She’s sharing her method for writing the all-important one-page synopsis and subsequent submissions package materials it practically writes for you. BONUS: she’s offering to help you with your logline in the comments, so don’t miss out! Now, take it away, Eve:

The only sad part about working as a literary agent and kid-lit author is witnessing fabulous manuscripts go unread by the gatekeepers’ eyeballs. To prevent this from happening, authors must learn how to pitch their stories. And, I’m here to help! This means creating a submissions package, which equals:

#KTWRITEON with Author Fran Wilde: What’s (Hidden) In A Name?

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fiction, Fran Wilde, geography, language, names, Riverland, Updraft, world building, worldbuilding, writing exercise, writing prompt

Welcome to the Kite Tales Writing Prompt: #KTWriteOn. Each writing challenge is crafted by a kid-lit publishing professional to help spark ideas and creative energy. This prompt was created by author and director of the Genre MFA Program at Colorado University, Fran Wilde. She’s sharing a part of her master-level lecture on worldbuilding, for all genres from literary to historical to fantasy and sci-fi, with us today! Dig in!

Hello SCBWI! Thanks so much for having me here.

As I’m writing this, it’s that liminal back-to-school moment when everything seems new and teetering on the edge of discovery. I love it, AND I remember how my nerves kind of went scrunch every year because I was so excited and maybe a little anxious all at once.

Naming, categorizing, and timelines are part of what school’s all about. When we walk into Maurice Sendak Elementary or Ursula K. LeGuin Middle School, we’re tasked with sorting things into different containers. That’s because names — category names, place names, object names — have so much power.

Valley Green Inn

One of my favorite worldbuilding and brainstorming exercises (it can work as either or both) has to do with place-names, the feelings they invoke, and the deeply layered stories they can tell.

When considering a setting for a story, or creating a new one, sometimes place names get left for last. With this exercise, we’re going to unpack the stories these names can tell, either as layering details or as historical timelines all their own.

What Cassandra Federman Wants You to Know About Writing and Illustrating Your First Book

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Albert Whitman, author, Cassandra Federman, illustrator, picture books, publishing, This is a Sea Cow

Author/illustrator Cassandra Federman was born and raised in Massachusetts, where she spent her childhood reading comic books, playing action figures, drawing superheroes, and participating in all things nerdy (before that became cool). She is also the SCBWI Los Angeles 2017 Mentorship Contest winner. Her book This is a Sea Cow hits shelves on September 1, 2019. Today she’s here to share some of her recent experiences and takeaways on her path to becoming published.

SARAH PARKER-LEE: What things do you wish you’d known/learned before you started this new chapter of illustrating?

#KT250 Winning Entries, 3rd Quarter 2019

Tags

agents, contest winners, contests, fantasy, middle grade, nonfiction, picture book, publishers, SCBWI members, seeking publisher, seeking representation, The Last Bookstore, unpublished, YA, young adult

#KT250 is a Kite Tales quarterly community contest! We’re proud to announce this quarter’s winners and share the first 250 words of their unpublished manuscripts. We encourage agents, publishers, and mentors to reach out to any they find intriguing!

To find out how YOU can enter for next quarter, check out contest info here. Entries are now being accepted for next quarter!

GRAND PRIZE WINNER:

Agent Laurel Symonds on the Creativity, Business, and Work-Life Balance of Kid Lit

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agent, business, Dogs, Doug Cenko, Laurel Symonds, productivity, Shelly Vaughan James, submissions

Agent Laurel Symonds began her publishing career in the editorial department of HarperCollins Children’s Books/Katherine Tegen Books in New York City and joined the Bent Agency in 2018. She’s also had positions in the marketing department at a small publishing house, in a library, and as a bookseller at one of the nation’s best independent bookstores. She’s looking for authors and illustrators from across the picture book-YA spectrum, especially underrepresented stories and voices. And! …She’s here to share some of all this kid lit wisdom she’s gathered before she sits on faculty for this year’s Working Writers Retreat.

SARAH PARKER-LEE: Your decades’ worth of experience with marketing, editing, bookselling, and publishing gives you a lot of insight into both the creative and business sides of kid lit. We can’t wait to learn from you at the retreat! What is one thing from each side you think authors and illustrators should know but often don’t?

Illustrator Joie Foster on How to Stop Rushing Towards “Next” and Steamrolling Your Achievements

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illustrating, Joie Foster, publishing, SCBWI community

By Joie Foster

You work toward a goal for ages, but when you finally achieve it, it feels like nothing more than a checkbox to be crossed off on your way to the next thing. Your sweet victory suddenly tastes so bland. Sound familiar? You’re not alone. Today I’m going to share three tips to help you stop moving your creative goalposts and celebrate wins!

2019 Mentor Bethany Barton Has Selected Her Mentee!

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Bethany Barton, illustrator, mentor, mentoring, mentorship, picture books, SCBWI community, SCBWI members

By Bethany Barton, author/illustrator

Have you ever gotten a restaurant menu where everything looks so delicious, it’s nearly impossible to decide? That’s what it felt like going through the applications for SCBWI’s 2019 Mentorship contest! Too much good stuff!

First of all, I want to thank everyone who applied. It’s not always easy to share our artwork with the world, and so many of you were willing. I feel privileged to have gotten my eyes on what you create. I was blown away by the talent on display in every one of this year’s mentorship applicants. The passion for the craft of visual storytelling for children could be seen (and often felt!) in every image that popped into my inbox and I was oh-so-inspired to see the gifts you have to offer young readers. Please keep drawing, please keep painting, please keep telling stories with your images. You must. We didn’t work together this time, but I look forward to seeing your books on shelves, hearing about your successes, and high-fiving you at SCBWI events.

And now, without further ado, I’d love to introduce the world to my mentee:

Seven Things I Learned After Publishing My First Book

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Helena Ku Rhee, picture books, published, publishing, SCBWI members

by Helena Ku Rhee, Author

Helena with her muse Sherwin

EDITOR’S NOTE: Helena Ku Rhee grew up in Los Angeles, but has also lived in various parts of the U.S., Asia and Europe. Currently, Helena works at a movie studio by day and as a writer by night and weekends. Her debut picture book, The Turtle Ship (Lee and Low), is available now! Today, she shares seven things she learned after publishing her book and you’re going to want to learn them, too!

I’ve always loved learning about a writer’s journey — especially about the path of a debut author, with his or her very first book out in the world. Now that almost a year has gone by since the release of my debut picture book, I wanted to share seven learnings to help writers who are journeying towards their own exhilarating debut.

1. Your dream will keep expanding and evolving.

During what I refer to as the “Rejection Years,” I used to think I’d be so happy to get just one book published.