Helping Special Needs Kids and Breaking the “How to Get Published” Rules

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Jamie Kiffel-Alcheh, Mark Lumer, published, publishing, special needs

by Jamie Kiffel-Alcheh

Jamie Kiffel-Alcheh’s daughter

You may have heard these rules about getting published: Don’t pitch as a team with an illustrator. Don’t pitch directly to the publisher. And do not write in rhyme. I followed those rules until I didn’t. Here’s why breaking the rules was so good for me.

I started as a rule-follower. I joined SCBWI and formed a writers group. I read most of THE BOOK, SCBWI’s definitive guide to kid lit, agents, and publishers. I thoroughly researched agents and I penned cover letters.

Then I waited for responses.

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Toot Your Horn!

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news, published, publishing, SCBWI community, SCBWI members

SCBWI members’ publishing news is something to celebrate! Check out whose book is coming to a platform near you or around the world:

 

 

Los Angeles Is…, by Elisa Parhad, illustrated by Alexander Vidal, Cameron Kids, ages 0-6, Board Book, ISBN: 978-1-944903-23-7, released 04/24/2018.

Great News!

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Industry News, publishing, SCBWI community, SCBWI members

SCBWI loves celebrating our members’ successes and noteworthy news, and there are many! Read on to find out who’s got something to shout about. Digital high-fives welcome in the comments!

 

 

“The Jackpot,” a memoir by Karen Gorback, has been published in Chicken Soup for the Soul – My Amazing Mom (March 2018).

Joan Bransfield Graham’s poetry is featured in two recent Lee Bennett Hopkins anthologies: “Teacher” in School People (Feb. 13, Wordsong) and “Great Indian Fruit Bat” in World Make Way (March 27, Abrams, a book in conjunction with the Metropolitan Museum of Art in NYC.)

Shireen Hakim blogged for NaNoWriMo (National November Writing Month), a motivational writing community site with 250k followers. She wrote her tips for getting traditionally published, based on her experience writing and publishing her children’s refugee story, Rabbi the Rabbiti.

Community Corner with Susan Lendroth: From the Sue Alexander Grant to Publication

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awards, published, publishing, SAG, SCBWI community, SCBWI events, SCBWI members, Susan Lendroth, Working Writer's Retreat

By Susan Lendroth

In 2010, I submitted the picture book Not So Loud, Natsumi! to the Sue Alexander Grant contest sponsored by SCBWI-LA. Little did I realize the winding road my story and I would take over the next eight years from contest entry to manuscript submission to eventual publication.

Failing Before You Start: The Key Steps I Ignored to Crowdfund My Picture Book

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crowdfunding, illustrating, Indiegogo, Kickstarter, publishing, SCBWI members, self-publishing, Stan Yan, There's a Zombie in My Basement, tips, writing

by Stan Yan, Author and Illustrator

This is the first part in a two-part series where I will discuss my “missteps” in crowdfunding my picture book, There’s a Zombie in the Basement, because sometimes you have to risk going against conventional wisdom to bring your book into the world.

In 2013, my primary job was drawing zombie caricatures at conventions. One day, my 3-year-old son wouldn’t come down to my basement studio, fearfully pointing at my zombie artwork on the walls. This inspired my foray into kidlit, which taught me some lessons.

Ignored Step #1: Don’t Self-Publish.

Scholastic Senior Editor Matt Ringler on the Goosebumps series, his love for revisions, and plot arcs in reality television

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Amar'e Stoudemire, Davi, Goldy Moldavsky, Matt Ringler, Mike Lupica, pitching, publishing, R.L. Stine, Scholastic, Sharon Robinson, Stephanie Kate Strohm, tips

SCBWI Los Angeles Writers Day faculty member Matt Ringler is a Senior Editor at Scholastic where he edits chapter books, middle grade, and YA fiction.

He got his start at Scholastic in 2001 as a summer intern during his freshman year of college and, minus a short stint as a freelancer, has been there ever since. He compares the internship to winning the lottery, landing him the opportunities to work with Scholastic Editorial Director and author David Levithan and to witness the height of Harry Potter domination.

His books include the Goosebumps series by R.L. Stine, the Game Changers series by Mike Lupica, the STAT series by Amar’e Stoudemire, and Sharon Robinson’s middle grade novel, The Hero Two Doors Down. His YA list includes Kill the Boy Band by Goldy Moldavsky and It’s Not Me, It’s You by Stephanie Kate Strohm.

Matt talks to Kite Tales about his work and Writers Day in Los Angeles, taking place March 3.

Erlina Vasconcellos: Your books are so diverse and range from long-running series to debuts. How do you choose the books you edit?

Matt Ringler: A lot of that is a combination of luck and paying careful attention to the books I’m acquiring. With a long-running series, there’s always books to work on. That allows me to be really choosy with [the non-series books]. I always want to do something different from what I’ve just done. When I took over on Goosebumps, I sort of became the middle grade horror person. I like it, but I don’t always want to work on middle grade horror. The same thing happened when I acquired my first YA project—everything agents were sending me suddenly mirrored this one book I bought. But I like to read all age ranges; I read all genres.

EV: What are the elements of a strong series? And how should writers present that series to you? Do you want to see a whole plan?

Agent Fiona Kenshole on Books Becoming Movies, Traditional vs. Self-Publishing, and Pitching an Agent

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agent, Fiona Kenshole, Laika Inc., pitching, publishing, screenplays, self-publishing, Transatlantic

Happy Valentine’s Day! Fiona Kenshole wants to be your Valentine. Her love letter to you: this fantastic interview!

Fiona Kenshole loves the midwifery of being an agent, from getting your debut published to doing the movie deal. At Transatlantic, they like to sell your book to publishers all over the world, so Fiona works with co-agents in 28 countries, selling worldwide rights. Before becoming an agent, she was a publisher in the UK where she worked with best-selling names including Michael Bond (Paddington Bear), P.L Travers (Mary Poppins) and the Laureate Michael Morpurgo. She was also the British editor for authors including Beverley Cleary, Lois Lowry, Richard Peck, Bruce Coville, Gary Paulsen and Cynthia Voigt, and was nominated for “Editor of the Year” at the British Book Awards. She was also the Vice President at Laika Inc. when their first three films were all Oscar nominated: The Boxtrolls, Coraline, and Paranorman. And she will be bringing all this experience and insight into kid lit and storytelling when she appears as a faculty member at this year’s SCBWI Los Angeles Writers Day, taking place on March 3^rd.

Sarah Parker-Lee: How has working as an editor, filmmaker, and publisher influenced your approach as an agent, both on the client side and on the selling side?

FIONA KENSHOLE: The opportunity to work on so many different sides of the storytelling process just increases my respect for writers. It really is an extraordinary gift, to be able to create people and worlds that can feel more real than our everyday lives. My job, whether as an editor, a film executive or as an agent, is to help that writer in their creative process so that the story they tell is the best it can be. I’m often the first person that a story is entrusted to. I can see the places where the writer is too close to a story to see what is missing, for example, and as a professional with many years’ experience, I offer gentle, supportive practical criticism. I spent several hours this week reviewing a new manuscript I am really excited about, by one of my clients, and she came back to say, “All of the structural weakness of the book that you identified are ones that I already knew were there”.​

​That made me feel good: I am doing my job right!

As for the selling side, without being immodest, I am a brilliant story pitcher! It’s the result of my years of pitching to tough executives [at] Hollywood studios who don’t move a muscle. I went out with a pitch for a debut last month and got 20 requests to read from editors within a day! 

SPL: Should writers be concerned about whether or not their book will make a great movie when they’re writing it? If the ultimate goal is to make a movie, do you need to write the book first?

Toot Your Horn!

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authors, illustrators, published, publishing, SCBWI members

 

Five-Minute True Stories: Animal Rescue, by Aubre Andrus, Scholastic, ages 4-8, Nonfiction, ISBN: 1-338-20006-2, released 03/27/2018 

 

Great News!

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authors, illustrators, published, publishing, SCBWI members

SCBWI loves celebrating our members’ successes and noteworthy news, and there are many! Read on to find out who’s got something to shout about. Digital high-fives welcome in the comments!

 

 

Hatching Chicks in Room 6 by Caroline Arnold was named a 2017 Eureka! Honor book by the California Reading Association. The Eureka! awards are for excellence in nonfiction.

 

Having a Mentor Just Might Lead to a Manuscript That Sells

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Andrea J. Loney, Karol Ruth Silverstein, mentors, mentorships, publishing, SCBWI community, SCBWI members, Wade Bradford

by Karol Ruth Silverstein, Contest Coordinator

It’s common knowledge that having a mentor can impact your writing career in wonderful ways. Sometimes the impact is immediately apparent; other times it takes a while for the coaching a mentee receives to translate into career success.

My own experience falls into both categories.