Getting the Most Out of Critique: The Art of Listening

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critiques, kidlit, SCBWI community, SCBWI events, SCBWI members, writing tips

This weekend on June 12th, SCBWI-L.A. will be hosting its annual Critique Day which is open to all members of SCBWI. Creatives from all over the tri-regions (and beyond) will have the opportunity to share their work with each other in a safe and structured environment. It is one of the best places to get started when taking those first steps into honing your craft without having to fully commit to a class or pay for a workshop. This event is always free to our members. (Registration for this year’s event is now closed, however, so be sure to check back on the regional page for next time!)

But we’re here to talk about getting the most out of that critique. For first timers it can be nerve-racking just having someone else read your work, but for the seasoned pro it might be a testing ground for an experimental piece. Both need open and honest feedback about the work, but with only a few minutes to read and talk about each piece, how can we best make use of that time?

Save the Date! Cen-Cal Writers’ Day 2021

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Annelouise Mahoney, CenCal Writer's Day, critiques, Jamie Emaus, Kristen Nordstrom, SCBWI events, writing contest

By Ann Rousseau Smith, SCBWI CenCal News Liaison

SCBWI Central-Coastal California has set a date for Writers’ Day 2021. Please mark your calendars for Saturday, October 30.

This year’s Writers’ Day will be in two parts. The first will be in-person at California Lutheran University in Thousand Oaks with spotlight speakers. A featured guest will also speak on this day. The writing contest recipients will be announced and critiques distributed at this half-day event.

Spotlight speakers include:

Community Corner with Monica Sagaser: SCBWI Critique Groups and Taking the Leap

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critique groups, critiques, Monica Sagaser, pandemic, SCBWI community, SCBWI members

At the start of quarantine, I checked in with my writer friends. All of them reported they simply couldn’t write or open a book. They berated themselves, something painfully easy for writers. The anguish of loss and uncertainty during this global pandemic was taking a toll on their creativity. Feeling no different, I was terrified of even glancing at my half-baked manuscript. I feared it would go unfinished.

I didn’t want that to happen, so I took a leap.

An Interview with Kirsten W. Larson, Nonfiction Author

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Author Tips, CenCal Writer's Day, critiques, Kirsten W. Larson, picture books

by Ann Rousseau Smith, SCBWI CenCal News Liaison

Kirsten W. Larson, former NASA employee, is the author of numerous nonfiction books and magazine articles for curious kids. Her most recent book is a nonfiction picture book biography. Wood, Wire, Wings: Emma Lilian Todd Invents an Airplane (Calkins Creek, February 2020) explores the failures and successes of self-taught engineer Emma Lilian Todd as she tackles the challenges of designing an airplane in the early 1900s.

Kirsten agreed to take a few moments from her busy schedule promoting her book to answer a few questions on the origins of her riveting new book.

Sue Alexander Grant is Open for Submissions! Here’s Why You Should Apply!

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agents, critiques, critiquing, Julia Edwards, published, publishing, SAG, SCBWI community, SCBWI events

By Julia Edwards 

If you are thinking about applying to SCBWI-LA’s Sue Alexander Grant, JUST DO IT! It was the best thing I could have done for my middle grade manuscript — twice! In 2017, I applied with a very early draft of Anno Catti: In the Year of Our Catand was lucky to be the first runner-up. Then, in 2018, after major rewrites, I applied again and received top honors and a free ride (!) to the coveted Working Writers Retreat weekend.

For those who have never been to WWR, here’s the deal:

SCBWI Webinars: Query Letter Help, Professional Manuscript Critiques, and More!

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critiques, query letter, SCBWI events, SCBWI members, webinars

By Kim Wildman, SCBWI-L.A. Assistant Regional Advisor

One of the things I love about being a writer is that I’m constantly learning. Yes, I’m writing, but I’m also reading books, studying other writers’ sentences, and listening to authors talk about their craft or their challenges. Learning together is one way SCBWI is a community to me.

Recently, I’ve taken advantage of SCBWI webinars, a resource that helps me learn in a relaxed and easy way. How easy? Bathrobe-at-my-kitchen-table easy.

Agent and SCBWI-LA WWR Faculty Victoria Wells Arms On Critiques, First Lines, and More

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Candice Ransom, critiques, E.D. Baker, first lines, Han Nolan, Katherine Hannigan, Marcella Pixley, Nikki Grimes, Shannon Hale, Susan L. Roth, Susan Middleton Elya, Victoria Wells Arms, Working Writer's Retreat

Before founding Wells Arms Literary Agency in 2013, Victoria Wells Arms spent 20 years in the publishing industry, working as an editor at Penguin and Bloomsbury, where she was the founding editorial director for their U.S. children’s list. She brings her expertise to this year’s Working Writer’s Retreat (WWR) as faculty.

She’s worked with bestselling and award-winning authors, including: E. D. Baker, Susan Middleton Elya, Nikki Grimes, Shannon Hale, Katherine Hannigan, Han Nolan, Marcella Pixley, Candice Ransom, Susan L. Roth and Renee Watson. She is an MFA candidate at the Vermont College of Fine Arts’s Writing for Children and Young Adults program.

Victoria took time away from her studies to answer our questions and share her insight.

ERLINA VASCONCELLOS: The retreat will feature a panel on first pages. How do first pages make readers eager for more? What are the elements commonly overlooked by unpublished writers?

Peer2Peer Critique Day 2018: Inspirational Setting and Writers

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community, critiques, SCBWI community, SCBWI events, SCBWI members, writing

By Renee Carter

It was a spectacular Saturday morning. The temperature was in the low seventies and the sky blue. The Peer2Peer Critique Day facilitators, Daka Hermon and Pamela Rippey, arrived early to the Skirball Cultural Center, armed with candy and great attitudes. I was warmly greeted, efficiently signed in, and encouraged to pick any spot for my group. Within minutes, other SCBWI members arrived. There were several familiar faces; two from my mingle group and two from prior Critique Days.

The table where I sat was composed of four other middle grade writers. We were a diverse group: a teacher, life coach, retired banker, retired physical therapist and a full-time author. Our common ground lay in the areas of writing children’s literature and a positive, supportive attitude.

Ask an Editor: Where Can I Find a Critique Group?

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critique groups, critiquenic, critiques, critiquing, SCBWI community, SCBWI events, SCBWI members

“Ask an Editor” is a forum wherein SCBWI members submit questions that are answered as part of our quarterly Kite Tales blog.

Dear Editor – I think my YA novel is finished but would like to show it to other people for feedback. Where can I find a critique group?
—Effie, Culver City

Need Help Finding a Critique Partner or Group – Peer2Peer Critique Day Can Help

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critique groups, critiques, critiquing, Daka Hermon, SCBWI events

Writers and illustrators, if you’re ready for the first step to taking your work in progress public, Peer2Peer Critique Day (formerly known as Critiquenic) returns Sunday, June 3 to the Skirball Cultural Center in Los Angeles.

It’s an opportunity to connect with other SCBWI members, and you may even find a critique group or partner to continue with after the event.

Peer2Peer Critique Day is free, but registration is required and is open until Sunday, May 27 on the SCBWI Los Angeles website. It’s for current SCBWI members only. If you’re not yet a member, you can sign up here.

The event runs from 10:30 AM to 3 PM. Bring a lunch or purchase food at the Skirball’s café.

Critique Day coordinator Daka Hermon gives us the scoop on how to prepare and what to expect:

Erlina Vasconcellos: How will Peer2Peer Critique Day be structured? Do participants meet individually or in groups?

Daka Hermon: When registering, the attendees will choose a category: illustrations, picture book dummy or text, chapter book/middle grade, or young adult/new adult. Upon arrival, attendees will be placed into groups. The size of the groups will vary based on attendance, but it’s normally about five to six members.

EV: Writers and artists are notorious introverts. How are you hoping to coax them away from the solitude of their desks and creative caves?