Agent Jennifer Tran on Querying and the Agent-Client Relationship

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agents, editing, Jennifer Chen Tran, queries, query, revision, SCBWI events, Working Writer's Retreat

Agent Jennifer Chen Tran is on faculty for this year’s SCBWI-L.A. Working Writers Retreat (WWR).

She joined the Bradford Literary in 2017, and represents fiction and nonfiction. She’s interested in diverse writers and #ownvoices from underrepresented/ marginalized communities, strong and conflicted characters who are not afraid to take emotional risks, stories about multi-generational conflict, war and post-war fiction, and writing with a developed sense of place. In non-fiction, she loves books that broaden her world view or shed new light on “big ideas.”

Originally from New York, Jennifer was an associate agent at Fuse Literary and served as Counsel at The New Press before becoming an agent at Bradford Literary. She obtained her Juris Doctor from Northeastern School of Law and her B.A. in English Literature from Washington University in St. Louis.

She took some time to answer our questions about her work, how first-time authors can shine, and her wishlist.

ERLINA VASCONCELLOS: What are the biggest mistakes made by first-time authors? 

Author Catherine Linka on Getting an Agent: It’s All About Fit

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agents, Catherine Linka, pitching, publishing, query

By Catherine Linka, author

Getting an agent is about finding the right fit, because the agent who will sell your work successfully is the person who loves to sell what you love to write. 

Agents champion books they believe in. They work unpaid until they get you a book contract.

And they are also human beings. They may love rom coms, but not horror. If you write rom coms and they love to read rom coms, they’ll be more likely to read your submission. They’ll be more likely to have sold rom coms and to know which editors are fans of rom coms. They will be more aware of the other rom coms in the marketplace.

Polish and Pitch Beach Retreat with SCBWI-CenCal

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Karen Grencik, query, query letter, SCBWI community, SCBWI events, synopsis

By Ann Rousseau Smith, SCBWI CenCal News Liaison and Rebecca Langston-George, SCBWI CenCal Regional Advisor

Join us for a weekend of writing, revising, and crafting your pitch at an ocean side resort. In addition to craft workshops and the opportunity to pitch your work to an agent, you’ll enjoy sunset fire pits and s’mores overlooking the ocean, life-size checkers and chess games atop the cliff, and strolls on the sand.

LitMingle Minute: Future Shock and The Query Review at Westchester Writers Mingle

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Elizabeth Briggs, Future Shock, queries, query, query letters, SCBWI community, SCBWI events

By Renee Carter

It began at a chain restaurant. I was meeting with my writers’ group, munching on a salad when suddenly a woman approached.

“That’s me,” she proclaimed, tapping the front cover of the YA novel near my elbow on the table.

I looked at the image of a Latina, teenaged girl on the book cover and turned to the woman. She must have noticed my skepticism because she promptly turned the novel over.

“I’m Elizabeth Briggs,” she smiled. “Do you like my book?”

#KTWriteOn with Agent Bridget Smith: Query Letters When You Have No Idea Where To Start

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As you celebrate Independence Day, why not free yourself from the agony of the query letter with the third installment of the Kite Tales Writing Prompt: #KTWriteOn? Each writing challenge is crafted by a kid-lit publishing professional to help spark ideas and creative energy. This prompt was created by Bridget Smith, an agent at Dunham Literary, Inc., where she represents middle grade, YA, and adult novels, including contemporary fiction, historical fiction, and science fiction & fantasy. She is also the co-host of the podcast Shipping & Handling, and you can follow her on Twitter @bredalot.

By Bridget Smith

As an agent, I very often hear complaints from writers about how hard it is to write a good query. And I sympathize! I have written many pitches myself, after all. But unfortunately, it’s a necessary skill – and it doesn’t stop once you get an agent, either.

Luckily, with all the pitches I’ve written, I’ve figured out a formula that can give me a workable draft quickly. This isn’t necessarily the form your final pitch needs to take: I’m always delighted to see a pitch that breaks out in interesting ways, whether it’s hauntingly minimal or a clever inversion. And, of course, there is LOTS of room here for adding flavor: voice! Jokes your characters would make! Emotion! Tension!

But if you have absolutely no idea where to start, here’s a handy map:

Agent Deborah Warren on Character-Driven Stories and Making the Most of Your Writers Day Pitch Session

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Antoinette Portis, Deborah Warren, East/West Literary Agency, James Dean, Kimberly Dean, Kwame Alexander, Pete the Cat, pitching, query, Writers Day

Deborah Warren is the founder of East/West Literary Agency, which represents new and established authors and illustrators of picture books, middle grade, and young adult novels. Clients include Kwame Alexander, author of the Newbury Award-winning The Crossover, James Dean and Kimberly Dean of the Pete the Cat series, and Antoinette Portis, author and illustrator of books including Now, and Best Frints in the Whole Universe.

Deborah is a faculty member for Writers Day on March 3 in Los Angeles.  She talks to us about her agency, what makes a strong manuscript, and the Writers Day pitch sessions.

Erlina Vasconcellos: How did you get into the publishing business and what keeps you here? 

Deborah Warren: I started East/West Literary in 2000, but my career in publishing really began in 1980 at Harcourt Brace Jovanovich (now Houghton Mifflin Harcourt), in San Diego. When I left, I was VP/Director of Sales, and I credit those years for being the best training ground ever. You see, we’re committed to the business of selling. And understanding the in-depth process of acquisitions, sales, and marketing helps the E/W team attain the stated goals for each of the agency’s clients: to close the best possible deal with the best possible editor at the best possible publishing house. What keeps me in the industry? The like-minded souls in children’s publishing, the fabulously talented authors, illustrators, and editors whose main goal is to create books that are both windows and mirrors for today’s young readers. We need these books more than ever!

EV: You have said that you look for character-driven stories. Anyone who has tried to craft one knows that’s not easy to pull off. When authors/illustrators fail to deliver on character in a manuscript, what’s usually missing?

Bridget Smith: Agent’s Perspective

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agent, Bridget Smith, Dunham Literary, query, tools, writing tips, YA, young adult

Bridget Smith is more than an agent at Dunham Literary, Inc. She also studied anthropology and archaeology, worked as a radio DJ, fenced on the varsity team at Brown University, and helped design an experiment that she later performed in microgravity at NASA. So, she’s kind of awesome and you want her to represent your books.

Read on for Bridget’s insights into the kid lit community, how to include diversity in your books, and what happens after you get a full manuscript request.

Michelle Zeitlin and Jane Cowen Hamilton: Agent Perspective

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agent, agents, how-to, Jane Cowen Hamilton, Michelle Zeitlin, query, query letters, social media, writing tips

I sat down with agents Michelle Zeitlin and Jane Cowen Hamilton of More Zap Productions and Management to talk about their new literary division, discuss why an author must know their brand, and how children’s literature fits into their multi-media, and currently acquiring, agency. I was curious how an agency that represents dancers, directors, and other specialty talent got into the literary world and what their unique platform had to offer. Turns out, a lot.