10 Inspiring Kite Tales Quotes from 2018

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nick-morrison-325805-unsplash.jpgI’m always grateful for the community and connection that comes from being a member of SCBWI. There’s no shortage of people willing to share advice, tips, and knowledge. And lucky for us, so many in the kid lit community have shared their stories and wisdom on the Kite Tales blog.

Whenever I need a creative boost, I like to reread Kite Tales posts for nuggets of inspiration.

Here are some of my favorite quotes from Kite Tales stories this year. Hopefully they’ll inspire you too as you set your 2019 writing goals. Read on and click the links to see the full posts. Continue reading

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The Last Bookstore’s Manager, Katie Orphan, on Getting Your In-Store Event Right

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By Katie Orphan, manager of the Last Bookstore

One of the best aspects of working in a bookstore is making author events happen. We want them to be great for the author as well as the audience, and I’ve got some tips to help.

Before the event happens, there’s a lot to do. If you’re an illustrator, partnering with your author for the event, or vice versa, can help a lot. You each bring a special part of the creative process to the table, and being able to use your individual talents during the event makes it extra special. If you’re flying solo, don’t despair, there’s still plenty more you can do. Continue reading

Author/Illustrator Frans Vischer on Drawing to Communicate

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By Frans Vischer

My first day at school in America was a doozy. My family immigrated from Holland when I was eleven years old. I was shy, and didn’t speak English, and I needed to use the restroom. The entire class got involved, guessing what I tried to tell the teacher. Out of desperation, I made a drawing of a kid on the toilet, which to my dismay, the teacher shared with the class, before taking me to the restroom.

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#KT250 4th Quarter 2018: 5 Tips To Get Your Work Contest-Ready

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#KT250 is a Kite Tales quarterly community contest, but unfortunately this quarter we did not have enough entries to complete the contest. So instead, we’re offering you some tips as you prepare your work for any kind of contest submission and re-posting all our winning entries from this year! We’re so grateful for all who participated and made our first contest year so special. We can’t wait to see what you do next year!

And if you have any news to share about your entries, we’d love to hear it in the comments or via our “Great News” feature!

To find out how YOU can enter, check out contest info here. Entries are now being accepted for next quarter! (Please re-submit if you submitted for 4thquarter 2018 and would like to be considered for the coming quarter.)

5 TIPS TO GET YOUR WORK CONTEST-READY: Continue reading

Working Writer’s Retreat 2018: Revisions, Connections, and Karaoke

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By JESSICA CHRYSLER and KATYA DOVE

WWR_EditingSeshThis year’s Working Writer’s Retreat brought together writers of all skill levels and backgrounds to the Holy Spirit Retreat Center in Encino, Sept. 28-30. From actors to teachers, newbie writers to seasoned veterans, participants had something to gain from the faculty and each other. In workshops, writers were grouped by category and genre and had ample opportunity to mix and mingle throughout the weekend, including a karaoke party.

Faculty included agent Nephele Tempest, agent Victoria Wells Arms, Delacorte Press associate editor Kelsey Horton, Harper Collins assistant editor Stephanie Guerdan, and author E. Katherine Kottaras.

In this post, writer and illustrator Jessica Chrysler and writer Katya Dove share a conversation about their experiences at the retreat.

Jessica Chrysler: It was so great to see you again at the retreat this year, Katya. As much as I love getting to know new people, it’s always nice to find friendly faces. Every year the organizers try to change up the panels and workshops, so I’d like to know, what was the highlight of your weekend?

Katya Dove: I thought the critique sessions were amazing. Listening to other writers read their work, sharing my own, and bonding over words was by far one of the most powerful experiences. There’s so much talent among the attendees. I was blown away by how focused and committed everyone was. Though I must say, the karaoke party brought out a whole new side to fellow writers and faculty—a wild and vivacious side!

WWR_KaraokePartyJC: I have to agree on the karaoke! It’s always my favorite part of the retreat since it gets everyone out of their quiet, writerly shell. I also really enjoyed the presentation by Katherine Kottaras on “The Joy of Revising.” It’s important to love revision as part of the writing craft and it felt like everyone had similar challenges when facing editing demons. It was great to share and learn different strategies to tackle those obstacles. Continue reading

Polish and Pitch Beach Retreat with SCBWI-CenCal

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By Ann Rousseau Smith, SCBWI CenCal News Liaison and Rebecca Langston-George, SCBWI CenCal Regional Advisor

Join us for a weekend of writing, revising, and crafting your pitch at an ocean side resort. In addition to craft workshops and the opportunity to pitch your work to an agent, you’ll enjoy sunset fire pits and s’mores overlooking the ocean, life-size checkers and chess games atop the cliff, and strolls on the sand.

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LitMingle Minute: Prepping for Mingle Season

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By Renee Carter

What happens when Southern California Mingle Coordinators gather together? Magic. A few weeks ago, Jennifer S. Pitts and SCBWI-L.A. provided the venue for this special meeting.

Being a Mingle coordinatorcan be challenging. We research children’s literature, secure guest speakers, send out email invitations to SCBWI members and network to encourage the public to attend Mingles. Sometimes meetings are attended by large numbers and sometimes attendance is small. There are times we receive feedback from guests and other times we are left to interpret how the meetings are perceived. Our annual meeting allows us to brainstorm, recharge, and make sure YOU get the best mingle opportunities for the 2018- 2019 Mingle season. Continue reading

#KTWriteOn with Agent Clelia Gore: Unsung Animal Heroes

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KTWriteOn

As you settle into fall, celebrate the new season with a new manuscript. Clelia Gore, agent with Martin Literary Management and former Writers & Illustrators Day faculty, offers a challenge to the animal lover (and researcher) in you. 

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Interview with Garret Weyr

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GARRET WEYR delights middle-grade readers with her novel, The Language of Spells (2018, Chronicle Kids). Previous publications include picture book, French Ducks in Venice (Candlewick, 2011), and YA titles from HMH Books for Young Readers, After the Moment (2009), Stay with Me (2007), The Kings are Already Here (2003), When I was Older (2002), My Heartbeat (2002), and, from Crown, Pretty Girls (1988).

CHRISTINE VAN ZANDT: Welcome to Kite Tales! It’s wonderful to share with our readers how a local author has successfully been published in PB, MG, and YA. What advice do you have for authors who write in more than one category? Continue reading

#KTChat with @KaylaCagan: Why the Stories We Read and Write Matter Today and Tomorrow

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By Kayla Cagan, Author of Piper Perish and Art Boss

On Twitter this Friday (9/21/18) from 4-5 PM PST, Kayla will take your questions and discuss why our stories matter, even when we think they don’t. Log into your Twitter account during our chat hour and use the hashtag #KTChat or @mention @KaylaCagan and @SCBWISOCALLA to join the discussion! If you aren’t on Twitter, leave questions in the blog comments before we chat! 

How do we, as writers and readers, make sense of the world when it no longer feels like it makes sense to us? When facts are questioned and questions aren’t answered, do words matter? More importantly, do stories still matter? And what are we doing to make sure we are sharing the stories that can make a difference in a reader’s life?

Reading and writing books are the most valuable arenas of space and territories of time we can occupy to process the noisy world around us. When readers tweet that they lost track of time because they were reading, what they are doing is engaging with a story that was necessary for them. In Brené Brown’s book, Rising Strong, she states, “Neuroeconomist Paul Zak has found that hearing a story — a narrative with a beginning, middle, and end — causes our brains to release cortisol and oxytocin. These chemicals trigger the uniquely human abilities to connect, empathize, and make meaning. Story is literally in our DNA.”

Simply, we need to read and tell stories not just to survive on a personal level, but to thrive as a world community. At first glance, some stories might appear as quiet or common. Maybe they even seem unimportant. The question may be asked: Why this story? Why now?

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