SCBWI Webinars: Query Letter Help, Professional Manuscript Critiques, and More!

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critiques, query letter, SCBWI events, SCBWI members, webinars

By Kim Wildman, SCBWI-L.A. Assistant Regional Advisor

One of the things I love about being a writer is that I’m constantly learning. Yes, I’m writing, but I’m also reading books, studying other writers’ sentences, and listening to authors talk about their craft or their challenges. Learning together is one way SCBWI is a community to me.

Recently, I’ve taken advantage of SCBWI webinars, a resource that helps me learn in a relaxed and easy way. How easy? Bathrobe-at-my-kitchen-table easy.

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Agent and SCBWI-LA WWR Faculty Victoria Wells Arms On Critiques, First Lines, and More

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Candice Ransom, critiques, E.D. Baker, first lines, Han Nolan, Katherine Hannigan, Marcella Pixley, Nikki Grimes, Shannon Hale, Susan L. Roth, Susan Middleton Elya, Victoria Wells Arms, Working Writer's Retreat

Before founding Wells Arms Literary Agency in 2013, Victoria Wells Arms spent 20 years in the publishing industry, working as an editor at Penguin and Bloomsbury, where she was the founding editorial director for their U.S. children’s list. She brings her expertise to this year’s Working Writer’s Retreat (WWR) as faculty.

She’s worked with bestselling and award-winning authors, including: E. D. Baker, Susan Middleton Elya, Nikki Grimes, Shannon Hale, Katherine Hannigan, Han Nolan, Marcella Pixley, Candice Ransom, Susan L. Roth and Renee Watson. She is an MFA candidate at the Vermont College of Fine Arts’s Writing for Children and Young Adults program.

Victoria took time away from her studies to answer our questions and share her insight.

ERLINA VASCONCELLOS: The retreat will feature a panel on first pages. How do first pages make readers eager for more? What are the elements commonly overlooked by unpublished writers?

Peer2Peer Critique Day 2018: Inspirational Setting and Writers

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community, critiques, SCBWI community, SCBWI events, SCBWI members, writing

By Renee Carter

It was a spectacular Saturday morning. The temperature was in the low seventies and the sky blue. The Peer2Peer Critique Day facilitators, Daka Hermon and Pamela Rippey, arrived early to the Skirball Cultural Center, armed with candy and great attitudes. I was warmly greeted, efficiently signed in, and encouraged to pick any spot for my group. Within minutes, other SCBWI members arrived. There were several familiar faces; two from my mingle group and two from prior Critique Days.

The table where I sat was composed of four other middle grade writers. We were a diverse group: a teacher, life coach, retired banker, retired physical therapist and a full-time author. Our common ground lay in the areas of writing children’s literature and a positive, supportive attitude.

Ask an Editor: Where Can I Find a Critique Group?

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critique groups, critiquenic, critiques, critiquing, SCBWI community, SCBWI events, SCBWI members

“Ask an Editor” is a forum wherein SCBWI members submit questions that are answered as part of our quarterly Kite Tales blog.

Dear Editor – I think my YA novel is finished but would like to show it to other people for feedback. Where can I find a critique group?
—Effie, Culver City

Need Help Finding a Critique Partner or Group – Peer2Peer Critique Day Can Help

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critique groups, critiques, critiquing, Daka Hermon, SCBWI events

Writers and illustrators, if you’re ready for the first step to taking your work in progress public, Peer2Peer Critique Day (formerly known as Critiquenic) returns Sunday, June 3 to the Skirball Cultural Center in Los Angeles.

It’s an opportunity to connect with other SCBWI members, and you may even find a critique group or partner to continue with after the event.

Peer2Peer Critique Day is free, but registration is required and is open until Sunday, May 27 on the SCBWI Los Angeles website. It’s for current SCBWI members only. If you’re not yet a member, you can sign up here.

The event runs from 10:30 AM to 3 PM. Bring a lunch or purchase food at the Skirball’s café.

Critique Day coordinator Daka Hermon gives us the scoop on how to prepare and what to expect:

Erlina Vasconcellos: How will Peer2Peer Critique Day be structured? Do participants meet individually or in groups?

Daka Hermon: When registering, the attendees will choose a category: illustrations, picture book dummy or text, chapter book/middle grade, or young adult/new adult. Upon arrival, attendees will be placed into groups. The size of the groups will vary based on attendance, but it’s normally about five to six members.

EV: Writers and artists are notorious introverts. How are you hoping to coax them away from the solitude of their desks and creative caves?

HarperCollins’ Alyssa Miele: Critiques, Word Blizzards, Queer Representation in Middle Grade, & Music to Edit By.

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Alyssa Miele, critiques, HarperCollins, Jen Malone, Jo Whittemore, LGBTQIA, middle grade, SCBWI events

HarperCollins Associate Editor, Alyssa Miele, loves fiction chock-full of strong, flawed, and loveable characters whose stories stay with her long after she’s earmarked, underlined, and reread the heck out of them. From commercial to literary, queer to straight, and everything in between, Alyssa loves books that inspire, haunt, and captivate. Alyssa’s recent projects include Changes in Latitudes by Jen Malone, Confidentially Yours: Vanessa’s Design Dilemma by Jo Whittemore and The Arrival of Someday (working title) by Jen Malone (Summer ’19). Alyssa was on faculty for this year’s Los Angeles Working Writers Retreat and spent a weekend in Encino with our members as they dove into their writing and tweaked, polished, and maybe even dismantled their projects. For tips, insights, and music to edit by, keep reading!

Sarah Parker-Lee: As faculty for the WWR, you gave feedback on attendees’ work, but you also had to share space with them for a weekend. Did that change how you approached critiquing? What is your “critique style?”

Alyssa Miele: Meaning, is it hard to critique someone’s writing when they could potentially be sleeping next door to you? Ha! I don’t think that occurred to me until after the first few group critiques, when, heading back to my room, I saw some of the writers walking to their rooms along the same walkway as mine. And of course we share meals and social hours, which really turned out to be a rewarding experience for me. But to answer your question, no, it didn’t change my approach. We’re all adults and, whether writer, agent, or editor, we’re all there to get better in some way or another. I got a very good vibe from the writers. In between critiques, everyone was conscious of giving you your time and space to recharge for the next critique group.

My “style” is pretty laid back. I tried to avoid ever sitting at “the head” of the table. I tried to have the writers open up the conversation before I would give my two cents…I very much believe that I was a guest, allowed into their sacred writing retreat environment, and I wanted them to feel like I came with the upmost respect for their time, their writing, and their process. I didn’t want anyone to feel or think I was the end-all be-all of advice, because the truth is that everything they do, and everything I say, is subjective. So I’m very much of the mind that — here is what I think, but if that doesn’t track with what your vision is, let’s hear some other opinions. I know I bring marketplace and publishing experience to the table, so I hope they could find helpful takeaways in that part of my critiquing, but other writers at the table provided helpful insight, too.

SPL: Critiques can be a hard experience for a writer, to give and to receive, but are super necessary. Any tips on how to stay open, be honest, and choose wisely? 

Authors Judy Enderle and Stephanie Gordon on Founding the Working Writer’s Retreat, Making the Most of Critiques and Writing with a Partner

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critiques, editing, Judy Enderle, Little Zack?, SCBWI community, SCBWI events, Smile! Principessa!, Stephanie Gordon, Where are You, writing tips

Since they met during a UCLA writing class in 1979, Stephanie Gordon and Judy Enderle have led prolific careers as writing partners, publishing more than 20 picture books, middle grade, and young adult novels like Smile! Principessa! and Where Are You, Little Zack?  They have also published books individually and under the joint pen names Jeffie Ross Gordon and J.R. Gordon.

They were also the co-editors of the Fox Broadcasting Children’s Network magazine, Totally Fox Kids, and story editors and writers for the first season of the Fox children’s television program Rimba’s Island. They have been lecturers, teachers, and editors for Boyd’s Mills Press, and are still famous for saying, “yes.” Today, they also run the manuscript critique and editing business Writers Ink.

Enderle and Gordon have crafted writing communities, founding SCBWI’s Southern California chapter (which would later be segmented to include the Los Angeles Chapter) and were the first Regional Advisor Chairpersons, taking SCBW(I) from six chapters to sixty and international, as well as launching the Working Writer’s Retreat. The retreat returns this year, Sept 15-17, with Enderle and Gordon again serving as faculty.

We asked them about their careers, working with a writing partner, and making the most of a critique.

Agent, Editor, & Author Kari Sutherland On First Lines, Revisions, & Representation

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Author Tips, critiques, Kari Sutherland, publishing, SCBWI events

 

Agent and author Kari Sutherland joins this year’s LA SCBWI Working Writer’s Retreat faculty. She was a Senior Editor at HarperCollins Children’s Books before joining the Bradford Literary Agency in 2017 and she co-writes the middle grade Menagerie series with her sister, Tui Sutherland. She’s worked with bestselling and critically acclaimed authors on projects such as the #1 New York Times bestselling Red Queen by Victoria Aveyard and the #1 New York Times bestselling Pretty Little Liars series by Sara Shepard. Needless to say, she knows a thing or ten or about writing, editing, and publishing books, and she’s here to share some of that knowledge with us!

Sarah Parker-Lee: You graduated from Williams College with a B.A. in English and Psychology. Why do you consider this the perfect combination for working with authors on character and plot development?

Kari Sutherland: I’d say both fields help me pinpoint when a character is behaving in a way that isn’t authentic or in a way that may produce a reaction in readers that the author is not intending. Having studied the way minds work, it gives me insight into personality and character growth. With my English studies, I know how to catch and keep a reader’s attention through voice, sentence structure, and plotting. Psychology classes also prepared me to be an excellent listener and to help coax out what a person really wants to say – in this case, through their manuscripts.

SPL: Your Bradford Lit bio says you’re passionate about helping to polish each manuscript and equip your clients for success. What does that entail?

Critiquenic 2017 offers children’s authors community, feedback on works in progress

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Critique Day, critique groups, critiques, SCBWI community, SCBWI events

By Claire Moore

So you’ve written a book – devoted countless hours (hopefully you weren’t actually counting) toward its creation. Bravo! Well done! But wait, how do you know if your book reads as you imagined, or that you’re on the right track? Critique groups, baby.

“They’re necessary,” said Sue Berger, a published author and one of the minds behind The Pen and Ink Blog, a blog devoted to the “wild, wild world of children’s literature.” This is why the Los Angeles chapter of SCBWI hosts a Critiquenic each year. This year’s event took place on Sunday, June 11th at the Skirball Cultural Center.

More than 70 writers – some aspiring, some published but beginning new works – gathered to give and receive feedback on their picture books, chapter books, middle grade, and young adult manuscripts. For longer manuscripts, writers kept their critiques to the first five pages.

The Power of Pen-Ultimate: 4 Critique Group Tips

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critique groups, critiques, illustrators, SCBWI members, writers

By Cheryl Bommarito Klein and Kara B. Wilson

Kara & Cheryl, 3rd from the left

Editor’s Note: Cheryl and Kara, who are in the same critique group, both won manuscript awards at this year’s Los Angeles Writers & Illustrators Day. I asked them to share their critique-group-secrets with us because they are definitely doing it right!

We all want the kind of support that keeps us motivated to create and improve our craft. For us, a well-organized critique group was exactly what we needed! Here are four tips we have learned over the last year that will help you to enhance or build the kind of group that fits you as illustrators/authors.