From Written to Spoken Word—Part Two: Writing for Audio

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Alex Gino, Amy Rubinate, Anna Meriano, Audiobooks, editing, Ideal Audiobooks, Megan McDonald, Mosaic Audio, narration, Patricia Hruby Powell, Tara Dairman, writing

by Amy Rubinate

Photo Credit: Ron Butler and Erin Bennett

Audiobooks are an increasingly important part of the literary marketplace, and there is a high likelihood that every book will become an audiobook sooner or later. In light of this shift in the market, authors may wonder if they need to keep the audio version in mind when writing, and adjust their writing style to accommodate this medium. I would suggest that the answer is yes, even if the changes are subtle or few. But let’s start with the easiest adjustment: using audiobook techniques to your advantage as part of the writing process.

Harold Underdown on Revising with an Editor’s Eye

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Complete Idiots Guide to Publishing Children's Books, editing, Eileen Robinson, Harold Underdown, Highlights Foundation, Kid's Book Revision, process, publishing, revising, revision grid, The Purple Crayon, WD2020, writing

Harold Underdown is an independent editor and publishing consultant, with over 30 years of experience in children’s publishing. He’s the author of The Complete Idiot’s Guide to Children’s Book Publishing and has worked as an in-house editor for Macmillan, Orchard, and Charlesbridge. The collegiate atmosphere of publishing is what drew him to editing and developed his passion for helping writers bring out their vision.

He will be sharing his expertise at Writers Day on March 28 and leading a pre-conference revision workshop for those lucky enough to have grabbed a spot. (You can sign up for the waitlist here.) He’s also been generous enough to share some tips with us at Kite Tales.

Agent Jennifer Tran on Querying and the Agent-Client Relationship

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agents, editing, Jennifer Chen Tran, queries, query, revision, SCBWI events, Working Writer's Retreat

Agent Jennifer Chen Tran is on faculty for this year’s SCBWI-L.A. Working Writers Retreat (WWR).

She joined the Bradford Literary in 2017, and represents fiction and nonfiction. She’s interested in diverse writers and #ownvoices from underrepresented/ marginalized communities, strong and conflicted characters who are not afraid to take emotional risks, stories about multi-generational conflict, war and post-war fiction, and writing with a developed sense of place. In non-fiction, she loves books that broaden her world view or shed new light on “big ideas.”

Originally from New York, Jennifer was an associate agent at Fuse Literary and served as Counsel at The New Press before becoming an agent at Bradford Literary. She obtained her Juris Doctor from Northeastern School of Law and her B.A. in English Literature from Washington University in St. Louis.

She took some time to answer our questions about her work, how first-time authors can shine, and her wishlist.

ERLINA VASCONCELLOS: What are the biggest mistakes made by first-time authors? 

Peer2Peer Critique Day 2019: Leave Your First-Timer Worries Behind

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critique groups, critiquing, editing, SCBWI community, SCBWI events, writing

By Amber June Davis

I wasn’t sure what to expect when I walked into the Skirball Cultural Center on June 2, for my first Peer2Peer Critique Day. I’d been to critique groups and workshops over the years, but none with a professional reputation like SCBWI’s. My hands shook a little. Who would be there? Would they all be vastly more experienced than me? But I knew I was ready to take this step, and had six copies of a picture book manuscript I was proud of tucked under my arm. I pushed through the courtyard door.

#KT250 4th Quarter 2018: 5 Tips To Get Your Work Contest-Ready

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contest winners, contests, editing, SCBWI community, SCBWI members, submissions, writing tips

#KT250 is a Kite Tales quarterly community contest, but unfortunately this quarter we did not have enough entries to complete the contest. So instead, we’re offering you some tips as you prepare your work for any kind of contest submission and re-posting all our winning entries from this year! We’re so grateful for all who participated and made our first contest year so special. We can’t wait to see what you do next year!

And if you have any news to share about your entries, we’d love to hear it in the comments or via our “Great News” feature!

To find out how YOU can enter, check out contest info here. Entries are now being accepted for next quarter! (Please re-submit if you submitted for 4^thquarter 2018 and would like to be considered for the coming quarter.)

5 TIPS TO GET YOUR WORK CONTEST-READY:

Ask an Editor: Should My Picture Book Have Page Breaks?

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editing, pages, pagination, picture book, picture books, submissions

“Ask an Editor” is a forum wherein SCBWI members submit questions that are answered as part of our quarterly Kite Tales blog.

Dear Editor – I’m ready to submit my picture book to agents but there are no page breaks in my manuscript. Is that a problem?

—Unbroken, Los Angeles

Ask an Editor: What is Style? Recent Updates to the “Chicago Manual of Style”

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AP Manual, Author Tips, Chicago Manual, CMA, editing, style guides

“Ask an Editor” is a forum wherein SCBWI members submit questions that are answered as part of our quarterly Kite Tales blog.

Dear Editor – I’ve heard there were “style changes” recently. What does this mean?

—Trying to be Stylish, Los Angeles

Dear Stylish:

What is “style”?

“Style” is the way writers express thought in a written work; this includes text and documentation and any tables and illustrations. “Style” is often used to mean the consistent use of capitalization, spelling, hyphenation, abbreviations, punctuation, ellipsis points, parentheses, quotation marks, the way numbers are treated, grammar, syntax, usage, and much more.

Where can someone learn about style?

Authors Judy Enderle and Stephanie Gordon on Founding the Working Writer’s Retreat, Making the Most of Critiques and Writing with a Partner

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critiques, editing, Judy Enderle, Little Zack?, SCBWI community, SCBWI events, Smile! Principessa!, Stephanie Gordon, Where are You, writing tips

Since they met during a UCLA writing class in 1979, Stephanie Gordon and Judy Enderle have led prolific careers as writing partners, publishing more than 20 picture books, middle grade, and young adult novels like Smile! Principessa! and Where Are You, Little Zack?  They have also published books individually and under the joint pen names Jeffie Ross Gordon and J.R. Gordon.

They were also the co-editors of the Fox Broadcasting Children’s Network magazine, Totally Fox Kids, and story editors and writers for the first season of the Fox children’s television program Rimba’s Island. They have been lecturers, teachers, and editors for Boyd’s Mills Press, and are still famous for saying, “yes.” Today, they also run the manuscript critique and editing business Writers Ink.

Enderle and Gordon have crafted writing communities, founding SCBWI’s Southern California chapter (which would later be segmented to include the Los Angeles Chapter) and were the first Regional Advisor Chairpersons, taking SCBW(I) from six chapters to sixty and international, as well as launching the Working Writer’s Retreat. The retreat returns this year, Sept 15-17, with Enderle and Gordon again serving as faculty.

We asked them about their careers, working with a writing partner, and making the most of a critique.