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Tag Archives: illustrator

Working From Home Tips: An Illustrated Guide

13 Wednesday May 2020

Posted by Farrha Khan in Illustrator's Perspective, Tips and Tools

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Emma Trithard, illustrator, pandemic, tips, Work From Home, working from home

Working from home is the new reality for many. It’s also a privilege that I am certainly grateful for. After all, even though events have been canceled or postponed and book launches are being impacted, for a lot of us in the writing and illustrating industry, we’re likely the best equipped to work from home.

Processed with VSCO with k1 presetFor the last three years, Emma Trithart, an L.A.-based illustrator, hand letterer, and graphic designer, has been with a digital agency that is primarily “work from home”. Just before the stay-at-home orders were announced in California, she posted her illustrated guide So You’re Working From Home (Very Specific Tips From One Person’s Individual Experience] on Instagram.

“Being used to office life, it was a bit of an adjustment… but now I love it,” Emma said. “I figured I could impart this little chunk of experience from my own life on others who might be struggling to get used to working from home.”

Whether you’ve gotten used to working from home or are still adjusting to the New Normal, here is Emma’s guide: Continue reading →

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Interview with Best-Selling Author-Illustrator, Grace Lin

03 Friday Apr 2020

Posted by Christine Van Zandt, author of A BRIEF HISTORY OF UNDERPANTS in Author's Perspective, Illustrator's Perspective

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A Big Mooncake for Little Star, author, Author Tips, COVID-19, disney, early reader, Grace Lin, illustrator, Ling and Ting, middle grade, Mulan, picture book, Where the Mountain Meets the Moon

New York Times best-selling author-illustrator Grace Lin won the Newbery Honor for her middle-grade novel Where the Mountain Meets the Moon, the Theodor Geisel Honor for her early reader Ling and Ting, and a Caldecott Honor for picture book A Big Mooncake for Little Star. Her new middle-grade novel, Mulan: Before the Sword, is an original prequel to Disney’s live-action Mulan story.

CHRISTINE VAN ZANDT: Welcome to Kite Tales! On the West Coast, changes to our lives and livelihoods have been happening at an ever-increasing speed. What’s life like on the East Coast? Continue reading →

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Creating Magic with Juxtaposition

30 Wednesday Oct 2019

Posted by Farrha Khan in Illustrator's Perspective, Tips and Tools

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Halloween, illustrating, Illustration, illustration prompt, illustrator, illustrator tips, illustrators, inspiration, Jessica Chrysler, tips

by Jessica Chrysler

FairyMom_and_BabeFall brings fond memories for me. Even though I grew up in sunny Southern California, there were a few special trees in the neighborhood that would change color and drop their leaves. I’d dreamt about how endless forests of these trees would look and had read fairytales about how spirits would change the colors of the leaves. I’d wonder how they’d lived with all the other creatures in the wood, and if they would all gather into little caves, sleeping together through the long, cold winters. For a kid that never experienced the seasons, this magic seemed so real, even if just beyond my reach. But I was able to capture some of that magic when it came time for Halloween. Continue reading →

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What Cassandra Federman Wants You to Know About Writing and Illustrating Your First Book

28 Wednesday Aug 2019

Posted by Sarah Parker-Lee in Author's Perspective, Illustrator's Perspective

≈ 1 Comment

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Albert Whitman, author, Cassandra Federman, illustrator, picture books, publishing, This is a Sea Cow

author-shot.jpgAuthor/illustrator Cassandra Federman was born and raised in Massachusetts, where she spent her childhood reading comic books, playing action figures, drawing superheroes, and participating in all things nerdy (before that became cool). She is also the SCBWI Los Angeles 2017 Mentorship Contest winner. Her book This is a Sea Cow hits shelves on September 1, 2019. Today she’s here to share some of her recent experiences and takeaways on her path to becoming published.

SARAH PARKER-LEE: What things do you wish you’d known/learned before you started this new chapter of illustrating? Continue reading →

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2019 Mentor Bethany Barton Has Selected Her Mentee!

15 Wednesday May 2019

Posted by Sarah Parker-Lee in Contests & Grants, Mentorship Contest

≈ 1 Comment

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Bethany Barton, illustrator, mentor, mentoring, mentorship, picture books, SCBWI community, SCBWI members

By Bethany Barton, author/illustrator

Have you ever gotten a restaurant menu where everything looks so delicious, it’s nearly impossible to decide? That’s what it felt like going through the applications for SCBWI’s 2019 Mentorship contest! Too much good stuff!

First of all, I want to thank everyone who applied. It’s not always easy to share our artwork with the world, and so many of you were willing. I feel privileged to have gotten my eyes on what you create. I was blown away by the talent on display in every one of this year’s mentorship applicants. The passion for the craft of visual storytelling for children could be seen (and often felt!) in every image that popped into my inbox and I was oh-so-inspired to see the gifts you have to offer young readers. Please keep drawing, please keep painting, please keep telling stories with your images. You must. We didn’t work together this time, but I look forward to seeing your books on shelves, hearing about your successes, and high-fiving you at SCBWI events.

And now, without further ado, I’d love to introduce the world to my mentee: Continue reading →

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Interview with Aaron Reynolds and Dan Santat

15 Friday Jun 2018

Posted by Christine Van Zandt, author of A BRIEF HISTORY OF UNDERPANTS in Author's Perspective, Illustrator's Perspective

≈ 1 Comment

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Aaron Reynolds, After the Fall, Beekle, Bloomsbury, Brown Books, Caldecott Medal, Creepy Carrots, Dan Santat, Dude, illustrator, interview, Little, macmillan, Neal Porter Book, picture book, Roaring Brook Press, Scholastic, writer

In April, I had the pleasure of watching funny men AARON REYNOLDS and DAN SANTAT dazzle elementary school kids by acting out their new one-word picture book, Dude! Afterward, they graciously shared their wisdom and expertise.

CHRISTINE VAN ZANDT: What advice do you have for prepublished writers and illustrators?

Continue reading →

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Emma Chichester Clark’s TOTO Illustration Process and Her Muse—Her Dog, Plum

08 Friday Dec 2017

Posted by Christine Van Zandt, author of A BRIEF HISTORY OF UNDERPANTS in Illustrator's Perspective

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chapter book, Dogs, Emma Chichester Clark, HarperCollins, illustrator, illustrator tips, illustrators, interview, Michael Morpurgo, middle grade, Plum, The Wizard of Oz, Toto

Emma Chichester Clark is the illustrator of the beautiful middle-grade chapter book, Toto: The Dog-Gone Amazing Story of the Wizard of Oz. Its 250+ full-color images showcase Chichester Clark’s signature style.

CHRISTINE VAN ZANDT: Welcome to Kite Tales! In Toto, you collaborate once again with author, Michael Morpurgo. How does illustrating well-known stories differ from working on new fiction? Does having a dog as the narrator change your focus when you work on the art?

EMMA CHICHESTER CLARK: In fact, it’s my sixth collaboration with Michael. We have also done versions of Pinocchio, Aesop’s Fables, Hansel and Gretel, The Pied Piper of Hamelin, and a Christmas story called The Best of Times. Almost all of them were about well-known characters and I had to find my own ideas about that. This is a challenge because the images we all already know so well are imprinted in our heads. With each character, I have to draw and redraw them, over and over again, until I find someone that belongs to me but who is, at the same time, true to the character I’m representing. [In Toto], having a dog as the narrator was the most fun of all because I adore dogs. I have one, Plum, who is not unlike Toto in appearance and I spend a lot of my time trying to interpret what is going on in her doggy brain.

CVZ: You are also an author. Please give us some insight into your process, both as an illustrator and an author-illustrator.

Continue reading →

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Author/Illustrator Stan Yan on Quitting Your Day Job, Joining the Con Circuit, & Halloween Picture Book Scares

27 Friday Oct 2017

Posted by Sarah Parker-Lee in Author's Perspective, Illustrator's Perspective, Industry Conferences

≈ 3 Comments

Tags

author, Cons, Halloween, illustrator, monsters, picture books, San Diego Comic Con, SCBWI members, Stan Yan, zombies

I met Stan Yan, a Denver-based writer/illustrator, caricature artist, and instructor, at his booth at San Diego Comic this year. I’m a bit of a zombie-aficionado and could not resist checking out his kids’ picture book – There’s a Zombie in the Basement (Squid Works Kids). We got to talking, and, when I found out he is an SCBWI member, I knew I had to interview him. He went to school at the University of Colorado in Boulder, where he got his bachelor’s degree in accounting, but gave up on financial security to become a full-time freelance cartoonist. Stan also teaches summer camps, after-school programs, workshops, and helped to develop a degree program in graphic storytelling as an adjunct faculty member at the Community College of Aurora. His other recent credits include art and colors for Show Devils (Mother Mind Studios) and writing and art for Vincent Price Presents (BlueWater Productions / Storm Comics).

Sarah Parker-Lee: You’ve written and illustrated comics and books with horror themes for adults and older readers, but There’s a Zombie in the Basement is a picture book for kids. How did that come about? Were you worried it might be too scary?

Stan Yan: Even though I spent most of my life doing more adult-oriented comic book work, some of my major inspirations growing up were picture books, including anything Dr. Seuss and Maurice Sendak’s Where the Wild Things Are. While many of my family continued to badger me to do children’s books, I had no interest until my son was almost 4 years old. One day, he wouldn’t come downstairs to my basement studio, and when asked why, he said he was afraid. When asked what he was afraid of, he started pointing at all of my zombie artwork decorating the walls. Over the next hour, I wrote the fast draft version of my rhyming bedtime storybook.

As I worked on the artwork I wanted it to be a bit unsettling at the beginning, not unlike Sendak’s Wild Things. And, it was precisely my fascination with these unsettling Wild Things that kept me checking that book out from the library as a kid. Of course, by the end of the story, they’re no longer scary, which is what I was going for too.

SPL: As a writer and illustrator, you’ve spent a lot of time with “horror” themes, monsters, and the like. Any advice for other kid lit writers/illustrators looking to translate some of these things into spooky stories kids can enjoy?  Continue reading →

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Illustrator’s Gallery: Annelouise Mahoney

22 Wednesday Mar 2017

Posted by Sarah Parker-Lee in Illustrator's Gallery

≈ 1 Comment

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Annelouise Mahoney, digital illustration, illustrator, illustrator tips, illustrators

By Annelouise Mahoney

4Picture books are like little paper theaters inviting us to take a journey. When we provide a believable sense of space, we invite our readers to step into that world.

Environments are important to me. When I develop a character for a story, I think a lot about where the character lives, what their home looks like, and more importantly, why the character lives there. How does the environment serve the story? Does it set a mood, an atmosphere, a feeling of home, or uncertainty? The answers to these questions lead me to do lots of research to determine the particular elements needed to create a specific environment that suits the story. Continue reading →

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Brian Won: Author/Illustrator Perspective, Writers & Illustrators Day Faculty

10 Friday Mar 2017

Posted by Sarah Parker-Lee in Author's Perspective, Contests & Grants, Illustrator's Perspective, Writers Days

≈ 1 Comment

Tags

author, Brian Won, illustrator, illustrator tips, Illustrators Day, picture books

Author/illustrator Brian Won was one of SCBWI’s 2016 Crystal Kite Award recipients and faculty for this year’s Los Angeles Writers & Illustrators Day, where he was a judge for the illustration contests and critiqued illustrator portfolios. He wore many hats–busboy, shoe salesman, library shelver, art director, and designer before making the leap to children’s books. Brian graduated from California’s Art Center College of Design with an honorary ninth term before co-founding National Television, a design and animation company. Read on for his insights and advice to author/illustrators and thoughts on illustrating for others as well as news about his current and upcoming projects!

Continue reading →

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