#KTChat With Author Margo Sorenson: How to ‘Write What You Know’ Without Oversharing

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Author Tips, Calvin Gets The Last Word, Danger Canyon, Margo Sorenson, Secrets in Translation, writing exercise, writing prompt, writing tips

by Margo Sorenson

Editor’s Note: Award-winning author Margo Sorenson, who has published more than 30 books for young readers and has been an SCBWI member for over 30 years, will be available to chat with you on Twitter this Friday (March 20) from 12 pm to 1 pm (Pacific Time). Keep on reading for her tips on how to write what you know without oversharing, and get your questions ready for this Friday’s live Twitter chat!

We’ve all heard the maxim, “write what you know,” but how can we leverage our true-life personal experiences in our writing without making our manuscripts shameless (blush!) tell-alls? In our upcoming live Twitter chat this Friday, March 20, we’ll explore some ways to use our past histories without incurring the possible wrath of family and friends or the excruciating embarrassment of having all our “deepest secrets” aired to (gasp!) young readers—but still keep our artistic integrity and creativity intact.

Acclaimed author Virginia Hamilton once wrote, “Writing is what you know, what you remember, and what you imagine.” Feelings and emotions are integral in writing, and when we stop and reflect, we really do know our emotions. Creating a main character that will resonate with young readers is often jump-started by tapping into these feelings. Those emotions we remember as kids—joy, fear, shame, love, and betrayal, among many others—will make our characters seem real and true to readers. However, it is key to separate “our real selves” from those strong, self-revelatory feelings that make us so vulnerable. That way, we can avoid turning our manuscripts into cringe-worthy “oversharing.”

How do we do that?

Interview with HarperCollins Senior Editor, Maria Barbo

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editor, HarperCollins, Maria Barbo, publishing tips, Writers Day, writing tips

EDITOR’S NOTE: Unfortunately, as you may have heard, SCBWI L.A.’s 2020 Writers Day has been postponed due to the Coronavirus. Please check your emails for the announcement which provides more details. Despite this news, the below interview (unedited from the original) provides fantastic information – so, please, read on! 

MARIA BARBO (Senior Editor at HarperCollins) acquires high-concept series and standalones for young readers of all ages—focusing mostly on middle grade and select picture books, chapter books, and graphic novels. She is particularly interested in projects with authentic voices, strong hooks, and fresh perspectives that use humor, magic, or illustrations to help young readers learn to navigate their world. She works with award-winning and bestselling authors such as Natalie Lloyd, Jim Benton, and Lisa Greenwald. Prior to joining Harper, Maria worked at Scholastic Inc, earned an MFA in painting, and lived in Spain via the Fulbright Program. When she’s not working, you can find her playing soccer or practicing her handstands.

CHRISTINE VAN ZANDT: Welcome to Kite Tales! We’re excited to have you as a Keynote Speaker at SCBWI L.A.’s 2020 Writers Day event. Your topic, “It’s TOTALLY Personal: Character Motivation is Everything” sounds amazing, as does the breakout session, “Master the Middle of Your Novel.” Does character motivation differ in picture book, middle grade, or YA?

MARIA BARBO: Thank you, Christine. I’m excited to meet everyone in L.A. I’d say the basic guiding principle across all age levels is that your main character’s motivations, their deepest desire, is what drives the plot forward. What do they want? Why do they want it? And which of their personality traits is going to get in their way?

#KTWriteOn with Editor/Author Eve Porinchak: PITCH PERFECT, Mastering the One-Page Synopsis, Query, and Logline

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Author Tips, Eve Porinchak, logline, pitching, query letter, synopsis, writing exercise, writing tips

Happy New Year! Welcome to the Kite Tales Writing Prompt: #KTWriteOn. Each writing challenge is crafted by a kid-lit publishing professional to help spark ideas, creative energy, and get your work moving out into the world. This prompt was created by former literary agent and current editor/YA true-crime author Eve Porinchak. She’s sharing her method for writing the all-important one-page synopsis and subsequent submissions package materials it practically writes for you. BONUS: she’s offering to help you with your logline in the comments, so don’t miss out! Now, take it away, Eve:

The only sad part about working as a literary agent and kid-lit author is witnessing fabulous manuscripts go unread by the gatekeepers’ eyeballs. To prevent this from happening, authors must learn how to pitch their stories. And, I’m here to help! This means creating a submissions package, which equals:

Meet April Halprin Wayland, Author, Poet, and Beach Retreat Instructor

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April Halprin Wayland, authors, Beach Retreat, Cencal 2020 Retreat, More Than Enough: A Passover Story, New Year at the Pier: A Rosh Hashanah Story, picture books, poetry, SCBWI events, To Rabbittown, writing, writing tips

By Ann Rousseau Smith, SCBWI CenCal News Liaison

(Photo: Morgan Eagle)

April Halprin Wayland will be joining us for our picture book retreat, January 10–12, 2020, in San Simeon, California. She writes poetry and picture books, including More Than Enough: A Passover Story and the Sydney Taylor Gold Book Award winning New Year at the Pier: A Rosh Hashanah Story. She was named UCLA Extension Writers’ Program Outstanding Instructor of the Year, and blogs with five other children’s authors at TeachingAuthors.com. April will be presenting four sessions during the retreat weekend, which is open to the public, and will include time to write, join small critique groups, stroll on the beach, and enjoy a beachside campfire in the evening.

ANN ROUSSEAU SMITH: Welcome to the Kite Tales blog! Most people love origin stories. Can you tell us a little bit about your first published picture book?

Secrets to Writing Rhymes that Sell

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Author Tips, Jamie Kiffel-Alcheh, picture books, rhyming, tips, writing tips

By Jamie Kiffel-Alcheh

Rhymes are naturally easy for the brain to process. Their innate musicality makes their messages easier to absorb. They have a calming effect because rhymes set up an expectation and fulfill it each time a verse is completed. And kids love them.

So why are rhyming books so hard to sell?

Well, there are common pitfalls to rhyming. But there are secrets to salable rhyme, too!

The pitfall: Something rhymes just for the heck of it.

“That’s the way” and “What a day” rhyme, but if they don’t tell the story, then the rhyme is doing what I call “treading water.”

#KTChat with Author Henry Lien: 7 Exercises to Generate Unique Story Concepts

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Author Tips, Henry Lien, Peasprout Chen, writing exercise, writing prompt, writing tips

by Henry Lien

Unique story concepts are some of the rarest and most powerful tools in a writer’s arsenal. As an author, I’ve focused my career on unique concepts. For example, my Peasprout Chen series is an Asian middle grade fantasy about a boarding school that teaches a sport combining figure skating with kung fu. The New York Times described Peasprout Chen as “Hermione Granger meets Crouching Tiger, Hidden Dragon meets the Ice Capades meets Mean Girls.”

Below are seven exercises that I use in my own writing, as well as in courses I teach for the UCLA Extension Writers Program and Clarion West Writers Workshop, to generate original story concepts. These exercises are intended to shock your subconscious out of learned behaviors, lead you into unmapped territories of your own creativity, and help you generate story concepts that only you could have come up with.

Four Reasons Why Cons Are Not Cons

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authors, conferences, illustrator tips, illustrators, LA Comic Con, local, networking, PAL, published, publishing, SCBWI members, writing tips

by R. S. Mellette

As we prepare for the Los Angeles Comic Con on October 11-13, I’m hearing from some PAL members, “But I don’t write science fiction…”

So?

Last year for the first time, I organized the SCBWI PAL booth at the Los Angeles Comic Con. I had no idea what to expect. The adventure started with a mass of people RUNNING through the aisles. They were not going to see a film star. They were not going to be the first to watch a new Marvel movie trailer. They were going to buy clothes – Hot Topic was having a doorbuster sale. That’s when I realized, this weekend wasn’t going to be what I expected.

Ask an Editor: Writing Accents and Using Slang

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accents, sensitivity readers, slang, writing tips

“Ask an Editor” is a forum wherein SCBWI members submit questions that are answered as part of our quarterly Kite Tales blog.

Dear Editor – How do I write in an accent or use slang when it’s not the way I speak?

—Yolie, Westside

Dear Yolie – Let’s start with some definitions. Accents are “speech habits typical of the natives or residents of a region” while slang is a defined as “language peculiar to a particular group” (Merriam-Webster Unabridged Dictionary).

ACCENTS: With accents, sparing use can be more effective. While some stories may carry an accent throughout, this works only when it’s done well and is easy for the reader to follow.

Interview with Seth Fishman, Nonfiction Picture Book Author

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agent, Author Tips, nonfiction, picture book, picture books, Seth Fishman, The Gernert Company, Writers Day, writing tips

Maybe you’ve come across SETH FISHMAN’s award-winning book A Hundred Billion Trillion Stars. Or, perhaps you attended his Keynote Presentation at SCBWI LA’s 2018 Writers Day event. His books are rocking the nonfiction picture book world

CHRISTINE VAN ZANDT: Welcome to Kite Tales! It’s great to see a local writer doing so well. Let’s talk a bit about nonfiction picture books. In your latest book, Power Up: Your Incredible, Spectacular, Supercharged Body, you shift the focus from the amazing universe around us to the fascinating world inside our bodies. Power Up has an engaging story line and is loaded with cool facts. Do you have any advice for aspiring children’s nonfiction picture book writers?

#KTWriteOn with Editorial Assistant Stephanie Guerdan: Mixed Media Storytelling

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Jay Kristoff, Joe Ballarini, Lisa Greenwald, mixed media storytelling, Stephanie Guerdan, Tehlor Kay Mejia, writing exercise, writing tips

Welcome to the Kite Tales Writing Prompt: #KTWriteOn. Each writing challenge is crafted by a kid-lit publishing professional to help spark ideas and creative energy. This prompt was created by Stephanie Guerdan of HarperCollins Children’s Books. Stephanie acquires and edits middle grade and teen books. Some of the books she has worked on include the acclaimed debut We Set the Dark on Fire by Tehlor Kay Mejia and the Soldier Dogs series. She likes queer fiction, weird science, and Star Wars.

By Stephanie Guerdan

There are so many different ways to tell a story — even if you narrow that down to just the format of a book. From traditional prose novels to full-color graphic novels, from highly illustrated to photographic, and everything in between.

One format that’s particularly close to my heart is mixed media. This kind of storytelling eschews traditional prose and instead tells a story through a collection of various kinds of media. In a way, it’s taking Marilyn Cram Donahue’s collaging prompt to the next level.  Instead of using your collage images as inspiration, you’re creating your own media and using them to tell the story itself.