Agent, Editor, & Author Kari Sutherland On First Lines, Revisions, & Representation

Tags

Author Tips, Kari Sutherland, publishing, SCBWI events

 

Agent and author Kari Sutherland joins this year’s LA SCBWI Working Writer’s Retreat faculty. She was a Senior Editor at HarperCollins Children’s Books before joining the Bradford Literary Agency in 2017 and she co-writes the middle grade Menagerie series with her sister, Tui Sutherland. She’s worked with bestselling and critically acclaimed authors on projects such as the #1 New York Times bestselling Red Queen by Victoria Aveyard and the #1 New York Times bestselling Pretty Little Liars series by Sara Shepard. Needless to say, she knows a thing or ten or about writing, editing, and publishing books, and she’s here to share some of that knowledge with us!

Sarah Parker-Lee: You graduated from Williams College with a B.A. in English and Psychology. Why do you consider this the perfect combination for working with authors on character and plot development?

Kari Sutherland: I’d say both fields help me pinpoint when a character is behaving in a way that isn’t authentic or in a way that may produce a reaction in readers that the author is not intending. Having studied the way minds work, it gives me insight into personality and character growth. With my English studies, I know how to catch and keep a reader’s attention through voice, sentence structure, and plotting. Psychology classes also prepared me to be an excellent listener and to help coax out what a person really wants to say – in this case, through their manuscripts.

SPL: Your Bradford Lit bio says you’re passionate about helping to polish each manuscript and equip your clients for success. What does that entail?

Helena Ku Rhee: Debut Author’s Perspective

Tags

agents, authors, Bill Contardi, Colleen Kong-Savage, contracts, Helena Ku Rhee, illustrators, picture books, publishers, publishing, The Turtle Ship

Jessica Echeverria (editor, Lee & Low), Helena, and Colleen Kong-Savage (illustrator)

Helena Ku Rhee is the author of The Turtle Ship, a forthcoming picture book by Lee & Low (Fall 2018). Helena, trained as a lawyer, followed an uncommon path by negotiating her own book deal. She tells Kite Tales about her debut and navigating publishing without an agent.

Toot Your Horn!

Tags

authors, illustrators, published, publishing, SCBWI members

SCBWI members’ publishing news is something to celebrate here at Kite Tales! Check out whose book is coming to a platform near you or around the world. Horn-tooting ad digital hi-fives welcome in the comments!

How the Stars came To Be, written and illustrated by Michael Bayouth, Self-Published, ages 6-10, Picture Book, ISBN: 978-0692711224, released 12/01/16. (Stars Photo)

 

 

Pam Gruber: Editor’s Perspective, Writers & Illustrators Day Faculty

Tags

authors, Cecilia Vinesse, Claudia Gray, Emily Lloyd-Jones, Jen Calonita, Josh Sundquist, Pam Gruber, publishers, publishing, YA, young adult

Pam Gruber is a Senior Editor at Little, Brown Books for Young Readers where she has worked on everything from novelty and picture books to novels. She primarily acquires middle grade and young adult fiction and nonfiction. She loves alternate histories, off-beat teen romances, witty voices that can make her laugh and cry simultaneously, and stories of characters being asked to see their world in a different way. She is also on the faculty for this year’s Los Angeles SCBWI Writers and Illustrators Day (Feb. 25^th) where she will deliver a keynote and lead a breakout session on immersive world-building. For a great preview and insights from an editor-extraordinaire (and cute cat photos!), read on:

SARAH PARKER-LEE: Your list includes a hybrid graphic-novel series, VIP by Jen Calonita, Claudia Gray’s new space opera, Defy the Stars, and YouTuber Josh Sundquist’s debut novel, Love and First Sight. You certainly don’t dwell in traditional spaces for content or creator! What makes you want to take a risk on non-traditional projects? What’s the difference between non-traditional and straight-up gimmicky?

Melissa Manlove: Editor’s Perspective, 2017 Writers and Illustrators Day Faculty

Tags

authors, illustrators, Illustrators Day, Melissa Manlove, picture books, publishers, publishing, writers, Writers Day

Melissa Manlove is an editor at Chronicle Books in San Francisco. Her acquisitions tend to be all ages in nonfiction; ages 0-8 for fiction. She’s also a keynote speaker, a breakout session speaker, manuscript critique faculty, and an illustration contest judge for the Los Angeles SCBWI Writers & Illustrators Day, coming on February 25^th, 2017. When acquiring, Melissa looks for fresh takes on familiar topics as well as the new and unusual. An effective approach and strong, graceful writing are important to her. She also has 17 years of children’s bookselling experience and is currently on staff at Book Passage.

Sarah Parker-Lee: Your workshop intensive for the SCBWI Los Angeles Writer’s and Illustrator’s Day event, “What We Say Without Saying: Developing Voice in the Text and Art of Picture Books,” is for authors and illustrators. “Voice” is so often associated with text. What does it mean for illustrations? Do authors and illustrators find one voice together, or a way to intertwine their individual voices?

Melissa Manlove: Voice is a lot of things at once, but style and point of view are a couple of the biggest parts, whether you’re talking about text or art. Artists can make a lot of decisions that will make an impact on readers without them being very aware of it—choices that are ‘show not tell’ in the art, like palette, texture, composition—and decisions that ought to be deliberately calculated to communicate what’s most important about the book they’re illustrating; to evoke emotion, to tell a story.

Authors and artists always have separate voices, but when they are both working towards the same (or complimentary) narrative goals, they achieve a harmony that makes them feel like two halves of the same whole.

Work-for-Hire: A Non-Traditional Path to Becoming an Author

Tags

Aubrey Angus, authors, paid to write, publishers, publishing, tips, write for hire, writers

I’ve never written a book proposal and I don’t have an agent, but I’m the author of more than a dozen non-fiction books for kids. How did I do it? I’m a writer for hire!

Many publishers create certain series, concepts, or titles “in house,” but they often need help doing the dirty work – you know, the writing part of it. So they’ll bring in freelancers who can bring their ideas to life. I’m one of those freelancers.

Toot Your Horn!

Tags

authors, community, illustrators, middle grade, picture books, published, publishing, SCBWI members, YA, young adult

 

Living Fossils: Clues to the Past, by Caroline Arnold, illustrated by Andrew Plant, Charlesbridge, ages 7-10, Picturebook Nonfiction, ISBN: 978-1-58089-691-7, released 06/02/2016.

 

Kid Lit, Day Jobs, and Paying the Bills

Tags

how-to, illustrator tips, illustrators, publishing, tools, writer, writing tips

I’ve always wondered how artists and illustrators pay their bills and still have time to create. Some artists like myself, who need extra income, have little information on finding art and writing jobs other than by asking other artists/writers and checking newspaper job listings for part-time paid positions or freelance jobs. But the Internet is such a wonderful vehicle to use when you need to find information or even jobs that you wouldn’t be able to find locally, so the Kite Tales team and I decided to do some research.

Toot Your Horn!

Tags

authors, illustrators, middle grade, picture book, published, publishing, SCBWI members, YA

 

A Charmed Life / Una Vida con Suerte, by Gladys E. Barbieri, illustrated by Lisa Fields, Arte Público Press, ages 4-8, bilingual picture book, ISBN: 978-1-55885-827-5, released 05/30/2016.

 

 

LitMingle Minute: Hollywood

Tags

authors, community, critiques, illustrators, middle grade, mingles, picture books, publishing, query letters, SCBWI events, SCBWI members, tools, volunteers, writer, writing tips, YA, young adult

Minglers discussing plot.

The SCBWI L.A. Hollywood LitMingle started humbly. For the past three years, Deborah Blum and Jean Perry (that’s me) have taken the mingle from a living room to the meeting space at the Hollywood Fairfax Library. It’s absolutely delicious to meet with other children’s writers. We who gather on those special Thursdays “get” each other. We find friends whose eyes don’t glaze over at the mention of plot and inciting incident. When we talk about crisis and climax, we can ask which is which. Picture book, middle grade, young adult, and new adult writers are welcomed to this free event every month. We usually start out full group, and then break into small groups based on genre, to get the specific support we need. Mingles are open to the public.