Editor Joanna Cárdenas on the Importance of Community for Creators

Tags

Celia C. Pérez, community, diversity, editor, Joanna Cárdenas, new voices, Pablo Cartaya, Traci Sorell

Kokila Editor Joanna Cárdenas is on faculty for this year’s SCBWI-L.A. Working Writers Retreat (WWR). She has worked on critically-acclaimed award-winning books such as The First Rule of Punk by Celia C. Pérez and The Epic Fail of Arturo Zamora by Pablo Cartaya. Prior to joining Kokila at the launch of the Penguin Random House imprint last year, she was an editor at Viking Children’s Books.

Joanna is also on the steering committee for Latinx in Publishing, a nonprofit organization that promotes literature by, for, and about Latino/a/x people, and is a co-founder of the Representation Matters Mentor Program for aspiring editors of color. She’s here today to share her advice for authors, talk about Kokila, and tell us about what she’d like to see in her inbox.

Farrha Khan: We’re excited to have you at this year’s Working Writer’s Retreat! As an editor, what are you hoping to accomplish at these kinds of events? And what are you excited to see or learn? 

Agent Nephele Tempest: Choosing Your Agent, Marketing Tips, Synopses, and Being an Equal-Opportunity Nerd

Tags

diversity, marketing, Nephele Tempest, synopsis, writing tips

Nephele Tempest is on faculty for this year’s SCBWI-L.A. Working Writers Retreat (WWR). She joined The Knight Agency in January, 2005, opening the Los Angeles-area office. As an agent, she works with a number of talented writers, assisting them to hone their skills and build their careers. Nephele comes from a diverse publishing and finance background, having previously worked on the editorial side of the business, as well as for several major New York investment firms as a financial advisor and later a financial marketing and communications writer. Her previous experience provides her with insight into multiple aspects of the publishing industry and today she’s going to share some of it with us!

 SARAH PARKER LEE: You’ve been involved with SCBWI events in the past. Are you there just to give back or are you actively looking for clients? If the latter, what makes someone stand out from the crowd at these fast-paced events?

HarperCollins Editorial Assistant and SCBWI-L.A. WWR Faculty Member Stephanie Guerdan on Intersectionality, Representation, and Geekery in Kid Lit

Tags

diversity, fantasy, geek culture, Graphic Novels, intersectionality, LGBTQIA, SCBWI events, sci-fi, speculative fiction, Stephanie Guerdan

HarperCollins Editorial Assistant Stephanie Geurdan is on faculty for this year’s SCBWI-L.A. Working Writers Retreat (WWR). She came to HarperCollins in2017 following jobs at a literary agency and as a bookseller. Some of the titles she’s worked on include New York Times best-selling author Natalie Lloyd’s ProblimChildren trilogy, critically acclaimed author Tiffany D. Jackson’s sophomore novel Monday’s Not Coming, and The Lady’s Guide to Petticoats and Piracy, the sequel to the Stonewall Honor-winning The Gentleman’s Guide to Vice and Virtue by Mackenzi Lee. She is interested primarily in middle grade and YA, especially in speculative genres and graphic novel formats, with a focus on inclusive stories from fresh voices. And she’s here today to share her insights and expertise!

SARAH PARKER LEE: We’re so excited you’re joining us for the WWR! At these kinds of events, what are editors hoping to accomplish? If you come away from them with a manuscript you want to acquire, what catches your eye first?  

Illustrator’s Perspective: Olivia Aserr

Tags

diversity, illustrator tips, illustrators, Olivia Aserr, picture books, writing tips

I mainly work in visual storytelling, which is a fancy way of saying I like to draw pictures that tell a story. Throughout the years, this has meant working in animation, editorial, and now, children’s books. Drawing and writing for kids is something I’ve always wanted to do, because when I was a kid, I loved stories and movies and books, but I wanted more of them to look like me (rather selfishly, I admit). This is a pretty common thread amongst a lot of creators and storytellers I meet. We become artists so we can add to the mix and enrich the narrative with our perspectives and experiences and dreams.