Illustrator Kent Culotta on Animation vs. Illustration, Inspiration, and Leveling-Up Your Skills

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Busy Trucks on the Go, D is for Dump Truck, Dan The Taxi Man, Eric Ode, illustrating, illustrator tips, Kent Culotta, picture books, SCBWI members, The Twelve Days of Christmas in Kentucky, Too Many Tomatoes

Some of professional illustrator Kent Culotta’s most recent projects include illustrations for D is for Dump Truck, published by Sleeping Bear Press, and The Twelve Days of Christmas in Kentucky, published by Sterling Children’s Books. He’s also collaborated with author Eric Ode and publisher Kane Miller on three books, Dan, The Taxi Man, Busy Trucks on the Go, and the recently released Too Many Tomatoes. Kent lives in Southern California, but grew up in a small town in Michigan. When he was five, he covered an entire wall of his parents’ living room with his own gallery, each drawing taped lovingly in place. No blank piece of paper, used envelope, or post-it note have ever been safe from his pencil. And today Kent, a fellow SCBWI member, shares with us his experience along with some tips and tools for leveling-up your own skills.

SARAH PARKER-LEE: You’ve worked as an artist in newspapers and on film, including several years in the animation industry working on some pretty memorable Walt Disney movies. How, and why, did you make the transition to children’s book illustrator? Did SCBWI play a role?

KENT CULOTTA: Being a children’s book illustrator was always in the back of my mind when I was working at the big animation studios, and I took a couple of book illustration classes back then at Otis Parsons. I think that I first learned about SCBWI from one of those classes. At the time I was a bit discouraged because publishers then were less open to illustrators whose work showed an animation influence. That has changed a lot. The big transition I went through was when animation rather quickly went from hand-drawn to CG. I worked hard to update my skills and did pretty well, but I soon realized what I really missed was drawing by hand. I joined a group called Drawergeeks that my co-workers participated in. Each week a new subject was set and we all would do an illustration piece on that subject. It helped motivate me and also helped me get out of my own head a little and tackle subjects that I wouldn’t normally think of, a good skill when you’re illustrating other people’s stories. I ended up getting a pretty nice first illustration portfolio from those Drawergeeks illustrations. It was at that point I started regularly attending SCBWI schmoozes/mingles and conferences, which were great motivators as well.

SPL: As an illustrator, you’re tasked with interpreting someone else’s story while still being true to your artistic identity. Do you have any advice on how to maintain that balance for those just starting out or perhaps feeling a little lost?

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Emma Chichester Clark’s TOTO Illustration Process and Her Muse—Her Dog, Plum

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chapter book, Dogs, Emma Chichester Clark, HarperCollins, illustrator, illustrator tips, illustrators, interview, Michael Morpurgo, middle grade, Plum, The Wizard of Oz, Toto

Emma Chichester Clark is the illustrator of the beautiful middle-grade chapter book, Toto: The Dog-Gone Amazing Story of the Wizard of Oz. Its 250+ full-color images showcase Chichester Clark’s signature style.

CHRISTINE VAN ZANDT: Welcome to Kite Tales! In Toto, you collaborate once again with author, Michael Morpurgo. How does illustrating well-known stories differ from working on new fiction? Does having a dog as the narrator change your focus when you work on the art?

EMMA CHICHESTER CLARK: In fact, it’s my sixth collaboration with Michael. We have also done versions of Pinocchio, Aesop’s Fables, Hansel and Gretel, The Pied Piper of Hamelin, and a Christmas story called The Best of Times. Almost all of them were about well-known characters and I had to find my own ideas about that. This is a challenge because the images we all already know so well are imprinted in our heads. With each character, I have to draw and redraw them, over and over again, until I find someone that belongs to me but who is, at the same time, true to the character I’m representing. [In Toto], having a dog as the narrator was the most fun of all because I adore dogs. I have one, Plum, who is not unlike Toto in appearance and I spend a lot of my time trying to interpret what is going on in her doggy brain.

CVZ: You are also an author. Please give us some insight into your process, both as an illustrator and an author-illustrator.

Illustrator Gallery with Kat Hubbs: Self-Promotion & Learning New Things

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digital illustration, illustrator tips, iPad, Kat Hubbs, Procreate

By Kat Hubbs

When you are new to an industry, you have to find ways to promote yourself and get your work out there. I am not naturally inclined to self-promotion, so I decided to start a personal project that I could create and share quickly – something that was tangible, allowing people to interact with my art. To keep myself on track, I knew that I would have to enjoy the process and not have a demanding schedule. I decided a monthly calendar image would be just right for my goals.

I love learning new things, and have spent the last year creating and experimenting drawing digitally. I got an iPad Pro and threw myself into all the apps and tools. I find that the Procreate App is one of the best since it is easy to use and has great pencil brushes available. I am able to draw fast and loose, maintaining the expressive quality of my lines, while giving me the freedom to hit “undo”.  I still create on paper, and I know when I draw with my favorite brush pen I am more thoughtful as I work, and I get all the happy accidents that happen when you can’t erase. So I decided that I needed to merge the two: get the look and feel of my favorite brush pen, while having the freedom of digital drawing.

SCBWI Central Coast Regional News, Fourth Quarter 2017

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conferences, illustrator tips, Lynn Becker, SCBWI events, SCBWI members, Tammi Sauer, Tricia Candemeres, writing tips

By Ann Rousseau Smith, SCBWI CenCal News Liaison

SCBWI Summer Conference Report, by Tricia Candemeres

The 46^th SCBWI Summer Conference was quite a special one. I won an SCBWI grant that covered the expenses, and I wanted to both live up to the honor and embrace the opportunity.

Vanessa Brantley Newton started us off and lifted us up – first with the hokey pokey, then with her stories of diversity, adversity, and dreaming bigger, and ended with the most stunning rendition of “You’ve Got to Be Carefully Taught.”

From that high bar, it became one amazing keynote or breakout after another. My friends and I split up and compared notes later.

Some highlights:

• Sean Qualls reminding us to keep showing up.
• The “Transforming Life into Art” writers sharing tough, deeply personal stories.
• The sneak preview for the movie based on “Shades of Gray” by Ruta Sepetys.
• Marvin Terban’s funniest words for kids: underpants, poop, and fart!
• The awe-inspiring Portfolio Showcase.
• And of course, tea with Judy Blume.

Illustrator Raúl Colón demonstrates his color layering technique during his intensive.

So much to take in. I’ll just fill in some of the gaps with favorite conference quotes:

• “If your dreams don’t scare you, they’re not big enough.” – Vanessa Brantley Newton
• “Teach children humor as a vital life skill.” – Marvin Terban
• “The secrets that make you feel alone in the world are the very things you need to share in stories.” – Kat Yeh
• “Storytellers have been part of the human experience from the very beginning – and I truly believe that even the ones drawing the pictures on the wall of the caves had imposter syndrome.” – Zareen Jaffery
• “Your story matters. Great minds don’t think alike.” – Nancy Paulsen
• “Will I still love this manuscript AGAIN and AGAIN and AGAIN?” – Rubin Pfeffer
• “Kids are ready to take stuff on – go there.” – Alex Gino
• “Make the Mommy Promise. Mommy will not save the day in my story.” – Tammi Sauer
• “You can have all the talent in the world, and if you’re not determined, you’re going to let something stop you from doing it.” – Judy Blume

And finally:

“Team Marla” and friends: Top row: Danielle Heitmuller, Heidi Aubrey, Gail Buschman, Nicole Allin, me (Tricia Candemeres), Judy Faulkner, Molly Ruttan, and Nina Moldawsky,  Front row: Helen Yoon, Joy Dabby, Annelouise Mahoney, and April Zufelt

• Courage doesn’t always roar. Sometimes courage is that quiet voice at the end of the day saying, “I will try again tomorrow.” – Mary Anne Radmacher, as quoted by Laurie Halse Anderson in her closing keynote.

On Monday, the Illustrator’s Intensive was an information packed day of demonstrations and hands-on activities, featuring Ramon Hurtado, Vanessa Brantley Newton, Marla Frazee, John Rocco, Leuyen Pham, Raúl Colón, and Javaka Steptoe.

Over the past few years I’ve connected to a tribe of incredibly supportive SCBWI illustrators and authors, (we all met through a Marla Frazee workshop, so we call ourselves Team Marla), and I thoroughly enjoyed sharing this conference with them. We really are all on this journey together!

Tricia Candemeres is a children’s book author and illustrator living in southern California with her husband and two children. She worked in broadcast and graphic design before making the leap to illustration. A NYC transplant, she studied at FIT and School of Visual Arts in NYC as well as Art Center College of Design in Pasadena. You can visit her work at triciacandemeres.com and follow her on Instagram @tcandyart.

 

CenCal Writer Retreat 2018:

Bravely Crafting Picture Books with Heart
January 12-14, 2018
La Casa de Maria Retreat and Conference Center, Santa Barbara

Join Tammi Sauer, award-winning author, for a productive and fun picture book retreat. She will unveil her favorite picture book writing secrets. You will delve into the most important picture book components (character, conflict, word choice, among others) through discussion, examples, and engaging exercises.

Learn to build heart and humor into your manuscript.

For more information, go to https://cencal.scbwi.org/events/cencal-writers-retreat-2018/

 

SAVE THE DATES!

For information, go to http://cencal.scbwi.org

December 2, 2017
Holiday Party, Bakersfield

December 10, 2017
Holiday Party, Santa Barbara

January 12-14, 2018
Writer Retreat: Bravely Crafting Picture Books with Heart, Santa Barbara

BOOK TALK ONLINE

Book Talk is a monthly book discussion group taking place on the SCBWI Central-Coastal California listserv. Discussions begin on the first of each month, facilitated by Lynn Becker. To become a member of the listserv, go to: http://groups.yahoo.com/groups/SCBWI-CCal/

NOVEMBER: Clayton Byrd Goes Underground, by Rita Williams-Garcia (MG)
Clayton wants to play harmonica in Cool Papa Byrd’s band but, when his grandfather dies, his mom forbids him to play the blues.

DECEMBER: My Sister Rosa, by Justine Larbalestier (YA)
Che loves his brilliant younger sister, even though he seems to be the only one who knows how dangerous she really is.

JANUARY: Leave Me Alone! by Vera Bristol (PB)
An old woman wants a quiet place to knit, but grandkids, goats, bears, and aliens won’t leave her in peace.

For more fantastic content, community, events, and other professional development opportunities, become a member today! Not sure if there is a chapter in your area? Check here.

 

Images provided by SCBWI Central-Coastal Region and Tricia Candemeres.

Author and Illustrator Mary Ann Fraser’s Lessons After 60 Published Books and Counting

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Book Launches, Charlesbridge, illustrator tips, Mary Ann Fraser, publishing, writing tips

Mary Ann Fraser is the author/illustrator of 60 fiction and non-fiction books for children. Her latest picture book, Alexander Graham Bell Answers the Call (Charlesbridge), was published in August.

Fraser is also the Regional Advisor for SCBWI’s Central-Coastal Region. She talks to Kite Tales about her prolific career and shares lessons learned over the years.

Erlina Vasconcellos: Congratulations on your new book, a nonfiction look into the childhood of Alexander Graham Bell. How did you choose him as the subject?

Mary Ann Fraser: First, thank you for the opportunity to share my journey toward this latest book. As always, I am so grateful for the support and encouragement of my friends and peers that make up this amazing community we call SCBWI.

In 2012 my husband and I visited the Alexander Graham Bell Historic Site in Baddeck, Nova Scotia. I was amazed at Bell’s endless curiosity, inventiveness, and desire to help others, particularly the deaf, and was struck by how his life’s work seemed inevitable from the time he was a young lad. His mother was deaf and his father and grandfather were speech therapists. At the museum bookstore, I asked if they had any picture books on Bell. The cashier said they didn’t but wished they did. That’s when bells (excuse the pun) started ringing, and I realized I had my next project.

EV: After 60 books, how do you stay inspired and keep things fresh? Is your method for generating ideas different from when you began?

Mentor Program Dynamic Duo Delivers on Ambitious Goals

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Carmel O'Mara-Horwitz, illustrator tips, illustrators, mentors, mentorship, SCBWI members

By Marcelle Greene, SCBWI-L.A. Contest Coordinator Emeritus

Carmel O’Mara-Horwitz & Cassandra Federman

Whether you’ve thought of mentoring, or dreamed of having a mentor – this year’s mentorship team demonstrates how a seasoned professional working with a promising newcomer benefits everyone involved.

Mentor Carmel-O’Mara Horwitz started working with selected mentee, illustrator Cassandra Federman, on May 1^st, and they set an ambitious goal: improve Cassandra’s portfolio, including the creation of a new piece, and update her website before the SCBWI Summer Conference. They had two months and six days.

Illustrator Gallery: Ellen Jin Over, PhotoShop, & Art Directing for Animation

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animation, Ellen Jin Over, illustrator tips, illustrators, PhotoShop, SCBWI members

Ellen Jin Over is an art director, visual development artist, and illustrator. She’s also our featured artist in this quarter’s Illustrator Gallery! Her work has appeared on televisions all over the world for the last 20 years. Spirit Riding Free, now on Netflix, is her latest project. Before that, she was art director on Disney’s Tinkerbell movies for nine years.

She didn’t always know what she wanted to do with her life until her senior year in high school pushed her to figure it out. “I got lucky that my long-forgotten childhood obsession of drawing and making paper dolls suddenly came back to my mind one day and I decided to major in art. After studying illustration at Otis, I stumbled upon a job interview for a position in an animation company.” The rest is history! Her program of choice is Adobe PhotoShop, something we tend to think of for editing photos, not creating illustrations, but Ellen does beautiful things with it! She tells us more in the interview below.

Sarah Parker-Lee: How did you choose to use Photoshop over other programs?

Ellen Jin Over: Photoshop has been around for 30 years. When I was going to school in the early 90’s, that was the only computer software that was available for students at Otis School of Art and Design. It was mostly for graphic designers. It just happened that illustrators like me found it useful to create images too…Photoshop started to be used more in some animation studios for digital paintings [in the] late 90’s.

There are many painting software today such as Painter, Coral Painter, Illustrator, etc–some for professionals and some for “regular Joe” doodling. I just have not found any other software that is comparable to Photoshop. It’s fast and easy.

SPL: Do you only work digitally or do you do any hand drawing? What do you think are the benefits of each?

SCBWI Los Angeles Launches New Critique Exchange

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critique groups, critiques, illustrator tips, writing tips

By Jill Tuckman

If you missed the registration deadline for the Critiquenic, taking place Saturday at the Skirball center, fear not! We have other ways for you to find critique partners. Read on as Jill Tuckman, our webmaster, tells you all about our new and improved Critique Exchange.

Many authors and illustrators talk about how valuable their critique groups are to their careers, and I can (but won’t, fear not) go on about how helpful my critique groups have been to me. But finding a good critique group is not always easy.

Illustrator Gallery: Emily Asaro

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Emily Asaro, illustrator tips, illustrators, picture books

By Emily Asaro

I’ve always dreamed of illustrating children’s’ books since I was little, but I didn’t quite know how to get there. After college, I was lucky enough to secure an animation production job. I love my job, but it isn’t an art job. Being surrounded by so many talented artists, it was very easy to feel self-conscious about my own work. I found myself coming home tired and creating less art. All too often I was asking myself, “Am I a real artist? Am I good enough?”

Illustrator’s Gallery: Annelouise Mahoney

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Annelouise Mahoney, digital illustration, illustrator, illustrator tips, illustrators

By Annelouise Mahoney

Picture books are like little paper theaters inviting us to take a journey. When we provide a believable sense of space, we invite our readers to step into that world.

Environments are important to me. When I develop a character for a story, I think a lot about where the character lives, what their home looks like, and more importantly, why the character lives there. How does the environment serve the story? Does it set a mood, an atmosphere, a feeling of home, or uncertainty? The answers to these questions lead me to do lots of research to determine the particular elements needed to create a specific environment that suits the story.