Illustrator Gallery: Emily Asaro

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Emily Asaro, illustrator tips, illustrators, picture books

By Emily Asaro

I’ve always dreamed of illustrating children’s’ books since I was little, but I didn’t quite know how to get there. After college, I was lucky enough to secure an animation production job. I love my job, but it isn’t an art job. Being surrounded by so many talented artists, it was very easy to feel self-conscious about my own work. I found myself coming home tired and creating less art. All too often I was asking myself, “Am I a real artist? Am I good enough?”

Helena Ku Rhee: Debut Author’s Perspective

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agents, authors, Bill Contardi, Colleen Kong-Savage, contracts, Helena Ku Rhee, illustrators, picture books, publishers, publishing, The Turtle Ship

Jessica Echeverria (editor, Lee & Low), Helena, and Colleen Kong-Savage (illustrator)

Helena Ku Rhee is the author of The Turtle Ship, a forthcoming picture book by Lee & Low (Fall 2018). Helena, trained as a lawyer, followed an uncommon path by negotiating her own book deal. She tells Kite Tales about her debut and navigating publishing without an agent.

Toot Your Horn!

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authors, illustrators, published, publishing, SCBWI members

SCBWI members’ publishing news is something to celebrate here at Kite Tales! Check out whose book is coming to a platform near you or around the world. Horn-tooting ad digital hi-fives welcome in the comments!

How the Stars came To Be, written and illustrated by Michael Bayouth, Self-Published, ages 6-10, Picture Book, ISBN: 978-0692711224, released 12/01/16. (Stars Photo)

 

 

SCBWI and the Los Angeles Times Festival of Books Signing Booth

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Andrea J. Loney, Ashlyn Anstee, authors, Bethany Barton, Chris Robertson, illustrators, Jake Gerdhardt, LATFoB, Laurenne Sala, Los Angeles Times Festival of Books, PAL, Robert Mellette, SCBWI members, Summer

By Jacob Gerhardt

SCBWI members have a legendary reputation for being friendly and supportive. Working the SCBWI LA Times Festival of Books booth with fellow authors proved, as always, that this characterization is well deserved.

I would estimate about half the festivalgoers who stopped by our booth were interested in purchasing our books and the other half curious to learn more about the world of children’s books. We were happy to accommodate on both ends.

How to Prep for a Summer Con

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authors, conferences, Cons, illustrators, networking, Summer, tips, Wonder Con, WonderCon, writers

I went to Wonder Con this year and it was the messy, funny, crowd-filled, creative mish-mosh that it always is. I also realized that as I get a little older, enjoying a convention, or “con,” requires a bit more preparation. But cons are great places to network with other authors, illustrators, editors, and publishers, not to mention the kid lit audience, so they’re worth it. Since there are several more cons and festivals coming up this year in our area, I thought a little “How to Prep for a Summer Con” guide might be in order. The more you know about what you’re getting into, the less intimidating it will be and the less you’ll feel like a grumpy-gus shaking your fist at those darn kids to get off your con-lawn.

SCBWI SoCal Regional News, 2nd Quarter 2017

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Erin Young, Estelle Laure, illustrators, Imagine 2, John Dadlez, Kate Sullivan, Salina Yoon, SCBWI events, SCBWI members, Steve Bramucci, writers

By CenCal Regional Team

Tahquitz Pines Retreat Center

Spring Retreat

It’s spring in the SoCal region and our Spring Retreat: Finding Gold is coming up soon! We have a few spots left for the perfect writer’s getaway at the Tahquitz Pines Retreat Center nestled in the beautiful Idyllwild mountains. Come join us May 5-7, 2017 as we seek to “find gold” in our manuscripts during this intensive revision weekend. Designed for Middle Grade and Young Adult authors, the retreat will include writing time, revision time, and roundtable critiques in an intimate setting with an editor or an agent, an author, and a few of your colleagues. Staff in Attendance: Kate Sullivan, Delacorte Press; Erin Young, Dystel, Goderich, and Bourret LLC; Estelle Laure, YA author of This Raging Light and But Then I Came Back; Steve Bramucci, MG author of The Danger Gang & the Pirates of Borneo!  Hope to see you there! Register here. And read on for more awesome events you won’t want to miss!

Estelle Laure

Kate Sullivan

 

 

 

 

 

 

Community Corner: What SCBWI Community Means to Us

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illustrators, SCBWI events, SCBWI members, writers

We asked attendees at Los Angeles Writers & Illustrators Day 2017 what the Society of Children’s Book Writers and Illustrators community means to them. From critique groups and partners on the journey to publishing to new lunch-friends and small-world connections, the day was full of smiles, introductions, and proof that a gaggle of introverts can build a thriving, dynamic community. As it turns out, we’re all just a big bunch of super supportive people who can’t get enough of each other! Here are just some of the things we heard:

Illustrator’s Gallery: Annelouise Mahoney

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Annelouise Mahoney, digital illustration, illustrator, illustrator tips, illustrators

By Annelouise Mahoney

Picture books are like little paper theaters inviting us to take a journey. When we provide a believable sense of space, we invite our readers to step into that world.

Environments are important to me. When I develop a character for a story, I think a lot about where the character lives, what their home looks like, and more importantly, why the character lives there. How does the environment serve the story? Does it set a mood, an atmosphere, a feeling of home, or uncertainty? The answers to these questions lead me to do lots of research to determine the particular elements needed to create a specific environment that suits the story.

Great News!

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authors, awards, illustrators, news, published, SCBWI members

SCBWI loves celebrating our members’ successes and noteworthy news, and there are many! Read on to find out who’s got something to shout about. Digital high-fives welcome in the comments!

 

 

Living Fossils: Clues to the Past by Caroline Arnold, is a 2016 CRA Silver Eureka Award winner and on the NYPL Recommends: New Nonfiction for Kids List, Bibliofile July 15, 2016.

Melissa Manlove: Editor’s Perspective, 2017 Writers and Illustrators Day Faculty

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authors, illustrators, Illustrators Day, Melissa Manlove, picture books, publishers, publishing, writers, Writers Day

Melissa Manlove is an editor at Chronicle Books in San Francisco. Her acquisitions tend to be all ages in nonfiction; ages 0-8 for fiction. She’s also a keynote speaker, a breakout session speaker, manuscript critique faculty, and an illustration contest judge for the Los Angeles SCBWI Writers & Illustrators Day, coming on February 25^th, 2017. When acquiring, Melissa looks for fresh takes on familiar topics as well as the new and unusual. An effective approach and strong, graceful writing are important to her. She also has 17 years of children’s bookselling experience and is currently on staff at Book Passage.

Sarah Parker-Lee: Your workshop intensive for the SCBWI Los Angeles Writer’s and Illustrator’s Day event, “What We Say Without Saying: Developing Voice in the Text and Art of Picture Books,” is for authors and illustrators. “Voice” is so often associated with text. What does it mean for illustrations? Do authors and illustrators find one voice together, or a way to intertwine their individual voices?

Melissa Manlove: Voice is a lot of things at once, but style and point of view are a couple of the biggest parts, whether you’re talking about text or art. Artists can make a lot of decisions that will make an impact on readers without them being very aware of it—choices that are ‘show not tell’ in the art, like palette, texture, composition—and decisions that ought to be deliberately calculated to communicate what’s most important about the book they’re illustrating; to evoke emotion, to tell a story.

Authors and artists always have separate voices, but when they are both working towards the same (or complimentary) narrative goals, they achieve a harmony that makes them feel like two halves of the same whole.