By Jill Tuckman
If you missed the registration deadline for the Critiquenic, taking place Saturday at the Skirball center, fear not! We have other ways for you to find critique partners. Read on as Jill Tuckman, our webmaster, tells you all about our new and improved Critique Exchange.
Many authors and illustrators talk about how valuable their critique groups are to their careers, and I can (but won’t, fear not) go on about how helpful my critique groups have been to me. But finding a good critique group is not always easy. Continue reading
By Emily Asaro
Picture books are like little paper theaters inviting us to take a journey. When we provide a believable sense of space, we invite our readers to step into that world.
Clelia Gore is a lawyer-turned-literary-agent who heads 
Meet SCBWI member and illustrator Lauren Gallegos in this quarter’s “Illustrator’s Gallery.” Read on to hear Lauren’s story and see some of her amazing illustrations!
In one of my early illustration classes in college, a professor gave us a quiz to see if we were more cut out for being an in-house illustrator or a freelance illustrator. The test placed me VERY much in the camp of in-house illustrator based on my personality and working style. I was pretty discouraged by this. I was still new to the illustration world (I started out in Graphic Design), but was already on my way down the path of wanting to become a children’s book illustrator. In my mind, that could only mean that I had to do freelance. So what did I do? I set out to prove that quiz wrong! No one was going to put me in a box and tell me what I was destined to be! 
I mainly work in visual storytelling, which is a fancy way of saying I like to draw pictures that tell a story. Throughout the years, this has meant working in animation, editorial, and now, children’s books. Drawing and writing for kids is something I’ve always wanted to do, because when I was a kid, I loved stories and movies and books, but I wanted more of them to look like me (rather selfishly, I admit). This is a pretty common thread amongst a lot of creators and storytellers I meet. We become artists so we can add to the mix and enrich the narrative with our perspectives and experiences and dreams. 
SCBWI member Anne Berry is an illustrator living and working in Huntington Beach, California. She’s been doodling ever since she found paper and pencil, and could get her cats to sit long enough for a portrait. At the 2015 SCBWI Summer Conference, she won the SCBWI Mentorship Program award and the Portfolio Honor Award. Read on for her valuable tips about perfecting your own portfolio and to check out her awesome illustrations!
Lori Nichols
I find my creative juices flow better when I have a fair amount of playtime. Right now, we are doing a kitchen renovation. Walls are being demolished and floors ripped up. My world has been turned upside down, so creative juices are not flowing– at least not until yesterday when I took a sharpie and started drawing on the exposed ceiling rafters and unfinished walls. That helped some.