The Sue Alexander Grant is Open. Why Should You Submit Your Writing?

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Andrea Custer, contests, critique groups, critiquing, pitching, SAG, SCBWI community, SCBWI events, SCBWI members, Sue Alexander, Sue Alexander Grant, writing

By Karol Ruth Silverstein, SCBWI-L.A. Contest Coordinator

It’s time once again to polish up those manuscripts and submit to the Sue Alexander Grant, the winner of which receives a guaranteed spot and free tuition to the SCBWI-L.A. September 2018 Working Writers Retreat.

The WWR is an intense critiquing weekend with critique sessions, revision time, and parties ­­— including karaoke! The retreat culminates in a first-pages pitch session with four acquiring editors and agents.

I recently caught up with last year’s Sue Alexander Grant winner, Andrea Custer, for her insight on the retreat, how it influenced her writing, and why you should apply for this grant to attend.

KAROL RUTH SILVERSTEIN: Did you put in a lot of work on your manuscript before submitting it to the Sue Alexander Grant or did you have a polished manuscript ready to go?

ANDREA CUSTER: I workshopped it with my critique group as I was writing the first draft. They are an amazing group, quite astute, and so I had the benefit of their comments early on and had already revised the first half of the manuscript based on their feedback. Submitting it for consideration for SAG was actually a bit of an impulse! I saw the reminder on Facebook that the submission deadline was coming up, and thought why not go for it? I had about a week to re-read, polish, and get it ready. I found out I’d won on my birthday! It was the best gift I’ve ever gotten.

KRS: What was your favorite part of the retreat? What was most valuable?

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And the 2018 SCBWI-L.A. Mentorship Contest Winners Are…

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Andrea J. Loney, Jennifer Fitzgerald, mentors, mentorship, Monica Mancillas, picture books, SCBWI community, Wade Bradford

By Karol Ruth Silverstein, SCBWI-L.A. Contest Coordinator

SCBWI-L.A. is thrilled to announce the winners of the 2018 Mentorship Contest. These two lucky writers will each enjoy a six-month mentorship with their respective PAL member mentors. To all those who applied but were not selected, please know that our mentors considered the competition very steep. Your applications definitely made it difficult for them to choose their mentees.

“I am so honored by and grateful for everyone who submitted to be my SCBWI mentee,” mentor Andrea J. Loney said. “Everyone put a tremendous amount of thought, passion, and heart into their applications and it showed. So I encourage everyone who submitted to keep going, keep writing, keep critiquing, keep sharing, keep networking, keep revising, and once again, keep writing. I’m looking forward to seeing your words in the world.

And now for our lucky winners:

SCBWI SoCal Regional News, Second Quarter 2018

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Jennifer March Soloway, Lin Oliver, Michael Mahin, Nancy Mercado, SCBWI events, Steve Bramucci

By Beverly Plass, Co-Assistant SoCal Regional Advisor

Into the Woods: May 4-6, 2018

Our weekend writer’s retreat sold out in one week! YA and middle-grade writers will gather in scenic Idyllwild to spruce up their manuscripts with the guidance of professionals. And what better theme for this year than “Into the Woods?” Attendees will participate in four critique-group sessions led by an editor, agent, or published author, hear speaker presentations on the craft of writing, and mingle during meals and a happy hour.

Our faculty includes:

SCBWI Los Angeles at LA Times Festival of Books: Location, Location, Location

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Book Festivals, LATFoB, Los Angeles Times Festival of Books, PAL, R.S. Mellete, volunteers

By R.S. Mellete

In 2015, when we first decided to have a booth at the Los Angeles Times Festival of Books, I had no idea where we should request our booth. When I looked at the map of the festival, I saw Childs Way and figured that’s where the Society of Children’s Book Writers & Illustrators should be, right?

I’m not from Los Angeles. I didn’t go to USC or UCLA. The most time I’ve ever spent on either campus has been working on movie locations, so I had no idea that Child’s Way was the name of a street, not a section of the festival — which ended up being in the “Hero Complex.”

SCBWI Central Coast Regional News, Second Quarter 2018

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book talk online, illustrators, Lynn Becker, Mary Ann Fraser, Mary Penney Hershey, mentorship, picture books, SCBWI events, workshops

By Ann Rousseau Smith, SCBWI CenCal News Liaison

A Changing of the Guard

By Mary Ann Fraser

Change seems to be one of the few reliable constants at play in the universe, and so it is with our region. I will soon be moving, and since regional advisors must live within the areas they serve, as of March 1, 2018 I officially stepped down from my post. Thankfully, the talented, hard-working, and did I mention best Assistant Regional Advisor a region could ask for, Rebecca Langston-George, stepped up to take my place. I have no doubt that she will do an outstanding job. I have thoroughly enjoyed serving our region for the past many years, first as Regional Kite Tales Editor, then as Illustrator Coordinator, and most recently as Regional Advisor. Before all of that, along with Lisze Bechtold, I also coordinated several local SCBWI Illustrator Retreats. As a result, I have had the joy of meeting and working with so many people I admire and the honor of calling many of them friends. I will miss you all, but please know that in my heart I will forever be a CenCal Gal!

Wishing you all endless inspiration and great success in all you do,

Mary Ann

SCBWI Cen-Cal 2018 Mentor Program

Our 2018 Mentee is…

Writers Day Literary Agents on Pitching in Person and Making the Most of Your Time

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agents, Eve Porinchak, Karen Grencik, Kari Sutherland, pitching, query letters, SCBWI events, Seth Fishman

By Sarah Parker-Lee and Erlina Vasconcellos

Last month brought us the annual SCBWI-LA Writers Day. Quite a few attendees took advantage of assigned one-on-one pitch sessions with the awesome literary agents on faculty. Some pitchers used the opportunity to work on their query letter or aspects of their pitch with the agent in an advisory role while others went all-in with hopes the agent would request their full manuscript – AKA be interested in representing them professionally. Several folks did get a partial or full request and everyone walked away with some great feedback.

After the pitch sessions were over, we asked our agents how things went, what they liked, and what they recommend so you can put their answers in your toolbox for your next pitch!

Community Corner with Author Ann Whitford Paul: Socializing with a Purpose

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critique groups, SCBWI community, SCBWI members, writing tips

By Ann Whitford Paul

*Editor’s Note: After a successful SCBWI Los Angeles Writers Day, whether you attended or not, we thought you might be looking for more ways to “level up” your writing, no matter the stage of your career, so we asked author Ann Whitford Paul, who belongs to a lot of groups, to share some community-building, group-oriented ways you can do just that for this quarter’s “Community Corner.” Read on for her fabulous insights!

You’re a writer. You prefer to be alone in the peace and quiet of your home, creating ideas, developing and revising them. Still you know you should (and you want to) make time to be with others, just not so much that it interferes with your writing. What about joining or creating groups that may take you away from your computer, but also enhance your career?

Los Angeles SCBWI Writers Day 2018 Manuscript Contest Winners!

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Alison A. Baker, Brenda Scott Royce, Chelsea Lin Wallace, Colleen Paeff, Debbie Friedman, Heather Schmidt, Jamie Kiffel-Alcheh, Kendra Kurosawa, middle grade, nonfiction, PB Rippey, picture book, Sarah Parker-Lee, SCBWI events, SCBWI members, young adult

Every year, SCBWI Los Angeles opens our Writers Day contest to all members attending the event. This year, our anonymous judges chose 10 honorees in Young Adult, Middle Grade, Picture Book, and Other (which includes poetry and non-fiction). First place winners in each category receive free tuition to next year’s Writers Day, as well as a manuscript critique from one of this year’s faculty members. There were a lot of wonderful entries and a “20% of total entries” guideline was used to determine how many manuscripts were honored in each category. As Contest Coordinator Karol Ruth Silverstein so aptly put it, “Regardless of whether you win or lose, putting your work out there to be judged by entering the contest is a courageous act in itself. So let me first congratulate all of you who entered.”

And now, our 2018 Writers Day winners! (If you’d like to contact any of the winners to request their manuscript or discuss publication, please let us know!)

Volunteer Spotlight: 2018 Sue Alexander Service and Encouragement Award Winner

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Cursed, Karol Ruth Silverstein, SASE, SCBWI events, SCBWI members, Sue Alexander Service and Encouragement Award, volunteering, volunteers

Each year, the Sue Alexander Service and Encouragement Award is presented to a regional volunteer who has shown exceptional dedication to SCBWI Los Angeles. This year’s winner, Karol Ruth Silverstein, credits her time volunteering as Schmooze/LitMingle Meister with signing with an agent and subsequently selling a book. She’s since moved on to be our Contest Coordinator and is so dedicated, she was just featured in our previous “Volunteer Spotlight” (here). So instead of the usual spotlight fare, I thought we’d do something a little different and ask Karol some fun questions.

SARAH PARKER-LEE: If you could volunteer for anything you wanted to, other than SCBWI, what would you choose?

Illustrator Kent Culotta on Animation vs. Illustration, Inspiration, and Leveling-Up Your Skills

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Busy Trucks on the Go, D is for Dump Truck, Dan The Taxi Man, Eric Ode, illustrating, illustrator tips, Kent Culotta, picture books, SCBWI members, The Twelve Days of Christmas in Kentucky, Too Many Tomatoes

Some of professional illustrator Kent Culotta’s most recent projects include illustrations for D is for Dump Truck, published by Sleeping Bear Press, and The Twelve Days of Christmas in Kentucky, published by Sterling Children’s Books. He’s also collaborated with author Eric Ode and publisher Kane Miller on three books, Dan, The Taxi Man, Busy Trucks on the Go, and the recently released Too Many Tomatoes. Kent lives in Southern California, but grew up in a small town in Michigan. When he was five, he covered an entire wall of his parents’ living room with his own gallery, each drawing taped lovingly in place. No blank piece of paper, used envelope, or post-it note have ever been safe from his pencil. And today Kent, a fellow SCBWI member, shares with us his experience along with some tips and tools for leveling-up your own skills.

SARAH PARKER-LEE: You’ve worked as an artist in newspapers and on film, including several years in the animation industry working on some pretty memorable Walt Disney movies. How, and why, did you make the transition to children’s book illustrator? Did SCBWI play a role?

KENT CULOTTA: Being a children’s book illustrator was always in the back of my mind when I was working at the big animation studios, and I took a couple of book illustration classes back then at Otis Parsons. I think that I first learned about SCBWI from one of those classes. At the time I was a bit discouraged because publishers then were less open to illustrators whose work showed an animation influence. That has changed a lot. The big transition I went through was when animation rather quickly went from hand-drawn to CG. I worked hard to update my skills and did pretty well, but I soon realized what I really missed was drawing by hand. I joined a group called Drawergeeks that my co-workers participated in. Each week a new subject was set and we all would do an illustration piece on that subject. It helped motivate me and also helped me get out of my own head a little and tackle subjects that I wouldn’t normally think of, a good skill when you’re illustrating other people’s stories. I ended up getting a pretty nice first illustration portfolio from those Drawergeeks illustrations. It was at that point I started regularly attending SCBWI schmoozes/mingles and conferences, which were great motivators as well.

SPL: As an illustrator, you’re tasked with interpreting someone else’s story while still being true to your artistic identity. Do you have any advice on how to maintain that balance for those just starting out or perhaps feeling a little lost?