L.A Writers Day 2018 Recap: How Author Charlotte Offsay “Leveled Up”

By Charlotte Offsay, Author

My heart skipped a beat as I dashed in from the rain and joined swarms of writers checking in for SCBWI’s annual L.A Writers Day conference at the Skirball Cultural Center on March 3. As I gazed around the beautiful glass foyer, old friends embraced. Before I could wonder where to stand, friendly SCBWI volunteers and two other conference newbies greeted me.

My new writer friends and I made our way into a packed auditorium and looked over our schedules. Each event seemed more exciting than the next: keynote speeches, breakout sessions with agents, editors and authors, a book fair, pitch sessions, contests and prizes.

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Giving It Away for Free: Keys to Promoting Your Book at Events

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Comic Con, convention circuit, Conventions, crowdfunding, merchandising, SCBWI members, self-publishing, selling, Stan Yan, There's a Zombie in My Basement, tips

by Stan Yan, Author and Illustrator

This is the second part in a two-part series where I discuss keys to promoting my bedtime picture book, There’s a Zombie in the Basement, inspired by my 3-year-old son who wouldn’t come down to my basement studio, fearfully pointing at my zombie artwork on the walls. I’ve been promoting my other work at comic and fan conventions since 2001, but I’ve learned a lot about them and applied it specifically to promoting my book. You don’t have to feel overwhelmed by conventions and events! Read on for my keys to standing out and selling your work.

Failing Before You Start: The Key Steps I Ignored to Crowdfund My Picture Book

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crowdfunding, illustrating, Indiegogo, Kickstarter, publishing, SCBWI members, self-publishing, Stan Yan, There's a Zombie in My Basement, tips, writing

by Stan Yan, Author and Illustrator

This is the first part in a two-part series where I will discuss my “missteps” in crowdfunding my picture book, There’s a Zombie in the Basement, because sometimes you have to risk going against conventional wisdom to bring your book into the world.

In 2013, my primary job was drawing zombie caricatures at conventions. One day, my 3-year-old son wouldn’t come down to my basement studio, fearfully pointing at my zombie artwork on the walls. This inspired my foray into kidlit, which taught me some lessons.

Ignored Step #1: Don’t Self-Publish.

#KTChat with Author Danielle Davis: Navigating Your Writing Process and Valuing Your Work

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chat, Danielle Davis, Q&A, SCBWI community, SCBWI events, SCBWI members, Twitter, writing exercise, writing tips, Zinnia and the Bees

On Twitter today (Friday, 2/23/18) from 4-5 PM PST, Danielle will be taking your questions and discussing her article on the writing process, how to find value in your work, and ways to keep moving forward, even when you don’t feel like it. Log into your Twitter account during our chat hour and use the hashtag #KTChat or @mention Danielle (@writesinLA) to join the discussion! If you aren’t on Twitter, leave your questions in the comments before the chat begins! Find SCBWI-LA on Twitter: @SCBWISOCALLA

By Danielle Davis, author of Zinnia and the Bees

Process fascinates me, in part because I find it challenging. It’s tempting to focus on other things that start with p: publication, perfection, panic, pretzels (snacks, help, right?) and, of course, the desire to polish off a manuscript and be finished.

Before my debut middle grade novel, Zinnia and the Bees, was published, I always thought that I wouldn’t have that “second book problem” because I had two manuscript drafts I already planned on pursuing.

But then I did have that second book problem. I had it big time.

Author Gary Schmidt: Know Your History, Balance Your Time, and Write the Hard Stuff

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Carter Jones, Gary Schmidt, historical fiction, Okay for Now, Orbiting Jupiter, Pay Attention, So Tall Within, time management, What Came from the Stars, writing, writing tips

Gary Schmidt is a two-time Newbery award-winning author and professor of English at Calvin College in Grand Rapids, Michigan. He received both a Newbery Honor and a Printz Honor for Lizzie Bright and the Buckminster Boy and a Newbery Honor for The Wednesday Wars. He lives with his family on a 150-year-old farm in Alto, Michigan, where he splits wood, plants gardens, writes, and feeds the wild cats that drop by. He’s trading the Michigan cold for warm L.A. as faculty for this year’s SCBWI-L.A. Writers Day. Today, he’s sharing his experience and advice on writing emotionally heavy subject matter for kids, balancing multiple projects, and the historical fiction we all should be reading.

SARAH PARKER-LEE: You’ve shared that you weren’t a big reader as a kid until one particular teacher not only taught you to read, but taught you that you were capable of reading and understanding, that you weren’t “stupid.” How do you try to impart this same encouragement to your young readers?

GARY SCHMIDT: A good question. I think I come to the writing with the assumption that I’m going to ask the reader to do some work — and trust that they will be willing to do that. In Okay for Now, I have a character so emotionally hurt that he won’t articulate what he would like to say — and so many of his sentences end before he gets to the point — and often, he tells the reader that his story is none of their business. Or in What Came from the Stars, the reader is confronted with an alien language and has to figure out meanings — just like the characters. In Orbiting Jupiter the narrator is a naïve twelve-year-old kiddo, but the story he wants to tell is that of a very much older fourteen-year-old kiddo. In all those cases, the reader has a lot of work to do to figure out what is going on, and so has to become invested in doing part of the work of the novel. Succeeding at that involves a kind of competence that is, it seems to me, an article of trust between the reader and the writer that involves encouragement.

SPL: Many of your books aren’t as lighthearted or full of the typical middle-grade humor we often come to expect for that age group. Any tips on writing about heavier subjects for a middle-grade audience?

Author Michael Morpurgo on His New Book, TOTO, and Writing From an Animal’s Perspective

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chapter book, Children's Laureate, Emma Chichester Clark, Farms for City Children, HarperCollins, interview, Michael Morpurgo, middle grade, Toto, Wizard of Oz

Today, we feature Michael Morpurgo, author of the middle-grade chapter book, Toto: The Dog-gone Amazing Story of the Wizard of Oz. This retelling of the classic is from Toto’s point of view. Each chapter begins as he tells his tale to his puppies—only one of which usually stays awake until the end.

A former Children’s Laureate, Morpurgo has published over 150 books. His novel, War Horse, was successfully adapted into a Tony Award-winning Broadway play and a Golden Globe-nominated film by Steven Spielberg. Morpurgo’s books include retellings such as Pinocchio by Pinocchio (told from Pinocchio’s viewpoint), also a collaboration with illustrator, Emma Chichester Clark.

CHRISTINE VAN ZANDT: Welcome to Kite Tales! What influenced your decision to rewrite The Wizard of Oz?

MICHAEL MORPURGO: We all know the original story from the film and perhaps less from the L Frank Baum book. It is a wonderful and magical tale—funny, frightening—and strange and a wonderful film, but I always felt that there was one character who had little part to play in the story. Dorothy we know and love, but her little dog, Toto, does little more than accompany her on her adventures, providing her with comfort and company, but we never know what he thinks of all that is going on. He just gets carried around a lot. So, I thought why not tell the story again, but through Toto’s eyes. But it was really my friend, the illustrator of Toto, Emma Chichester Clark, who originally had the idea of a retelling the story with her own beloved dog, Plum, as the inspiration for Toto.

CVZ: Please tell us about your writing process.

SAG Winner Karen Jameson on Getting Published & the Mentors That Got Her There

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agents, Alexis O'Neill, Ann Whitford Paul, Dianne White, Karen Jameson, Lynn Becker, published, publishing, SAG, Sue Alexander Grant

By Karen Jameson

Sometimes the person who’s about to change your life has been there all along!

Children’s author and friend, Dianne White, and I met way back in 1996 when I joined the teaching staff at Peachland Elementary. A well-respected primary teacher with an encyclopedic knowledge of children’s literature, Dianne pursued her love of children’s writing after hours. Sixteen years later, when Dianne announced plans for an early retirement (and a move to Arizona), I knew that it was now or never. I finally summoned my courage and shared my own secret writing dreams. I never could have imagined what happened next!

Author/Illustrator Stan Yan on Quitting Your Day Job, Joining the Con Circuit, & Halloween Picture Book Scares

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author, Cons, Halloween, illustrator, monsters, picture books, San Diego Comic Con, SCBWI members, Stan Yan, zombies

I met Stan Yan, a Denver-based writer/illustrator, caricature artist, and instructor, at his booth at San Diego Comic this year. I’m a bit of a zombie-aficionado and could not resist checking out his kids’ picture book – There’s a Zombie in the Basement (Squid Works Kids). We got to talking, and, when I found out he is an SCBWI member, I knew I had to interview him. He went to school at the University of Colorado in Boulder, where he got his bachelor’s degree in accounting, but gave up on financial security to become a full-time freelance cartoonist. Stan also teaches summer camps, after-school programs, workshops, and helped to develop a degree program in graphic storytelling as an adjunct faculty member at the Community College of Aurora. His other recent credits include art and colors for Show Devils (Mother Mind Studios) and writing and art for Vincent Price Presents (BlueWater Productions / Storm Comics).

Sarah Parker-Lee: You’ve written and illustrated comics and books with horror themes for adults and older readers, but There’s a Zombie in the Basement is a picture book for kids. How did that come about? Were you worried it might be too scary?

Stan Yan: Even though I spent most of my life doing more adult-oriented comic book work, some of my major inspirations growing up were picture books, including anything Dr. Seuss and Maurice Sendak’s Where the Wild Things Are. While many of my family continued to badger me to do children’s books, I had no interest until my son was almost 4 years old. One day, he wouldn’t come downstairs to my basement studio, and when asked why, he said he was afraid. When asked what he was afraid of, he started pointing at all of my zombie artwork decorating the walls. Over the next hour, I wrote the fast draft version of my rhyming bedtime storybook.

As I worked on the artwork I wanted it to be a bit unsettling at the beginning, not unlike Sendak’s Wild Things. And, it was precisely my fascination with these unsettling Wild Things that kept me checking that book out from the library as a kid. Of course, by the end of the story, they’re no longer scary, which is what I was going for too.

SPL: As a writer and illustrator, you’ve spent a lot of time with “horror” themes, monsters, and the like. Any advice for other kid lit writers/illustrators looking to translate some of these things into spooky stories kids can enjoy? 

Author and Illustrator Mary Ann Fraser’s Lessons After 60 Published Books and Counting

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Book Launches, Charlesbridge, illustrator tips, Mary Ann Fraser, publishing, writing tips

Mary Ann Fraser is the author/illustrator of 60 fiction and non-fiction books for children. Her latest picture book, Alexander Graham Bell Answers the Call (Charlesbridge), was published in August.

Fraser is also the Regional Advisor for SCBWI’s Central-Coastal Region. She talks to Kite Tales about her prolific career and shares lessons learned over the years.

Erlina Vasconcellos: Congratulations on your new book, a nonfiction look into the childhood of Alexander Graham Bell. How did you choose him as the subject?

Mary Ann Fraser: First, thank you for the opportunity to share my journey toward this latest book. As always, I am so grateful for the support and encouragement of my friends and peers that make up this amazing community we call SCBWI.

In 2012 my husband and I visited the Alexander Graham Bell Historic Site in Baddeck, Nova Scotia. I was amazed at Bell’s endless curiosity, inventiveness, and desire to help others, particularly the deaf, and was struck by how his life’s work seemed inevitable from the time he was a young lad. His mother was deaf and his father and grandfather were speech therapists. At the museum bookstore, I asked if they had any picture books on Bell. The cashier said they didn’t but wished they did. That’s when bells (excuse the pun) started ringing, and I realized I had my next project.

EV: After 60 books, how do you stay inspired and keep things fresh? Is your method for generating ideas different from when you began?

Debut Author and Illustrator Jennie Palmer: A Speedy Path to Publishing

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Abrams, Jennie Palmer, Jessica Sinsheimer, Mary Ann Fraser, SCBWI community, SCBWI members, Summer Conference, Writers Day

The book industry is filled with tales of people who toil on a story for years before being published. Author and illustrator, Jennie Palmer, isn’t one of them.

Palmer had taken classes on the art and craft of picture books at the Rhode Island School of Design, where she was an illustration major. After graduating, she put that knowledge aside when she became a production designer whose credits include work on the television show Blue’s Clues and 12 years designing floats and balloons for the Macy’s Thanksgiving Day Parade.

And then came the idea for a picture book about witches – a glimmer of an idea that solidified as she was cleaning up after her family’s weekly pizza night.

In 2014, she attended her first SCBWI Summer Conference with an outline. She didn’t have a dummy or a portfolio, but three years later that story, The Wompananny Witches Make One Mean Pizza, would be published by Abrams.