Author/Illustrator & Nickelodeon Story Artist Ashlyn Anstee on Pitching an Agent & Leveling Up Your Illustrator Skills

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agents, Ashlyn Anstee, authors, illustrators, picture books

 Ashlyn Anstee is a story artist at Nickelodeon on Harvey Beaks as well as the author/illustrator of Are We There, Yeti? and No, No, Gnome! (Simon & Schuster, 2015 & 2016), a comic artist, film maker, and devourer of cookies. She talks with us about finding her agent through SCBWI, how professional relationships are just like any other relationship, and how she keeps her skills sharp.

Sarah Parker-Lee: You’re an illustrator, author, and storyboard artist for animation. Which came first and how do you find time for both?!

Ashlyn Anstee: It helps that all of them are a little different, so it’s actually been fun to jump between them, thank goodness. I started out first as a reader–I was a voracious reader as a kid (and my mom’s a teacher-librarian). I didn’t really start to draw until my teens. I fell in love with animation, and it wasn’t until I graduated from college that I started to rediscover illustration and kids’ books. I find writing the hardest, so I’ve been focusing on that, lately!

SPL: For those unfamiliar, can you tell us a little about being a story artist? How does it compare to illustrating a book?

Illustrator Gallery: Emily Asaro

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Emily Asaro, illustrator tips, illustrators, picture books

By Emily Asaro

I’ve always dreamed of illustrating children’s’ books since I was little, but I didn’t quite know how to get there. After college, I was lucky enough to secure an animation production job. I love my job, but it isn’t an art job. Being surrounded by so many talented artists, it was very easy to feel self-conscious about my own work. I found myself coming home tired and creating less art. All too often I was asking myself, “Am I a real artist? Am I good enough?”

Helena Ku Rhee: Debut Author’s Perspective

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agents, authors, Bill Contardi, Colleen Kong-Savage, contracts, Helena Ku Rhee, illustrators, picture books, publishers, publishing, The Turtle Ship

Jessica Echeverria (editor, Lee & Low), Helena, and Colleen Kong-Savage (illustrator)

Helena Ku Rhee is the author of The Turtle Ship, a forthcoming picture book by Lee & Low (Fall 2018). Helena, trained as a lawyer, followed an uncommon path by negotiating her own book deal. She tells Kite Tales about her debut and navigating publishing without an agent.

Brian Won: Author/Illustrator Perspective, Writers & Illustrators Day Faculty

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author, Brian Won, illustrator, illustrator tips, Illustrators Day, picture books

Author/illustrator Brian Won was one of SCBWI’s 2016 Crystal Kite Award recipients and faculty for this year’s Los Angeles Writers & Illustrators Day, where he was a judge for the illustration contests and critiqued illustrator portfolios. He wore many hats–busboy, shoe salesman, library shelver, art director, and designer before making the leap to children’s books. Brian graduated from California’s Art Center College of Design with an honorary ninth term before co-founding National Television, a design and animation company. Read on for his insights and advice to author/illustrators and thoughts on illustrating for others as well as news about his current and upcoming projects!

Clelia Gore: Agent’s Perspective, 2017 Writers & Illustrators Day Faculty

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Adria Regordosa, authors, Bistra Masseva, Brian Russo, Cheryl Lawton Malone, Dustrats, Ignite Your Spark: Discovering Who You Are from the Inside Out, illustrator tips, Patricia Wooster, picture books, writing tips, Yoga Bunny

Clelia Gore is a lawyer-turned-literary-agent who heads Martin Literary Management’s kid lit division. She represents authors and illustrators in both fiction and nonfiction, from board books to young adult.

As faculty for SCBWI’s upcoming Writers & Illustrator’s Day, she will lead a session titled “The Interplay Between Art and Text in Picture Books.” She also will critique manuscripts and will be an illustration contest judge.

Erlina Vasconcellos: What do you want participants to take away from your breakout session at Writers & Illustrators Day?

Clelia Gore: I get two kinds of picture book queries: author/illustrators and authors only. For people who are authors only, they sometimes need a little help seeing how the art and writing can work together to tell the story. A lot of picture book writers who are early in their careers don’t understand how the two forms of art interplay in telling the story.

For authors who are illustrators, it’s honing in on things to think about when crafting their story…Hopefully people will leave inspired and it will lead to thoughtfully crafted books.

EV: What question are you asked often?

Melissa Manlove: Editor’s Perspective, 2017 Writers and Illustrators Day Faculty

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authors, illustrators, Illustrators Day, Melissa Manlove, picture books, publishers, publishing, writers, Writers Day

Melissa Manlove is an editor at Chronicle Books in San Francisco. Her acquisitions tend to be all ages in nonfiction; ages 0-8 for fiction. She’s also a keynote speaker, a breakout session speaker, manuscript critique faculty, and an illustration contest judge for the Los Angeles SCBWI Writers & Illustrators Day, coming on February 25^th, 2017. When acquiring, Melissa looks for fresh takes on familiar topics as well as the new and unusual. An effective approach and strong, graceful writing are important to her. She also has 17 years of children’s bookselling experience and is currently on staff at Book Passage.

Sarah Parker-Lee: Your workshop intensive for the SCBWI Los Angeles Writer’s and Illustrator’s Day event, “What We Say Without Saying: Developing Voice in the Text and Art of Picture Books,” is for authors and illustrators. “Voice” is so often associated with text. What does it mean for illustrations? Do authors and illustrators find one voice together, or a way to intertwine their individual voices?

Melissa Manlove: Voice is a lot of things at once, but style and point of view are a couple of the biggest parts, whether you’re talking about text or art. Artists can make a lot of decisions that will make an impact on readers without them being very aware of it—choices that are ‘show not tell’ in the art, like palette, texture, composition—and decisions that ought to be deliberately calculated to communicate what’s most important about the book they’re illustrating; to evoke emotion, to tell a story.

Authors and artists always have separate voices, but when they are both working towards the same (or complimentary) narrative goals, they achieve a harmony that makes them feel like two halves of the same whole.

Illustrator’s Gallery: Lauren Gallegos

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illustrator, illustrator tips, illustrators, Lauren Gallegos, picture books, SCBWI members

Meet SCBWI member and illustrator Lauren Gallegos in this quarter’s “Illustrator’s Gallery.” Read on to hear Lauren’s story and see some of her amazing illustrations!

In one of my early illustration classes in college, a professor gave us a quiz to see if we were more cut out for being an in-house illustrator or a freelance illustrator. The test placed me VERY much in the camp of in-house illustrator based on my personality and working style. I was pretty discouraged by this. I was still new to the illustration world (I started out in Graphic Design), but was already on my way down the path of wanting to become a children’s book illustrator. In my mind, that could only mean that I had to do freelance. So what did I do? I set out to prove that quiz wrong! No one was going to put me in a box and tell me what I was destined to be!

Illustrator’s Perspective: Olivia Aserr

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diversity, illustrator tips, illustrators, Olivia Aserr, picture books, writing tips

I mainly work in visual storytelling, which is a fancy way of saying I like to draw pictures that tell a story. Throughout the years, this has meant working in animation, editorial, and now, children’s books. Drawing and writing for kids is something I’ve always wanted to do, because when I was a kid, I loved stories and movies and books, but I wanted more of them to look like me (rather selfishly, I admit). This is a pretty common thread amongst a lot of creators and storytellers I meet. We become artists so we can add to the mix and enrich the narrative with our perspectives and experiences and dreams.

Great News!

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authors, community, news, picture books, poetry, SCBWI members, YA, young adult

SCBWI loves celebrating our members’ successes and noteworthy news, and there are many! Read on to find out who’s got something to shout about. Digital high-fives welcome in the comments!

 

 

Joan Bransfield Graham’s poem “Tuck a Poem in Your Head” is featured in former U.S. Children’s Poet Laureate Kenn Nesbitt’s new poetry anthology One Minute Till Bedtime, which debuted on November 1^st.

Betsy Rosenthal’s An Ambush of Tigers was selected as a 2016 Notable Children’s Book in the English Language Arts and consequently, she has been invited to serve on a panel at the upcoming National Council of Teachers of English annual convention.

Toot Your Horn!

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authors, community, illustrators, middle grade, picture books, published, publishing, SCBWI members, YA, young adult

 

Living Fossils: Clues to the Past, by Caroline Arnold, illustrated by Andrew Plant, Charlesbridge, ages 7-10, Picturebook Nonfiction, ISBN: 978-1-58089-691-7, released 06/02/2016.