10 Inspiring Kite Tales Quotes from 2018

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Aaron Reynolds, Cassandra Federman, Dan Santat, Danielle Davis, Garret Weyr, illustrator tips, inspiration, Kayla Cagan, Kent Culotta, Melody Mansfield, Victoria Wells Arms, writing tips

I’m always grateful for the community and connection that comes from being a member of SCBWI. There’s no shortage of people willing to share advice, tips, and knowledge. And lucky for us, so many in the kid lit community have shared their stories and wisdom on the Kite Tales blog.

Whenever I need a creative boost, I like to reread Kite Tales posts for nuggets of inspiration.

Here are some of my favorite quotes from Kite Tales stories this year. Hopefully they’ll inspire you too as you set your 2019 writing goals. Read on and click the links to see the full posts.

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Working Writer’s Retreat 2018: Revisions, Connections, and Karaoke

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E. Katherine Kottaras, Jessica Chrysler, Katya Dove, Kelsey Horton, Nephele Tempest, SCBWI community, SCBWI events, Stephanie Guerdan, Victoria Wells Arms, Working Writer's Retreat

By JESSICA CHRYSLER and KATYA DOVE

This year’s Working Writer’s Retreat brought together writers of all skill levels and backgrounds to the Holy Spirit Retreat Center in Encino, Sept. 28-30. From actors to teachers, newbie writers to seasoned veterans, participants had something to gain from the faculty and each other. In workshops, writers were grouped by category and genre and had ample opportunity to mix and mingle throughout the weekend, including a karaoke party.

Faculty included agent Nephele Tempest, agent Victoria Wells Arms, Delacorte Press associate editor Kelsey Horton, Harper Collins assistant editor Stephanie Guerdan, and author E. Katherine Kottaras.

In this post, writer and illustrator Jessica Chrysler and writer Katya Dove share a conversation about their experiences at the retreat.

Jessica Chrysler: It was so great to see you again at the retreat this year, Katya. As much as I love getting to know new people, it’s always nice to find friendly faces. Every year the organizers try to change up the panels and workshops, so I’d like to know, what was the highlight of your weekend?

Katya Dove: I thought the critique sessions were amazing. Listening to other writers read their work, sharing my own, and bonding over words was by far one of the most powerful experiences. There’s so much talent among the attendees. I was blown away by how focused and committed everyone was. Though I must say, the karaoke party brought out a whole new side to fellow writers and faculty—a wild and vivacious side!

JC: I have to agree on the karaoke! It’s always my favorite part of the retreat since it gets everyone out of their quiet, writerly shell. I also really enjoyed the presentation by Katherine Kottaras on “The Joy of Revising.” It’s important to love revision as part of the writing craft and it felt like everyone had similar challenges when facing editing demons. It was great to share and learn different strategies to tackle those obstacles.

Agent and SCBWI-LA WWR Faculty Victoria Wells Arms On Critiques, First Lines, and More

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Candice Ransom, critiques, E.D. Baker, first lines, Han Nolan, Katherine Hannigan, Marcella Pixley, Nikki Grimes, Shannon Hale, Susan L. Roth, Susan Middleton Elya, Victoria Wells Arms, Working Writer's Retreat

Before founding Wells Arms Literary Agency in 2013, Victoria Wells Arms spent 20 years in the publishing industry, working as an editor at Penguin and Bloomsbury, where she was the founding editorial director for their U.S. children’s list. She brings her expertise to this year’s Working Writer’s Retreat (WWR) as faculty.

She’s worked with bestselling and award-winning authors, including: E. D. Baker, Susan Middleton Elya, Nikki Grimes, Shannon Hale, Katherine Hannigan, Han Nolan, Marcella Pixley, Candice Ransom, Susan L. Roth and Renee Watson. She is an MFA candidate at the Vermont College of Fine Arts’s Writing for Children and Young Adults program.

Victoria took time away from her studies to answer our questions and share her insight.

ERLINA VASCONCELLOS: The retreat will feature a panel on first pages. How do first pages make readers eager for more? What are the elements commonly overlooked by unpublished writers?