Debut Author and Illustrator Jennie Palmer: A Speedy Path to Publishing

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Abrams, Jennie Palmer, Jessica Sinsheimer, Mary Ann Fraser, SCBWI community, SCBWI members, Summer Conference, Writers Day

The book industry is filled with tales of people who toil on a story for years before being published. Author and illustrator, Jennie Palmer, isn’t one of them.

Palmer had taken classes on the art and craft of picture books at the Rhode Island School of Design, where she was an illustration major. After graduating, she put that knowledge aside when she became a production designer whose credits include work on the television show Blue’s Clues and 12 years designing floats and balloons for the Macy’s Thanksgiving Day Parade.

And then came the idea for a picture book about witches – a glimmer of an idea that solidified as she was cleaning up after her family’s weekly pizza night.

In 2014, she attended her first SCBWI Summer Conference with an outline. She didn’t have a dummy or a portfolio, but three years later that story, The Wompananny Witches Make One Mean Pizza, would be published by Abrams.

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SCBWI Central Coast Regional News, Third Quarter 2017

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Alexis O'Neill, Robin LaFevers, SCBWI events, SCBWI members, Writers Day

By Ann Rousseau Smith, SCBWI CenCal News Liaison

Rediscovering Your TRUE Voice with Robin LaFevers, by Andrea Custer

Equal parts group therapy and expansion of craft, the Voice Workshop with Robin LaFevers, held on April 29, explored the concept of voice in all its forms: writer, character and story.

The main objective of the day was to help us identify our unique writer’s voice by connecting with our core selves. To accomplish this, Robin led attendees through a series of writing exercises that revealed our emotional truths.

Melissa Manlove: Editor’s Perspective, 2017 Writers and Illustrators Day Faculty

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authors, illustrators, Illustrators Day, Melissa Manlove, picture books, publishers, publishing, writers, Writers Day

Melissa Manlove is an editor at Chronicle Books in San Francisco. Her acquisitions tend to be all ages in nonfiction; ages 0-8 for fiction. She’s also a keynote speaker, a breakout session speaker, manuscript critique faculty, and an illustration contest judge for the Los Angeles SCBWI Writers & Illustrators Day, coming on February 25^th, 2017. When acquiring, Melissa looks for fresh takes on familiar topics as well as the new and unusual. An effective approach and strong, graceful writing are important to her. She also has 17 years of children’s bookselling experience and is currently on staff at Book Passage.

Sarah Parker-Lee: Your workshop intensive for the SCBWI Los Angeles Writer’s and Illustrator’s Day event, “What We Say Without Saying: Developing Voice in the Text and Art of Picture Books,” is for authors and illustrators. “Voice” is so often associated with text. What does it mean for illustrations? Do authors and illustrators find one voice together, or a way to intertwine their individual voices?

Melissa Manlove: Voice is a lot of things at once, but style and point of view are a couple of the biggest parts, whether you’re talking about text or art. Artists can make a lot of decisions that will make an impact on readers without them being very aware of it—choices that are ‘show not tell’ in the art, like palette, texture, composition—and decisions that ought to be deliberately calculated to communicate what’s most important about the book they’re illustrating; to evoke emotion, to tell a story.

Authors and artists always have separate voices, but when they are both working towards the same (or complimentary) narrative goals, they achieve a harmony that makes them feel like two halves of the same whole.