The Sue Alexander Grant is Open. Why Should You Submit Your Writing?

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Andrea Custer, contests, critique groups, critiquing, pitching, SAG, SCBWI community, SCBWI events, SCBWI members, Sue Alexander, Sue Alexander Grant, writing

By Karol Ruth Silverstein, SCBWI-L.A. Contest Coordinator

It’s time once again to polish up those manuscripts and submit to the Sue Alexander Grant, the winner of which receives a guaranteed spot and free tuition to the SCBWI-L.A. September 2018 Working Writers Retreat.

The WWR is an intense critiquing weekend with critique sessions, revision time, and parties ­­— including karaoke! The retreat culminates in a first-pages pitch session with four acquiring editors and agents.

I recently caught up with last year’s Sue Alexander Grant winner, Andrea Custer, for her insight on the retreat, how it influenced her writing, and why you should apply for this grant to attend.

KAROL RUTH SILVERSTEIN: Did you put in a lot of work on your manuscript before submitting it to the Sue Alexander Grant or did you have a polished manuscript ready to go?

ANDREA CUSTER: I workshopped it with my critique group as I was writing the first draft. They are an amazing group, quite astute, and so I had the benefit of their comments early on and had already revised the first half of the manuscript based on their feedback. Submitting it for consideration for SAG was actually a bit of an impulse! I saw the reminder on Facebook that the submission deadline was coming up, and thought why not go for it? I had about a week to re-read, polish, and get it ready. I found out I’d won on my birthday! It was the best gift I’ve ever gotten.

KRS: What was your favorite part of the retreat? What was most valuable?

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Community Corner with Author Ann Whitford Paul: Socializing with a Purpose

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critique groups, SCBWI community, SCBWI members, writing tips

By Ann Whitford Paul

*Editor’s Note: After a successful SCBWI Los Angeles Writers Day, whether you attended or not, we thought you might be looking for more ways to “level up” your writing, no matter the stage of your career, so we asked author Ann Whitford Paul, who belongs to a lot of groups, to share some community-building, group-oriented ways you can do just that for this quarter’s “Community Corner.” Read on for her fabulous insights!

You’re a writer. You prefer to be alone in the peace and quiet of your home, creating ideas, developing and revising them. Still you know you should (and you want to) make time to be with others, just not so much that it interferes with your writing. What about joining or creating groups that may take you away from your computer, but also enhance your career?

Los Angeles SCBWI Writers Day 2018 Manuscript Contest Winners!

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Alison A. Baker, Brenda Scott Royce, Chelsea Lin Wallace, Colleen Paeff, Debbie Friedman, Heather Schmidt, Jamie Kiffel-Alcheh, Kendra Kurosawa, middle grade, nonfiction, PB Rippey, picture book, Sarah Parker-Lee, SCBWI events, SCBWI members, young adult

Every year, SCBWI Los Angeles opens our Writers Day contest to all members attending the event. This year, our anonymous judges chose 10 honorees in Young Adult, Middle Grade, Picture Book, and Other (which includes poetry and non-fiction). First place winners in each category receive free tuition to next year’s Writers Day, as well as a manuscript critique from one of this year’s faculty members. There were a lot of wonderful entries and a “20% of total entries” guideline was used to determine how many manuscripts were honored in each category. As Contest Coordinator Karol Ruth Silverstein so aptly put it, “Regardless of whether you win or lose, putting your work out there to be judged by entering the contest is a courageous act in itself. So let me first congratulate all of you who entered.”

And now, our 2018 Writers Day winners! (If you’d like to contact any of the winners to request their manuscript or discuss publication, please let us know!)

Volunteer Spotlight: 2018 Sue Alexander Service and Encouragement Award Winner

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Cursed, Karol Ruth Silverstein, SASE, SCBWI events, SCBWI members, Sue Alexander Service and Encouragement Award, volunteering, volunteers

Each year, the Sue Alexander Service and Encouragement Award is presented to a regional volunteer who has shown exceptional dedication to SCBWI Los Angeles. This year’s winner, Karol Ruth Silverstein, credits her time volunteering as Schmooze/LitMingle Meister with signing with an agent and subsequently selling a book. She’s since moved on to be our Contest Coordinator and is so dedicated, she was just featured in our previous “Volunteer Spotlight” (here). So instead of the usual spotlight fare, I thought we’d do something a little different and ask Karol some fun questions.

SARAH PARKER-LEE: If you could volunteer for anything you wanted to, other than SCBWI, what would you choose?

Illustrator Kent Culotta on Animation vs. Illustration, Inspiration, and Leveling-Up Your Skills

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Busy Trucks on the Go, D is for Dump Truck, Dan The Taxi Man, Eric Ode, illustrating, illustrator tips, Kent Culotta, picture books, SCBWI members, The Twelve Days of Christmas in Kentucky, Too Many Tomatoes

Some of professional illustrator Kent Culotta’s most recent projects include illustrations for D is for Dump Truck, published by Sleeping Bear Press, and The Twelve Days of Christmas in Kentucky, published by Sterling Children’s Books. He’s also collaborated with author Eric Ode and publisher Kane Miller on three books, Dan, The Taxi Man, Busy Trucks on the Go, and the recently released Too Many Tomatoes. Kent lives in Southern California, but grew up in a small town in Michigan. When he was five, he covered an entire wall of his parents’ living room with his own gallery, each drawing taped lovingly in place. No blank piece of paper, used envelope, or post-it note have ever been safe from his pencil. And today Kent, a fellow SCBWI member, shares with us his experience along with some tips and tools for leveling-up your own skills.

SARAH PARKER-LEE: You’ve worked as an artist in newspapers and on film, including several years in the animation industry working on some pretty memorable Walt Disney movies. How, and why, did you make the transition to children’s book illustrator? Did SCBWI play a role?

KENT CULOTTA: Being a children’s book illustrator was always in the back of my mind when I was working at the big animation studios, and I took a couple of book illustration classes back then at Otis Parsons. I think that I first learned about SCBWI from one of those classes. At the time I was a bit discouraged because publishers then were less open to illustrators whose work showed an animation influence. That has changed a lot. The big transition I went through was when animation rather quickly went from hand-drawn to CG. I worked hard to update my skills and did pretty well, but I soon realized what I really missed was drawing by hand. I joined a group called Drawergeeks that my co-workers participated in. Each week a new subject was set and we all would do an illustration piece on that subject. It helped motivate me and also helped me get out of my own head a little and tackle subjects that I wouldn’t normally think of, a good skill when you’re illustrating other people’s stories. I ended up getting a pretty nice first illustration portfolio from those Drawergeeks illustrations. It was at that point I started regularly attending SCBWI schmoozes/mingles and conferences, which were great motivators as well.

SPL: As an illustrator, you’re tasked with interpreting someone else’s story while still being true to your artistic identity. Do you have any advice on how to maintain that balance for those just starting out or perhaps feeling a little lost?

Giving It Away for Free: Keys to Promoting Your Book at Events

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Comic Con, convention circuit, Conventions, crowdfunding, merchandising, SCBWI members, self-publishing, selling, Stan Yan, There's a Zombie in My Basement, tips

by Stan Yan, Author and Illustrator

This is the second part in a two-part series where I discuss keys to promoting my bedtime picture book, There’s a Zombie in the Basement, inspired by my 3-year-old son who wouldn’t come down to my basement studio, fearfully pointing at my zombie artwork on the walls. I’ve been promoting my other work at comic and fan conventions since 2001, but I’ve learned a lot about them and applied it specifically to promoting my book. You don’t have to feel overwhelmed by conventions and events! Read on for my keys to standing out and selling your work.

Failing Before You Start: The Key Steps I Ignored to Crowdfund My Picture Book

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crowdfunding, illustrating, Indiegogo, Kickstarter, publishing, SCBWI members, self-publishing, Stan Yan, There's a Zombie in My Basement, tips, writing

by Stan Yan, Author and Illustrator

This is the first part in a two-part series where I will discuss my “missteps” in crowdfunding my picture book, There’s a Zombie in the Basement, because sometimes you have to risk going against conventional wisdom to bring your book into the world.

In 2013, my primary job was drawing zombie caricatures at conventions. One day, my 3-year-old son wouldn’t come down to my basement studio, fearfully pointing at my zombie artwork on the walls. This inspired my foray into kidlit, which taught me some lessons.

Ignored Step #1: Don’t Self-Publish.

#KTChat with Author Danielle Davis: Navigating Your Writing Process and Valuing Your Work

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chat, Danielle Davis, Q&A, SCBWI community, SCBWI events, SCBWI members, Twitter, writing exercise, writing tips, Zinnia and the Bees

On Twitter today (Friday, 2/23/18) from 4-5 PM PST, Danielle will be taking your questions and discussing her article on the writing process, how to find value in your work, and ways to keep moving forward, even when you don’t feel like it. Log into your Twitter account during our chat hour and use the hashtag #KTChat or @mention Danielle (@writesinLA) to join the discussion! If you aren’t on Twitter, leave your questions in the comments before the chat begins! Find SCBWI-LA on Twitter: @SCBWISOCALLA

By Danielle Davis, author of Zinnia and the Bees

Process fascinates me, in part because I find it challenging. It’s tempting to focus on other things that start with p: publication, perfection, panic, pretzels (snacks, help, right?) and, of course, the desire to polish off a manuscript and be finished.

Before my debut middle grade novel, Zinnia and the Bees, was published, I always thought that I wouldn’t have that “second book problem” because I had two manuscript drafts I already planned on pursuing.

But then I did have that second book problem. I had it big time.

SCBWI Events, Book Festivals, and Conventions Happening in 2018

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Andrea Custer, Book Festivals, Book Fests, Claire Moore, conferences, Conventions, Helena Ku Rhee, Jacob Gerhardt, Lynn Becker, PB Rippey, Sarah Parker-Lee, SCBWI Annual Summer Conference, SCBWI members, Summer Conference

Hone your craft and connect with other writers, illustrators, and children’s book industry professionals at this year’s book fests and events. Grab your calendars and mark these dates.

Here are the dates for SCBWI’s biggest events for 2018:

March 3
Writers Day
Skirball Cultural Center, Los Angeles
This is a full-day to immerse yourself in expert keynote speakers, manuscript critiques, and agent pitch sessions. This year’s event, themed “Time to Level Up!,” offers writers a choice of three different levels based on experience and goals.
Read PB Rippey’s writer’s perspective on 2017’s event. Last year’s event also included illustrators. Read Lynn Becker’s illustrator’s perspective.

Toot Your Horn!

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authors, illustrators, published, publishing, SCBWI members

 

Five-Minute True Stories: Animal Rescue, by Aubre Andrus, Scholastic, ages 4-8, Nonfiction, ISBN: 1-338-20006-2, released 03/27/2018