Interview with HarperCollins Senior Editor, Maria Barbo

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editor, HarperCollins, Maria Barbo, publishing tips, Writers Day, writing tips

EDITOR’S NOTE: Unfortunately, as you may have heard, SCBWI L.A.’s 2020 Writers Day has been postponed due to the Coronavirus. Please check your emails for the announcement which provides more details. Despite this news, the below interview (unedited from the original) provides fantastic information – so, please, read on! 

MARIA BARBO (Senior Editor at HarperCollins) acquires high-concept series and standalones for young readers of all ages—focusing mostly on middle grade and select picture books, chapter books, and graphic novels. She is particularly interested in projects with authentic voices, strong hooks, and fresh perspectives that use humor, magic, or illustrations to help young readers learn to navigate their world. She works with award-winning and bestselling authors such as Natalie Lloyd, Jim Benton, and Lisa Greenwald. Prior to joining Harper, Maria worked at Scholastic Inc, earned an MFA in painting, and lived in Spain via the Fulbright Program. When she’s not working, you can find her playing soccer or practicing her handstands.

CHRISTINE VAN ZANDT: Welcome to Kite Tales! We’re excited to have you as a Keynote Speaker at SCBWI L.A.’s 2020 Writers Day event. Your topic, “It’s TOTALLY Personal: Character Motivation is Everything” sounds amazing, as does the breakout session, “Master the Middle of Your Novel.” Does character motivation differ in picture book, middle grade, or YA?

MARIA BARBO: Thank you, Christine. I’m excited to meet everyone in L.A. I’d say the basic guiding principle across all age levels is that your main character’s motivations, their deepest desire, is what drives the plot forward. What do they want? Why do they want it? And which of their personality traits is going to get in their way?

Your 2020 Guide to Book Festivals, Conventions, and SCBWI Events

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Books Festivals, business, ComicCon, Conventions, Critique Day, Down The Rabbit Hole, LA Comic Con, LitFest, marketing, news, OC Book Fair, PAL events, SCBWI events, Working Writer's Retreat, Writers Day, writing

Need a creative pick me up? How about a new avenue for book promotion? Or maybe you just need some quality time with like-minded writers and illustrators working on their craft. SCBWI has you covered on the craft of kidlit and our region’s list of local book festivals and conventions is sure to broaden your creative perspectives!

SCBWI Sponsored Events for 2020

MARCH 28
Writers Day
Skirball Cultural Center, Los Angeles

Dive into craft and “Discover the Words Worth Keeping” with a full day of keynotes, critiques and agent pitch sessions. A special pre-event intensive with Harold Underdown will also give a new perspective on approaching revision to polish your work in progress. Contests, manuscript reviews and scholarships will also be available. Need more insight? Read author Charlotte Offsay’s recap of last year here.

Interview with Seth Fishman, Nonfiction Picture Book Author

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agent, Author Tips, nonfiction, picture book, picture books, Seth Fishman, The Gernert Company, Writers Day, writing tips

Maybe you’ve come across SETH FISHMAN’s award-winning book A Hundred Billion Trillion Stars. Or, perhaps you attended his Keynote Presentation at SCBWI LA’s 2018 Writers Day event. His books are rocking the nonfiction picture book world

CHRISTINE VAN ZANDT: Welcome to Kite Tales! It’s great to see a local writer doing so well. Let’s talk a bit about nonfiction picture books. In your latest book, Power Up: Your Incredible, Spectacular, Supercharged Body, you shift the focus from the amazing universe around us to the fascinating world inside our bodies. Power Up has an engaging story line and is loaded with cool facts. Do you have any advice for aspiring children’s nonfiction picture book writers?

Interview with Frances Gilbert, Editor-in-Chief of Doubleday Books for Young Readers

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Doubleday, editor, Frances Gilbert, Writers Day

FRANCES GILBERT started her career with books in high school when she worked in the children’s department of her town library. After graduating from university with an M.A. in English, her first job in publishing was as a Book Club Editor at Scholastic Canada in Toronto. She moved to New York in 2000 to set up a children’s editorial division at Sterling Publishing. In 2012, Gilbert moved to Random House Children’s Books where she is Editor-in-Chief of Doubleday Books for Young Readers. She is also a successful author of several children’s books.

CHRISTINE VAN ZANDT: Welcome to Kite Tales! We’re excited to have you as a Keynote Speaker at SCBWI LA’s 2019 Writers Day event. You’ve been in the industry since a teen and, as an author yourself, understand publishing from both sides. As an editor, please share with us some reasons that picture book manuscripts are rejected.

Agent Deborah Warren on Character-Driven Stories and Making the Most of Your Writers Day Pitch Session

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Antoinette Portis, Deborah Warren, East/West Literary Agency, James Dean, Kimberly Dean, Kwame Alexander, Pete the Cat, pitching, query, Writers Day

Deborah Warren is the founder of East/West Literary Agency, which represents new and established authors and illustrators of picture books, middle grade, and young adult novels. Clients include Kwame Alexander, author of the Newbury Award-winning The Crossover, James Dean and Kimberly Dean of the Pete the Cat series, and Antoinette Portis, author and illustrator of books including Now, and Best Frints in the Whole Universe.

Deborah is a faculty member for Writers Day on March 3 in Los Angeles.  She talks to us about her agency, what makes a strong manuscript, and the Writers Day pitch sessions.

Erlina Vasconcellos: How did you get into the publishing business and what keeps you here? 

Deborah Warren: I started East/West Literary in 2000, but my career in publishing really began in 1980 at Harcourt Brace Jovanovich (now Houghton Mifflin Harcourt), in San Diego. When I left, I was VP/Director of Sales, and I credit those years for being the best training ground ever. You see, we’re committed to the business of selling. And understanding the in-depth process of acquisitions, sales, and marketing helps the E/W team attain the stated goals for each of the agency’s clients: to close the best possible deal with the best possible editor at the best possible publishing house. What keeps me in the industry? The like-minded souls in children’s publishing, the fabulously talented authors, illustrators, and editors whose main goal is to create books that are both windows and mirrors for today’s young readers. We need these books more than ever!

EV: You have said that you look for character-driven stories. Anyone who has tried to craft one knows that’s not easy to pull off. When authors/illustrators fail to deliver on character in a manuscript, what’s usually missing?

Debut Author and Illustrator Jennie Palmer: A Speedy Path to Publishing

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Abrams, Jennie Palmer, Jessica Sinsheimer, Mary Ann Fraser, SCBWI community, SCBWI members, Summer Conference, Writers Day

The book industry is filled with tales of people who toil on a story for years before being published. Author and illustrator, Jennie Palmer, isn’t one of them.

Palmer had taken classes on the art and craft of picture books at the Rhode Island School of Design, where she was an illustration major. After graduating, she put that knowledge aside when she became a production designer whose credits include work on the television show Blue’s Clues and 12 years designing floats and balloons for the Macy’s Thanksgiving Day Parade.

And then came the idea for a picture book about witches – a glimmer of an idea that solidified as she was cleaning up after her family’s weekly pizza night.

In 2014, she attended her first SCBWI Summer Conference with an outline. She didn’t have a dummy or a portfolio, but three years later that story, The Wompananny Witches Make One Mean Pizza, would be published by Abrams.

SCBWI Central Coast Regional News, Third Quarter 2017

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Alexis O'Neill, Robin LaFevers, SCBWI events, SCBWI members, Writers Day

By Ann Rousseau Smith, SCBWI CenCal News Liaison

Rediscovering Your TRUE Voice with Robin LaFevers, by Andrea Custer

Equal parts group therapy and expansion of craft, the Voice Workshop with Robin LaFevers, held on April 29, explored the concept of voice in all its forms: writer, character and story.

The main objective of the day was to help us identify our unique writer’s voice by connecting with our core selves. To accomplish this, Robin led attendees through a series of writing exercises that revealed our emotional truths.

Melissa Manlove: Editor’s Perspective, 2017 Writers and Illustrators Day Faculty

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authors, illustrators, Illustrators Day, Melissa Manlove, picture books, publishers, publishing, writers, Writers Day

Melissa Manlove is an editor at Chronicle Books in San Francisco. Her acquisitions tend to be all ages in nonfiction; ages 0-8 for fiction. She’s also a keynote speaker, a breakout session speaker, manuscript critique faculty, and an illustration contest judge for the Los Angeles SCBWI Writers & Illustrators Day, coming on February 25^th, 2017. When acquiring, Melissa looks for fresh takes on familiar topics as well as the new and unusual. An effective approach and strong, graceful writing are important to her. She also has 17 years of children’s bookselling experience and is currently on staff at Book Passage.

Sarah Parker-Lee: Your workshop intensive for the SCBWI Los Angeles Writer’s and Illustrator’s Day event, “What We Say Without Saying: Developing Voice in the Text and Art of Picture Books,” is for authors and illustrators. “Voice” is so often associated with text. What does it mean for illustrations? Do authors and illustrators find one voice together, or a way to intertwine their individual voices?

Melissa Manlove: Voice is a lot of things at once, but style and point of view are a couple of the biggest parts, whether you’re talking about text or art. Artists can make a lot of decisions that will make an impact on readers without them being very aware of it—choices that are ‘show not tell’ in the art, like palette, texture, composition—and decisions that ought to be deliberately calculated to communicate what’s most important about the book they’re illustrating; to evoke emotion, to tell a story.

Authors and artists always have separate voices, but when they are both working towards the same (or complimentary) narrative goals, they achieve a harmony that makes them feel like two halves of the same whole.