Interview with HarperCollins Senior Editor, Maria Barbo

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editor, HarperCollins, Maria Barbo, publishing tips, Writers Day, writing tips

EDITOR’S NOTE: Unfortunately, as you may have heard, SCBWI L.A.’s 2020 Writers Day has been postponed due to the Coronavirus. Please check your emails for the announcement which provides more details. Despite this news, the below interview (unedited from the original) provides fantastic information – so, please, read on! 

MARIA BARBO (Senior Editor at HarperCollins) acquires high-concept series and standalones for young readers of all ages—focusing mostly on middle grade and select picture books, chapter books, and graphic novels. She is particularly interested in projects with authentic voices, strong hooks, and fresh perspectives that use humor, magic, or illustrations to help young readers learn to navigate their world. She works with award-winning and bestselling authors such as Natalie Lloyd, Jim Benton, and Lisa Greenwald. Prior to joining Harper, Maria worked at Scholastic Inc, earned an MFA in painting, and lived in Spain via the Fulbright Program. When she’s not working, you can find her playing soccer or practicing her handstands.

CHRISTINE VAN ZANDT: Welcome to Kite Tales! We’re excited to have you as a Keynote Speaker at SCBWI L.A.’s 2020 Writers Day event. Your topic, “It’s TOTALLY Personal: Character Motivation is Everything” sounds amazing, as does the breakout session, “Master the Middle of Your Novel.” Does character motivation differ in picture book, middle grade, or YA?

MARIA BARBO: Thank you, Christine. I’m excited to meet everyone in L.A. I’d say the basic guiding principle across all age levels is that your main character’s motivations, their deepest desire, is what drives the plot forward. What do they want? Why do they want it? And which of their personality traits is going to get in their way?

Editor Joanna Cárdenas on the Importance of Community for Creators

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Celia C. Pérez, community, diversity, editor, Joanna Cárdenas, new voices, Pablo Cartaya, Traci Sorell

Kokila Editor Joanna Cárdenas is on faculty for this year’s SCBWI-L.A. Working Writers Retreat (WWR). She has worked on critically-acclaimed award-winning books such as The First Rule of Punk by Celia C. Pérez and The Epic Fail of Arturo Zamora by Pablo Cartaya. Prior to joining Kokila at the launch of the Penguin Random House imprint last year, she was an editor at Viking Children’s Books.

Joanna is also on the steering committee for Latinx in Publishing, a nonprofit organization that promotes literature by, for, and about Latino/a/x people, and is a co-founder of the Representation Matters Mentor Program for aspiring editors of color. She’s here today to share her advice for authors, talk about Kokila, and tell us about what she’d like to see in her inbox.

Farrha Khan: We’re excited to have you at this year’s Working Writer’s Retreat! As an editor, what are you hoping to accomplish at these kinds of events? And what are you excited to see or learn? 

Interview with Amanda Isabel Ramirez, Assistant Editor and 2019 SCBWI CenCal Writer’s Day Faculty Member

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Amanda Isable Ramirez, Books for Young Readers, CenCal Writer's Day, Creative Life, editor, publishing

By Ann Rousseau Smith, SCBWI CenCal News Liaison

Amanda Isabel Ramirez, Assistant Editor at Simon & Schuster Books for Young Readers, is on the faculty of the SCBWI CenCal Writers’ Day, Saturday, October 12, 2019. She has worked with award-winning authors, including Neal Shusterman, Andrew Smith, Katherine Rundell, and Tim Federle. She has also written numerous articles for such publications as The Celebrity Café and Puckermob. We are very excited she is joining us in October.

ANN ROUSSEAU SMITH: Welcome to the Kite Tales blog! Our theme for Writers’ Day is “The Creative Life for Me.” As a writer and editor, what can you share about living the creative life? 

Interview with Frances Gilbert, Editor-in-Chief of Doubleday Books for Young Readers

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Doubleday, editor, Frances Gilbert, Writers Day

FRANCES GILBERT started her career with books in high school when she worked in the children’s department of her town library. After graduating from university with an M.A. in English, her first job in publishing was as a Book Club Editor at Scholastic Canada in Toronto. She moved to New York in 2000 to set up a children’s editorial division at Sterling Publishing. In 2012, Gilbert moved to Random House Children’s Books where she is Editor-in-Chief of Doubleday Books for Young Readers. She is also a successful author of several children’s books.

CHRISTINE VAN ZANDT: Welcome to Kite Tales! We’re excited to have you as a Keynote Speaker at SCBWI LA’s 2019 Writers Day event. You’ve been in the industry since a teen and, as an author yourself, understand publishing from both sides. As an editor, please share with us some reasons that picture book manuscripts are rejected.

Ask an Editor: Query Letter and Cover Letter

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cover letter, editor, queries, query letter

“Ask an Editor” is a forum wherein SCBWI members submit questions that are answered as part of our quarterly Kite Tales blog.

Dear Editor – What is the difference between a query letter and a cover letter?

—Marissa, the Valley

Ask an Editor: Word Count for Middle Grade and Young Adult

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editor, editors, middle grade, word count, young adult

“Ask an Editor” is a forum wherein SCBWI members submit questions that are answered as part of our quarterly Kite Tales blog.

Dear Editor – Word count requirements confuse me. Should I try to reach a certain number before I submit my novel? Does it really matter?   —Rob, Studio City

Dear Rob – An ideal reference for word count is SCBWI’s annual publication, The Book: The Essential Guide to Publishing for Children, available to SCBWI members at https://www.scbwi.org/online-resources/the-book/. The printed version is a bargain at $6.25 plus shipping, or download the PDF for free.

Ask an Editor: Why are Picture Books Printed Vertically?

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editor, illustrators, picture books, writer

Welcome to “Ask an Editor” where our wonderful SCBWI members send in questions that are answered as part of our quarterly Kite Tales blog.

Dear Editor – I am writing and illustrating a picture book. Do my illustrations need to fit a vertical (tall) layout? I can’t find a book that’s horizontal, but that’s my preference when painting.  —Ann, Los Angeles

Dear Ann – Great question! Industry experts respond.

Ask an Editor: Why are Picture Books 32 pages?

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editor, page count h, picture book, writing

Welcome to our newest feature, “Ask an Editor,” where our wonderful SCBWI members send in questions which may be answered in an upcoming Kite Tales blog. You can remain anonymous if you wish.

Have a question to submit? Log in to your SCBWI account, then either click on the “Ask an Editor” image at the left or follow this link  http://losangeles.scbwi.org/ask-an-editor/ and fill out the form. It’s easy!

Dear Editor – I write picture books. Why picture books are almost always 32 pages? Is this something I even need to care about while I’m writing? It’s all about writing the best story and staying within the word count, right?

—Notta Paige Counter

Stephanie Stein: Editor’s Perspective

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editor, HarperCollins, middle grade, publishing, Stephanie Stein, writing tips, YA

HarperCollins Children’s Books editor Stephanie Stein works on a range of YA and middle grade fiction by authors including Kiera Cass (the Selection series), Erin Hunter (Warriors), and Cynthia Hand (The Last Time We Say Goodbye). As faculty for this year’s SCBWI Los Angeles Writer’s Day, Stephanie gave a compelling keynote address, “Writing Your Book (Not Someone Else’s)” and a breakout session on what to expect from an editor when you’re revising your work together. Kite Tales caught up with her after LAWD16 for a follow-up on defining your writer’s voice, why that’s essential to getting published, and why everyone’s path to publishing looks different.