Working from home is the new reality for many. It’s also a privilege that I am certainly grateful for. After all, even though events have been canceled or postponed and book launches are being impacted, for a lot of us in the writing and illustrating industry, we’re likely the best equipped to work from home.
For the last three years, Emma Trithart, an L.A.-based illustrator, hand letterer, and graphic designer, has been with a digital agency that is primarily “work from home”. Just before the stay-at-home orders were announced in California, she posted her illustrated guide So You’re Working From Home (Very Specific Tips From One Person’s Individual Experience] on Instagram.
“Being used to office life, it was a bit of an adjustment… but now I love it,” Emma said. “I figured I could impart this little chunk of experience from my own life on others who might be struggling to get used to working from home.”
Whether you’ve gotten used to working from home or are still adjusting to the New Normal, here is Emma’s guide: Continue reading
Fall brings fond memories for me. Even though I grew up in sunny Southern California, there were a few special trees in the neighborhood that would change color and drop their leaves. I’d dreamt about how endless forests of these trees would look and had read fairytales about how spirits would change the colors of the leaves. I’d wonder how they’d lived with all the other creatures in the wood, and if they would all gather into little caves, sleeping together through the long, cold winters. For a kid that never experienced the seasons, this magic seemed so real, even if just beyond my reach. But I was able to capture some of that magic when it came time for Halloween. 
Author/illustrator 
Have you ever gotten a restaurant menu where everything looks so delicious, it’s nearly impossible to decide? That’s what it felt like going through the applications for 
I met Stan Yan, a Denver-based writer/illustrator, caricature artist, and instructor, at his booth at San Diego Comic this year. I’m a bit of a zombie-aficionado and could not resist checking out his kids’ picture book – 
Sarah Parker-Lee: You’ve written and illustrated comics and books with horror themes for adults and older readers, but There’s a Zombie in the Basement is a picture book for kids. How did that come about? Were you worried it might be too scary?
Picture books are like little paper theaters inviting us to take a journey. When we provide a believable sense of space, we invite our readers to step into that world.
Kite Tales 