20 Wednesday Jun 2018
Posted in Ask an Editor, Critique Day
Tags
critique groups, critiquenic, critiques, critiquing, SCBWI community, SCBWI events, SCBWI members
“Ask an Editor” is a forum wherein SCBWI members submit questions that are answered as part of our quarterly Kite Tales blog.
Dear Editor – I think my YA novel is finished but would like to show it to other people for feedback. Where can I find a critique group?
—Effie, Culver City Continue reading
16 Wednesday May 2018
Posted in Critique Day
Writers and illustrators, if you’re ready for the first step to taking your work in progress public, Peer2Peer Critique Day (formerly known as Critiquenic) returns Sunday, June 3 to the Skirball Cultural Center in Los Angeles.
It’s an opportunity to connect with other SCBWI members, and you may even find a critique group or partner to continue with after the event.
Peer2Peer Critique Day is free, but registration is required and is open until Sunday, May 27 on the SCBWI Los Angeles website. It’s for current SCBWI members only. If you’re not yet a member, you can sign up here.
The event runs from 10:30 AM to 3 PM. Bring a lunch or purchase food at the Skirball’s café.
Critique Day coordinator Daka Hermon gives us the scoop on how to prepare and what to expect:
Erlina Vasconcellos: How will Peer2Peer Critique Day be structured? Do participants meet individually or in groups?
Daka Hermon: When registering, the attendees will choose a category: illustrations, picture book dummy or text, chapter book/middle grade, or young adult/new adult. Upon arrival, attendees will be placed into groups. The size of the groups will vary based on attendance, but it’s normally about five to six members.
EV: Writers and artists are notorious introverts. How are you hoping to coax them away from the solitude of their desks and creative caves?
13 Friday Oct 2017
Posted in Editor's Perspective, Writers' Retreat
Tags
Alyssa Miele, critiques, HarperCollins, Jen Malone, Jo Whittemore, LGBTQIA, middle grade, SCBWI events
HarperCollins Associate Editor, Alyssa Miele, loves fiction chock-full of strong, flawed, and loveable characters whose stories stay with her long after she’s earmarked, underlined, and reread the heck out of them. From commercial to literary, queer to straight, and everything in between, Alyssa loves books that inspire, haunt, and captivate. Alyssa’s recent projects include Changes in Latitudes by Jen Malone, Confidentially Yours: Vanessa’s Design Dilemma by Jo Whittemore and The Arrival of Someday (working title) by Jen Malone (Summer ’19). Alyssa was on faculty for this year’s Los Angeles Working Writers Retreat and spent a weekend in Encino with our members as they dove into their writing and tweaked, polished, and maybe even dismantled their projects. For tips, insights, and music to edit by, keep reading!
Sarah Parker-Lee: As faculty for the WWR, you gave feedback on attendees’ work, but you also had to share space with them for a weekend. Did that change how you approached critiquing? What is your “critique style?”
Alyssa Miele: Meaning, is it hard to critique someone’s writing when they could potentially be sleeping next door to you? Ha! I don’t think that occurred to me until after the first few group critiques, when, heading back to my room, I saw some of the writers walking to their rooms along the same walkway as mine. And of course we share meals and social hours, which really turned out to be a rewarding experience for me. But to answer your question, no, it didn’t change my approach. We’re all adults and, whether writer, agent, or editor, we’re all there to get better in some way or another. I got a very good vibe from the writers. In between critiques, everyone was conscious of giving you your time and space to recharge for the next critique group.
My “style” is pretty laid back. I tried to avoid ever sitting at “the head” of the table. I tried to have the writers open up the conversation before I would give my two cents…I very much believe that I was a guest, allowed into their sacred writing retreat environment, and I wanted them to feel like I came with the upmost respect for their time, their writing, and their process. I didn’t want anyone to feel or think I was the end-all be-all of advice, because the truth is that everything they do, and everything I say, is subjective. So I’m very much of the mind that — here is what I think, but if that doesn’t track with what your vision is, let’s hear some other opinions. I know I bring marketplace and publishing experience to the table, so I hope they could find helpful takeaways in that part of my critiquing, but other writers at the table provided helpful insight, too.
SPL: Critiques can be a hard experience for a writer, to give and to receive, but are super necessary. Any tips on how to stay open, be honest, and choose wisely? Continue reading
16 Wednesday Aug 2017
Posted in Writers' Retreat
Tags
critiques, editing, Judy Enderle, Little Zack?, SCBWI community, SCBWI events, Smile! Principessa!, Stephanie Gordon, Where are You, writing tips
Since they met during a UCLA writing class in 1979, Stephanie Gordon and Judy Enderle have led prolific careers as writing partners, publishing more than 20 picture books, middle grade, and young adult novels like Smile! Principessa! and Where Are You, Little Zack? They have also published books individually and under the joint pen names Jeffie Ross Gordon and J.R. Gordon.
They were also the co-editors of the Fox Broadcasting Children’s Network magazine, Totally Fox Kids, and story editors and writers for the first season of the Fox children’s television program Rimba’s Island. They have been lecturers, teachers, and editors for Boyd’s Mills Press, and are still famous for saying, “yes.” Today, they also run the manuscript critique and editing business Writers Ink.
Enderle and Gordon have crafted writing communities, founding SCBWI’s Southern California chapter (which would later be segmented to include the Los Angeles Chapter) and were the first Regional Advisor Chairpersons, taking SCBW(I) from six chapters to sixty and international, as well as launching the Working Writer’s Retreat. The retreat returns this year, Sept 15-17, with Enderle and Gordon again serving as faculty.
We asked them about their careers, working with a writing partner, and making the most of a critique. Continue reading
02 Wednesday Aug 2017
Agent and author Kari Sutherland joins this year’s LA SCBWI Working Writer’s Retreat faculty. She was a Senior Editor at HarperCollins Children’s Books before joining the Bradford Literary Agency in 2017 and she co-writes the middle grade Menagerie series with her sister, Tui Sutherland. She’s worked with bestselling and critically acclaimed authors on projects such as the #1 New York Times bestselling Red Queen by Victoria Aveyard and the #1 New York Times bestselling Pretty Little Liars series by Sara Shepard. Needless to say, she knows a thing or ten or about writing, editing, and publishing books, and she’s here to share some of that knowledge with us!
Sarah Parker-Lee: You graduated from Williams College with a B.A. in English and Psychology. Why do you consider this the perfect combination for working with authors on character and plot development?
Kari Sutherland: I’d say both fields help me pinpoint when a character is behaving in a way that isn’t authentic or in a way that may produce a reaction in readers that the author is not intending. Having studied the way minds work, it gives me insight into personality and character growth. With my English studies, I know how to catch and keep a reader’s attention through voice, sentence structure, and plotting. Psychology classes also prepared me to be an excellent listener and to help coax out what a person really wants to say – in this case, through their manuscripts.
SPL: Your Bradford Lit bio says you’re passionate about helping to polish each manuscript and equip your clients for success. What does that entail? Continue reading
28 Wednesday Jun 2017
Posted in Critique Day
By Claire Moore
So you’ve written a book – devoted countless hours (hopefully you weren’t actually counting) toward its creation. Bravo! Well done! But wait, how do you know if your book reads as you imagined, or that you’re on the right track? Critique groups, baby.
“They’re necessary,” said Sue Berger, a published author and one of the minds behind The Pen and Ink Blog, a blog devoted to the “wild, wild world of children’s literature.” This is why the Los Angeles chapter of SCBWI hosts a Critiquenic each year. This year’s event took place on Sunday, June 11th at the Skirball Cultural Center.
More than 70 writers – some aspiring, some published but beginning new works – gathered to give and receive feedback on their picture books, chapter books, middle grade, and young adult manuscripts. For longer manuscripts, writers kept their critiques to the first five pages.
14 Wednesday Jun 2017
Posted in Tips and Tools
By Cheryl Bommarito Klein and Kara B. Wilson
Kara & Cheryl, 3rd from the left
Editor’s Note: Cheryl and Kara, who are in the same critique group, both won manuscript awards at this year’s Los Angeles Writers & Illustrators Day. I asked them to share their critique-group-secrets with us because they are definitely doing it right!
We all want the kind of support that keeps us motivated to create and improve our craft. For us, a well-organized critique group was exactly what we needed! Here are four tips we have learned over the last year that will help you to enhance or build the kind of group that fits you as illustrators/authors. Continue reading
07 Wednesday Jun 2017
Posted in Critique Day, Tips and Tools
By Jill Tuckman
If you missed the registration deadline for the Critiquenic, taking place Saturday at the Skirball center, fear not! We have other ways for you to find critique partners. Read on as Jill Tuckman, our webmaster, tells you all about our new and improved Critique Exchange.
Many authors and illustrators talk about how valuable their critique groups are to their careers, and I can (but won’t, fear not) go on about how helpful my critique groups have been to me. But finding a good critique group is not always easy. Continue reading
30 Friday Dec 2016
Posted in Contests & Grants, Los Angeles, Tri-Regional News, Writer's Days
Puppy dogs and fairy queens, stars and wishes and unseen things . . . as a community of writers and illustrators, we have wondrous tales to spin and dazzling visuals to design. Our hope is that you find in this new year your strongest voice ever. For there are children waiting, children who need your stories of hope and love and adventure and triumph in their hands. Tell yourself, for them, that this is your year, and mean it.
All our best to all our Los Angeles SCBWI members from the Regional Team and Board
Upcoming Events
On Saturday, February 25, we’ll once again be at the beautiful Skirball Cultural Center for Writers and Illustrators Day, combining two favorite events into one great day. Morning keynote speakers, lunch, and a choice of two afternoon breakout sessions are included in the price of registration. Continue reading
24 Wednesday Aug 2016
Posted in LitMingles!
Tags
authors, community, critiques, illustrators, middle grade, mingles, picture books, publishing, query letters, SCBWI events, SCBWI members, tools, volunteers, writer, writing tips, YA, young adult
Minglers discussing plot.
The SCBWI L.A. Hollywood LitMingle started humbly. For the past three years, Deborah Blum and Jean Perry (that’s me) have taken the mingle from a living room to the meeting space at the Hollywood Fairfax Library. It’s absolutely delicious to meet with other children’s writers. We who gather on those special Thursdays “get” each other. We find friends whose eyes don’t glaze over at the mention of plot and inciting incident. When we talk about crisis and climax, we can ask which is which. Picture book, middle grade, young adult, and new adult writers are welcomed to this free event every month. We usually start out full group, and then break into small groups based on genre, to get the specific support we need. Mingles are open to the public.
