How Hollywood Finds Your Manuscript

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book option, Colleen McAllister, Hollywood, Maddie Breeland, manuscript option, Nathan Schram, option, tips

by Colleen McAllister

Hollywood executives are on the prowl for the book or series that could become their next franchise long before a manuscript is published. But what are they looking for and how do they find it?

We’ll hear from Nathan Schram, Senior Manager of Animation Development at Nickelodeon, and Maddie Breeland, Development Executive in charge of developing material for Fox, Disney and most recently Anvil Pictures, about how they find your book.

COLLEEN MCALLISTER: What does the process look like as far as how you look for book manuscripts to option?

#KTWriteOn with Newbery Winner Christian McKay Heidicker: THE DESPERATE AUTHOR (Getting Good with Low Time and Resources)

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Author Tips, Christian McKay Heidicker, tips, tools, writing, writing tips

Welcome to the Kite Tales Writing Challenge: #KTWriteOn. Each writing challenge is crafted by a kid-lit publishing professional to help spark ideas, creative energy, and get your work moving out into the world.

This exercise was created by Christian McKay Heidicker, the author of the Newbery Honor-winning Scary Stories for Young Foxes, Thieves of Weirdwood, Cure for the Common Universe, and Attack of the 50 Foot Wallflower. He lives in Salt Lake City, Utah, where he reads and writes and drinks tea. Between his demon-hunting cat and his fiddling, red-headed fiancée, he feels completely protected from evil spirits. He wasn’t always an award-winning author. Read on for Christian’s excellent advice and exercises:

THE DESPERATE AUTHOR (Getting Good with Low Time and Resources)

By Christian McKay Heidicker

It took me twelve years to get my first book published. So in the interest of your sanity and my conscience, I’m going to tell you how to get better at this writing thing no matter what your obstacles are. Don’t have time? Don’t have money? Blessed with the attention span of a fruit fly? I experienced that in spades, my friend. And I’ve got some workarounds. All you need is a little window of time every day, a handful of unique shortcuts, and maybe some heartbreak. (That last one certainly helped me.)

Working From Home Tips: An Illustrated Guide

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Emma Trithard, illustrator, pandemic, tips, Work From Home, working from home

Working from home is the new reality for many. It’s also a privilege that I am certainly grateful for. After all, even though events have been canceled or postponed and book launches are being impacted, for a lot of us in the writing and illustrating industry, we’re likely the best equipped to work from home.

For the last three years, Emma Trithart, an L.A.-based illustrator, hand letterer, and graphic designer, has been with a digital agency that is primarily “work from home”. Just before the stay-at-home orders were announced in California, she posted her illustrated guide So You’re Working From Home (Very Specific Tips From One Person’s Individual Experience] on Instagram.

“Being used to office life, it was a bit of an adjustment… but now I love it,” Emma said. “I figured I could impart this little chunk of experience from my own life on others who might be struggling to get used to working from home.”

Whether you’ve gotten used to working from home or are still adjusting to the New Normal, here is Emma’s guide:

Keeping Creative During Quarantine

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inspiration, SCBWI community, tips, virtual resources

Photo by Prateek Katyal on Pexels.com

Times are strange. Staying inside and shifting to work from home might be new for some, but for those of us used to camping out at our computers for long hours writing and editing on sunny weekends it can feel like an extension of the routine. Both of these realities can be jarring, and sometimes alienating. Especially when it seems like the world is falling apart. Here at Kite Tales we want to let you know: you’re not alone; we’ll get through this; and take some time for healing, whether it be writing or just watching your favorite movie.

In that spirit, we wanted to help provide you with some resources that you can access online. From webinars to virtual meetups, there is a great community of kidlit writers and illustrators sharing thoughts and inspiration.

What Are Kids Reading? Here’s What They Wish We’d Write

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Andrea J. Loney, Beth Navarro, conferences, Kelli McNeil, kids, LA Comic Con, SCBWI Panel, tips

by R. S. Mellette

On the last morning of the 2019 Los Angeles Comic Con, Sarah Parker-Lee saved the day. She handed out fliers to every kid in sight, begging them to attend our panel, “What Are Kids Reading? What Do You Wish We’d Write?”

Out of fifty or so invited, four kids showed up, along with a handful of adults. A fifth kid had to come because she was a friend of Andrea J. Loney, who was on the panel. The idea was, we authors would switch places with kids in the audience, to make them the panelist. If no kids showed up, I didn’t have a B-plan – so hats off to Sarah!

Once we had the bright, talkative, reading, kids on the panel, everyone knew we had to share their thoughts with Kite Tales readers. So, what are kids reading? What do they wish we’d write?

Creating Magic with Juxtaposition

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Halloween, illustrating, Illustration, illustration prompt, illustrator, illustrator tips, illustrators, inspiration, Jessica Chrysler, tips

by Jessica Chrysler

Fall brings fond memories for me. Even though I grew up in sunny Southern California, there were a few special trees in the neighborhood that would change color and drop their leaves. I’d dreamt about how endless forests of these trees would look and had read fairytales about how spirits would change the colors of the leaves. I’d wonder how they’d lived with all the other creatures in the wood, and if they would all gather into little caves, sleeping together through the long, cold winters. For a kid that never experienced the seasons, this magic seemed so real, even if just beyond my reach. But I was able to capture some of that magic when it came time for Halloween.

Secrets to Writing Rhymes that Sell

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Author Tips, Jamie Kiffel-Alcheh, picture books, rhyming, tips, writing tips

By Jamie Kiffel-Alcheh

Rhymes are naturally easy for the brain to process. Their innate musicality makes their messages easier to absorb. They have a calming effect because rhymes set up an expectation and fulfill it each time a verse is completed. And kids love them.

So why are rhyming books so hard to sell?

Well, there are common pitfalls to rhyming. But there are secrets to salable rhyme, too!

The pitfall: Something rhymes just for the heck of it.

“That’s the way” and “What a day” rhyme, but if they don’t tell the story, then the rhyme is doing what I call “treading water.”

Five Tips for Event Promotion from SCBWI-L.A. PAL Makers Mixer

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networking, PAL events, promotions, published, SCBWI events, tips

by E. L. Tenenbaum

Last month, SCBWI-L.A. held its first Makers Mixer, which gave SCBWI PAL members — agented or not — a chance to pitch intellectual property to film and TV representatives. However, a major highlight of the evening came in-between pitches, when writers and illustrators chatted with fellow authors, sharing ideas, experiences, and encouragement. Here are five takeaways from the night to help promote you and your work at events.

1. Be Display Ready

Of course, your book is coming with you to events, but can you make it stand out in the limited space you have?

#KTChat with Author/Illustrator Bethany Barton: In Defense Of Your Day Job

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Author Tips, Bethany Barton, day jobs, Give Bees a Chance, I'm Trying to Love Math, I'm Trying to Love Spiders, illustrator tips, mentorship, tips

By Bethany Barton

Editor’s Note: Award-winning author/illustrator Bethany Barton spends her days working in film and TV, currently in the prop department at ABC’s Black-ish. Her newest book, I’m Trying to Love Math, hits stores this July. And Bethany is not only making herself available to chat with you this Friday (3/22) for an hour beginning at 12PM, but she is ALSO SCBWI-LA’s mentor! So if you’re an illustrator or author/illustrator, you can apply to be her mentee! And no matter what you’re writing, today’s chat topic about day jobs will encourage you, make you laugh, and start a lively conversation! And now, take it away, Bethany…

I hear it all the time from authors and illustrators: “I wish I could make books full time… but for now I’m JUST (insert self-deprecating tone) a bartender/teacher/accountant/etc.” 

We’re all wonderfully complex human beings and that “day job” is a part of our story….so why do we feel the need to apologize for it? Maurice Sendak did toy-store window displays. JK Rowling worked as a secretary and translator. As long as there have been authors and artists, they have had day jobs and side hustles.

And I’m here to suggest we stop apologizing for them.

Consider this a call-to-arms to embrace our day jobs and, dare I say, even celebrate them?! Here are some quick reasons why:

#KTWriteOn with Agent Bridget Smith: Query Letters When You Have No Idea Where To Start

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Bridget Smith, query, query letter, tips, writing prompt

As you celebrate Independence Day, why not free yourself from the agony of the query letter with the third installment of the Kite Tales Writing Prompt: #KTWriteOn? Each writing challenge is crafted by a kid-lit publishing professional to help spark ideas and creative energy. This prompt was created by Bridget Smith, an agent at Dunham Literary, Inc., where she represents middle grade, YA, and adult novels, including contemporary fiction, historical fiction, and science fiction & fantasy. She is also the co-host of the podcast Shipping & Handling, and you can follow her on Twitter @bredalot.

By Bridget Smith

As an agent, I very often hear complaints from writers about how hard it is to write a good query. And I sympathize! I have written many pitches myself, after all. But unfortunately, it’s a necessary skill – and it doesn’t stop once you get an agent, either.

Luckily, with all the pitches I’ve written, I’ve figured out a formula that can give me a workable draft quickly. This isn’t necessarily the form your final pitch needs to take: I’m always delighted to see a pitch that breaks out in interesting ways, whether it’s hauntingly minimal or a clever inversion. And, of course, there is LOTS of room here for adding flavor: voice! Jokes your characters would make! Emotion! Tension!

But if you have absolutely no idea where to start, here’s a handy map: